Series consists of articles, correspondence, and other material pertaining to the career and projects of Norman Klenman, his family and his colleagues. Includes material relating to CKVU television, his partnerships with Daryl Duke and William (Bill) Davidson, and the film "Now that April’s Here." Series also contains some autobiographical material written by Klenman, with emphasis on the chronology of his career.

File includes correspondence, pages from Klenman’s “The Write Company” website, an article titled “Before the Beginning: William Davidson’s & Norman Klenman’s 'Now That April’s Here'” by Peter Morris (Take One, July/August 2002) and a draft article by Daryl Duke (2003). Correspondence pertains to Klenman’s former projects, including CKVU television, "The Starlost" and "Ivy League Killers".

Series consists of articles and other writings by Norman Klenman. Includes drafts of the "Salt Spring Island Tatler" and the "Salt Spring Island Spectator", as well as copies of the “Diamond Jim Brady” columns he wrote in the 1990s.

File includes articles by Norman Klenman in the winter and summer 1992 issues.

File contains drafts of the "Tatler" and "Spectator".

File contains drafts of the "Tatler" and "Spectator", as well as some related correspondence.

File consists of short stories and opinion pieces by Norman Klenman as well as printed copies of writings
by other authors.

File consists of printed copies of “Sam Johnson, Freelance Writer” and “The Diamond is a Fan’s Best Friend: Baseball Fantasies and Memoirs,” both written by Norman Klenman.

Series consists of correspondence, agreements, project-related records, financial statements and other records pertaining to Klenman’s involvement with various film companies, in particular Galanty Productions Limited (Galanty Limited), The Canadian Kinetoscope Company Limited, Solenty Limited, Bull & Bear Films Limited and the Canadian Talking Picture Company Limited.

File includes agreements, financial statements, minutes of Board of Directors meetings and correspondence concerning the financial situation of Galanty Limited, the termination of the Galanty partnership and the development of other production companies.

File includes business contracts and related records of Norman Klenman and Galanty Limited. Includes contracts with the Canadian Broadcasting Corporation, 20th Century Fox and Glen-Warren Productions Limited.

File includes correspondence and related records of Norman Klenman, Daryl Duke and Edgar Cowan concerning Galanty Limited business dealings, finances and projects, in particular “The Weekend Man” and “Midas Compulsion.”

File consists of correspondence of Norman Klenman, Daryl Duke and Edgar Cowan pertaining to Galanty Productions Limited projects, business dealings and financial matters.

File consists of correspondence of Norman Klenman, Daryl Duke and Edgar Cowan pertaining to Galanty Productions Limited projects, particularly "The Ecstasy of Rita Joe"; business dealings and financial matters; as well as agreements and assessments of Galanty.

File consists of correspondence of Norman Klenman, Daryl Duke and Edgar Cowan pertaining to Galanty Limited business dealings, financial matters and projects, particularly "The Ecstasy of Rita Joe".

File includes correspondence pertaining to the finances and current and proposed projects of Galanty Productions Limited / Galanty Limited.

File consists of correspondence of Norman Klenman, Daryl Duke and Edgar Cowan pertaining to Galanty Limited business dealings, financial matters and projects, particularly The Ecstasy of Rita Joe. Correspondence also relates to their interest in CITY-TV as founding shareholders. Inscription on the inside of the front cover of the original file folder read: “Norman Klenman: Hasselblad and Film Correspondence.”

File includes correspondence and agreements pertaining to various projects of Galanty Limited, Canadian Talking Picture Company Limited and Bull and Bear Films Limited, including “The Ecstasy of Rita Joe,” “The Bind,” “The Hard Knock,” “Woodsman of the West,” “Maquinnah” and “The Weekend Man.” File also includes correspondence concerning an application by Klenman and Duke for a television station in Vancouver (CKVU).

Series consists of radio play scripts and various screenplays for film and television, including many in draft format, as well as story outlines, project notes and research, and a few articles written by Norman Klenman.

File includes the following scripts, articles and other material written by Norman Klenman: “Deadline” (n.d.); “The Ghost of Marlowe” (n.d.); “Is Dr. Leslie Bell a Vulture for Culture” (letter) (n.d.); "British Columbia Digest" articles “The Fabulous Jokers” (August 1946) and “No Comment” (July 1947); “The Word for Sonia” ([ca. 1948]); various articles in "The U.B.C. Thunderbird" ([ca. 1946]); “I go to Chicago : a radio play” (n.d.); “The Red-haired Boy” (New Liberty Contest, 1952); “The Truth of Marshal” (n.d.); “The Footnote” (n.d.); and “The Dark Patterns of Night and the Rain” (n.d.).