Series consists mainly of photographs taken by the author or relating to her work.

Series consists of photographs and other graphic material consulted for or used in Stonebanks’ book. Also includes some correspondence relating to some of the photographs.

This series consists of 158 images taken by Peter Ogloff of Doukhobor community and Anna Markova’s funeral. The images are duplicates of the original images found on CD-ROMs (MSC121-6-3-0-0-1)

Series consists of various production, personal and publicity photographs as well as photographs used for legal purposes.
 

This series contains photographs pertaining to Japanese Canadians in the decades leading up to, and including, the Second World War.

The series contains photographs, negatives, and slides created and accumulated by both Harry and Valerie Jerome. The photographs dates from 1919-[2005] and reflect the personal and professional lives of Harry, Valerie, and the Jerome family in general.

Series consists of photographs, slides, negatives and contact sheets that depict performers, performances, staff, and audiences.

This series contains images of Doukhobor meeting that took place in Grand Forks in 1958 and images of Peter V. Verigin with large group of Doukhobors during a celebratory events in 1924.

The series consists primarily of photographs relating to Stanley Park and the burial site of E. Pauline Johnson. All but one hand-coloured photo postcard are black and white images, most have notes written on the reverse which approximately date the series between about 1905-1913. One postcard can only be dated to after-1922 because that is the year the stone memorial was built. Pauline's sister Evelyn is thought to have written some of the identifying information on the reverse of some images, and features in at least one of them.

This series consists of photographs found in files elsewhere in the fonds and organized here, stored together for preservation purposes. Each image has been assigned a unique identifier, which is noted at the file level.

This series consists multiple copies of 5 photographs as well as a CD of images.

Series consists of black and white and color print photographs, color photograph slides, and photograph negatives of Blaser and his family, friends, and colleagues. The series also includes print photographs and photograph negatives that belonged to James Felts, a former partner of Blaser’s. The series is divided into seven sub-series: Family print photographs; Blaser family friends print photographs; Friends of Robin Blaser print photographs; Photographs of Robin Blaser; General print photographs; Color slides; and Photograph negatives.

This series consists of photographs, slides and negatives of LaPierre’s personal and professional activities over more than 60 years. There is no order at all to any of the groups of images, they are primarily labelled according to the original bankers box they were received in.

Series consists of negatives, contact sheets, photographs and slides.

This series contains print and negative photographs depicting various events and meetings organized by The Social Credit Party during provincial election and by-election campaigns, party leadership conventions, conferences and annual general meetings. It also includes images of party wide events as well as events specific to single constituency offices, including: Burnaby-Edmonds, Burnaby-Willingdon, Richmond, Vancouver-East, Coquitlam, Chilliwack, Abbotsford, and Cariboo. This also includes images of many events organized by BC Young Socreds.

Series consists of photographs, negatives and contact sheets of IMAG events, including the annual film and video festival opening ceremonies, honouring ceremonies, panels, youth programs, and other events, the traveling film and video festivals, IMAG workshops such as the Randy Redroad workshop, and training programs, such as the Healing Hands training program.

This series consists of photographs and photocopy of photographs relating to the Sons of Freedom protests, including arson and nude demonstrations. In addition, the file includes two microfiches dated 1983 and 1984 from Selkirk College library with listing of book titles regarding local natural resources.

This series contains black and white photographs from various periods of P. V. Verigin’s life starting from around 1895 until his death and funeral in 1924. This series also contains photos of Verigin’s tomb in or after 1925. In specific, this series contains photographs of Verigin’s with his family, with close friends and with the Doukhobor communities in Verigin, Saskatchewan and in Brilliant, British Columbia during various events. There are photographs of Verigin demonstrating farming machinery, racing carriages, posing with community in the villages, as well as many photos from Verigin’s funeral and community visits to his tomb. One fine larger photograph, shows Verigin directing a steam tractor pulling a plow and harrow on the Prairie. In a letter to Tolstoy in December 1903, Verigin specifically describes buying these machines in the summer of 1903 in time for planting and harvesting at the end of that season. Other important images include 2 postcard size images labeled, “Machinery Sold to Doukhobors at Yorkton With Peter Verigin at X” and “A Doukhobor Outfit Ready to Move” showing the first two steam-driven tractors, with attached combines, to be brought into Yorkton by the Doukhobors, a move which some believe spurred jealousy among other farmers who agitated more strongly against the Doukhobors, and thus led to the calamitous reversals of policy by the Canadian government regarding conditions for Doukhobor settlement.

This series consists of one party hand-colored and 25 black and white photographs of J. J. Verigin and his family taken at various events, such as funeral of Peter P. Verigin, funeral of Evodokia, funeral of Anna Fedorova, J. J. Verigin’s wedding and Jubilee 50th anniversary of Doukhobors in Canada. There are several composite photographs containing images that pre-date the composites in some cases by a couple of decades.

This series contains photographs (black and white, colour, prints, slides, and negatives) from all periods of Bartlett’s life. There are extensive photographs of his travels in South East Asia, as well as numerous photos from his home on the Sunshine Coast and his travels with friends in his sailboat.

Series displays photographs taken on Piers Island showing the officers, guards, and matrons; male and female prisoners visiting through a fence that separates men’s and women’s compounds; female prisoners working; penitentiary buildings; penitentiary perimeter; vessel used for transferring prisoners; and a patrol boat. As there are no dates recorded for these photographs, it is not possible to determine the exact dates they were taken; however, based on the subject matter, it is assumed that dates of creation are between 1932 and 1934.

Series consists of photographs of Peter Trower, his partner Yvonne Klan, and their family, friends and other acquaintances. Photographs relate to Trower’s writing, musical and personal activities, his childhood in England and Canada, and his family life. Series includes many photographs of Trower with writer and publisher friends, giving readings, attending literary events, awards ceremonies, and book signings and performing with former bandmates Mike Dunn and Ken Dagliesh, Industrial Accident and the Caulk Boots and Marlin Spikes production. Also included are photographs taken during the filming of the documentary "Between the Sky and the Splinters" in 1976, photographs of Trower’s travels with Yvonne, his various residences, publicity shots for book covers, and photographs from his seventieth birthday party in 2000. Fellow writers appearing in photographs include Earle Birney, Trevor Carolan, Jim Christy, Lorna Crozier, Jamie Mandelkau, John Moore, Cath Morris, Mary Nichol, Stuart Nutter, Richard Olafson, Malcolm Parry, George Payerle, Joe Perone, Ted Poole, Greg Potter, Al Purdy, Robin Skelton, Carol Skoloff, Godfrey Stephens, Alan Twigg, Howard White, and Carolyn Zenailo.

This series consists of photographs created and received by the Woodsworth/MacInnis families. They are primarily posed studio portrait images, although photographs from later years tend to be photographs related to Grace MacInnis's political career.

The series contains photographs of various GATE activities. The series includes some personal photographs of Roedy Green, who was a founding member of GATE.

Series consists of photographs documenting Al Neil’s family, wartime experiences, wedding to Marguerite Neil, cabin at Dollarton, public performances, exhibitions and artworks.

This series consists of prints (some mounted), negatives and slides - both professional and amateur shots - of various performances and rehearsals. Some artistic photo shoots are also included. In many instances exact dates are not known but a general guess by the donor is provided.

This series contains black and white as well as partly hand-colored photographs from various periods of P. P. Verigin’s life starting from around 1880s until his death and funeral in 1939. In specific, this series contains photographs of Verigin mainly with his family and with close friends. There are several photographs from his funeral as well as P. P. Verigin vising his father’s tomb. There are several composite photographs containing images that pre-date the composites in some cases by a couple of decades.

This series consists of The Makortoff family collection of 136 photographic images. Some of the photographic images in this collection are in the form of postcards. The images depict Makortoff family members as well as various individuals related to the family at various social functions. Often, individuals or groups were photographed in the garden, in the fields or in front of the farm dwellings. There are photographs depicting transportation modes of the time period including horse carts and automobiles.

Series is made up of clippings, photographs, correspondence and other records relating to Shackleton’s professional contacts, friends and family members. Records are organized in files named by the individual subject or in general/miscellaneous files.

Series includes personal and biographical material, including Blaser’s birth certificate, records related to his honorary Ph.D. from Simon Fraser University, Blaser’s high school diploma, records related to his health towards the end of his life, records from his employment at San Francisco State University, handwritten personal notes and book lists, a handwritten will, Blaser’s curriculum vitae, and yearbooks from his high school and college years.