Series consists of AIDS-themed postcards, phone cards, posters, stationary and related records collected by Blair Henshaw.

Series consists of records generated from the lobbying activities of AIDS on Stamps, a non-profit AIDS awareness initiative organized by Blair Henshaw. AIDS on Stamps lobbied Canada Post and the federal government to produce an AIDS awareness stamp for circulation in Canada and abroad. Series includes correspondence, newsletters, newspaper clippings, certificates of recognition, commemorative records, proofs of stamps in development, photographs, research and international listings of stamps. Includes records from the 11th International Conference on AIDS, held in Vancouver in 1996, and an obituary for Blair Henshaw.

This series contains records that McCrory collected to document environmental situation in Canada related to parks, watersheds, pulp-mill and logging industry, forest cutting, boreal forests, economic value of forest industry, and effect of industrial activity on the environment. Some of the records relate to the Indigenous peoples’ situation in some provinces in relation to land rights, land use and industrial activity. The records in this series contain various reports, correspondence, news items, maps, photographs and other material.
This series is divided into ten sub-series: Parks; Watersheds; Forestry and pulp industry; Boreal forests, Indigenous peoples; Economics; Climate change; Energy industry; General records; Government policies and documents.

Series consists of records generated from Neil’s work as a musician and artist. These include publicity materials, performance notes, set lists, exhibition files, grant applications, correspondence, original paintings, music scores, and essays about Al Neil.

Series consists of photographs documenting Al Neil’s family, wartime experiences, wedding to Marguerite Neil, cabin at Dollarton, public performances, exhibitions and artworks.

Series consists of records relating to book sales and distribution; these document Nunaga’s relationship with its sales representatives and agencies including J.J. Douglas, McIntyre and Stanton, Belford and Mountain Press.

Series consists of the archive copies of broadsides produced by Mother Tongue Press.

Series consists of copies of the published version of the Rattler zine.

This series is comprised of material collected by Ajaib reflecting his deep interest and involvement with Canadian professional football and, in particular, the BC Lions. Ajaib was one of the original 100 investors for the team in 1953 and became a lifelong season ticket holder.
The series is divided into 2 sub-series: Photographs and Textual records.

The majority of this series is comprised of newspaper and magazine articles containing reviews of performances which Ruth participated in and, later, produced. Publications include: the “Boston Herald”, “Lexington Minute-Man”, “Wellesley Townsman”, “Boston Globe”, “Cambridge Chronical”, “Dance Observer”, “Village Voice”, “The New York Times”, “Show Business”, “New York Herald Tribune”, “Dance Magazine”, “Christian Science Monitor”, “Champaign-Urbana Courier”, “Daily Illini”, Seattle Times”, “Seattle Post-Intelligencer”, “Champaign-Urbana News Gazette”, “The Peak”, “Georgia Straight”, “Contact Quarterly”, “Radcliffe News”, and the “Vancouver Sun”.

This series consists primarily of Ruth’s correspondence regarding certain dance pieces, her personal notes and writings, or articles she authored for publication.

This series is comprised of material associated with Ajaib’s life after World War II as he developed a successful business and started a family. Most of the images in this series come from a family album and are centered around Ajaib’s marriage to Nirmal and the early years of their marriage. Most of the material from later in his life is in the form of correspondence and other records. Also included are some memorabilia items and ephemera that illustrate how Ajaib and Nirmal enjoyed their free time (concerts, theatre shows, trips, etc.).
The series is divided into 2 sub-series: Photographs and Textual records.

This series consists of prints (some mounted), negatives and slides - both professional and amateur shots - of various performances and rehearsals. Some artistic photo shoots are also included. In many instances exact dates are not known but a general guess by the donor is provided.

This series consists of records related to the work of Peter Legebokoff as a curator of the Kootenay Doukhobor Historical Society, including organization of the Doukhobor Village Museum and other projects aiming at preservation of the Doukhobor culture.

This series consist of letters, writings and notes about P. V. Verigin’s life and work by various individuals and organizations, such as CCUB that interacted with him closely. Many of the documents refer to and were written after the death of Verigin in 1924. The file includes articles about Verigin’s return from exile in Siberia by A.V. Efanov and “P. V. Verigin and Molokan” by A. P. Kariakin. Series also includes Anastasia Hoboloff’s account of her dream about P. V. Verigin. Other documents are by I. Konkin, V.S.L., Larion Straukov, Ivan Okunov, S. Vereshagin, I. Tregubov. Some documents do not indicate authors. Documents are mostly in Russian.

This series consists of the Doukhobor community matters correspondence received or send by J. J. Verigin as the Secretary or the Honorary Chair of The Union of Spiritual Communities of Christ (USCC), including letters, telegrams, open letters, declarations and proposals. The majority of the documents are in Russian.

This series consists of writings authored or co-authored by J. J. Verigin and his conversations and speeches recorded by others.

This series consists of documents created by J. J. Verigin’s close family members, his uncle Peter P. Verigin the Second and his mother Anna Markova, also sister of Peter P. Verigin the Second. The series includes the correspondence of Peter P. Verigin the Second, also known as Yastrebov and annotated map of the Doukhobor settlement drawn by Anna Markova.

This series consists of The Makortoff family collection of 136 photographic images. Some of the photographic images in this collection are in the form of postcards. The images depict Makortoff family members as well as various individuals related to the family at various social functions. Often, individuals or groups were photographed in the garden, in the fields or in front of the farm dwellings. There are photographs depicting transportation modes of the time period including horse carts and automobiles.

This series consists of printed articles, writings, song texts, news articles reproductions, essays, letters, lists of publications, newspapers clippings all written by others and collected by Efanov. The subject matter of these records focuses on Doukhobor issues with the British Columbia government, Doukhobor’s protests, Doukhobor’s ways of life and beliefs and the Sons of Freedom. In some cases, authorship of the documents is unclear, but some of known authors include: I. Sysoev, J.E. Podovinikoff, Russell M. Verigin, Jack Sawatsky and Ray Herbert, G. Khadyin, I. Konkin, S. Sorokin, R. E. Morgan, W. Carson. Most documents are printed in English with a few exception in Russian.

This series consists of various records relating to the Doukhobor communities including USCC, CCBRD and Sons of Freedom. It includes reports, transcripts of testimonies, chronologies, phone directories, events programs, Doukhobor leadership messages to community.

This series consists of sound recordings of interview with Hugh Herbison, sound recording of Stephan Sorokin’s funeral and a recording of the CBC program on Doukhobors’ tapestry.

This series consists of the Doukhobor writings in various formats including: journals, dairies, notebooks, manuscripts, addresses to the community, notes, narratives, philosophical writings, song texts, letters, speeches, articles, newspaper clippings, excerpts and other types. These records reveal Doukhobor personal experiences as immigrants, their views on politics, religion and ideology, and their way of life. Some of these accounts are written by identified individual members of the Doukhobor community and many are anonymous.

This series consists of photographic black and white, and color images depicting the Doukhobor Community in Russian, Saskatchewan and British Columbia from before 1886 until 1978, but predominantly 1900-1950s. The images portray various individual members of the Doukhobor community, families and groups in their traditional clothing. More often than not the individuals are unidentified. The images of individuals are often form the early decades of the 20th century. The images also depict various community and personal events, such as funerals, concerts, performances and religious rites as well as places, such as villages, towns, factories, etc. Many images consist of vernacular shots taken by participants, family, etc. and some are taken by identified local photographers.
This series includes images of important Doukhobor leaders including: Anastasia Holoboff, Peter P. Verigin (Chistiakov), Peter P. Verigin III (Yasterbov), Anna Markova, Lukeria Kalmykov, Stefan Sorokin, John J. Verigin, and many others.

Some images are in the format of a postcard, some are mounted on boards or contained in their original folding mounts.

Series consists of materials related to the composition and activities of the Women in View festival board of directors and festival staff members. Records include correspondence, reports, meeting minutes, procedures, and photographs.

Series consists of newsletters of the Women in View Festival organization.

Series contains programs for the Women in View Festivals, including programs for individual performances or events. Series also contains original and photocopied newspaper clippings of press coverage of the Women in View Festivals.

This series consists of the songs, hymns and psalms texts, music sheets and other material related to Doukhobor songs and music as vital part of Doukhobor culture and traditions. Large number of these files are original and translated Doukhobor songs, many of which are unpublished. Some of material was used as source for singing by Eli's wife Dorothy and others. A number of files in this series were created in collaboration with Kenneth Peacock of National Museum in Ottawa.

This series contains black and white as well as partly hand-colored photographs from various periods of P. P. Verigin’s life starting from around 1880s until his death and funeral in 1939. In specific, this series contains photographs of Verigin mainly with his family and with close friends. There are several photographs from his funeral as well as P. P. Verigin vising his father’s tomb. There are several composite photographs containing images that pre-date the composites in some cases by a couple of decades.