Sub-series consists of correspondence of artist Jess Collins who was a close friend of Blaser. Records include handwritten and typed correspondence from Jess to a friend and to a publication.

Sub-series consists of correspondence of poet Jack Spicer who was a close friend of Blaser. Records include handwritten and typed correspondence to and from Jack Spicer.

Sub-series consists of records related to Blaser’s attendance at various poetry conferences. Records include correspondence, conference programs, maps, flight records, notes, and other textual material.

Sub-series consists of textual material and audio cassette related to the conference, Recovery in the Public World, held in Vancouver, B.C. in honor of Blaser’s literary accomplishments on his 70th birthday. Records include correspondence, essays, poems, and announcements for the conference.

Sub-series consists of articles, poems, manuscripts, and other works written by other authors. Some works are unpublished versions and drafts sent to Blaser and include both handwritten and typescript materials.

Sub-series consists of published books, chapbooks, broadsides, journals, and other published materials owned by Blaser. Many of the materials in this series were written by close friends and colleagues of Blaser and have inscriptions and signatures by the author.

Sub-series consists of photograph negatives of images of Blaser, Blaser’s family, friends, and colleagues. Photograph negatives belonging to James Felts are included in the series.

Sub-series consists of slides of Blaser and friends as well as interior and exterior images of Blaser’s house on Trafalgar Street in Vancouver, B.C. Also includes slides that were utilized by Blaser in his teachings.

Sub-series consists of print photographs of miscellaneous people and places as well as objects such as statutes, paintings, and collages.

Sub-series consists of photographs of Blaser and his friends and colleagues. Photographs include other notable writers and artists such as Robert Duncan, Allen Ginsberg, Robert Creeley, Jack Spicer, Jess Collins, as well as other notable American and Canadian poets and authors. The sub-series also includes print photographs that belonged to James Felts, a former partner of Blaser’s.

Sub-series consists of photographs of friends of Blaser’s immediate family, including Sister Mary Seraphina, who was Blaser’s mother’s teacher and lifelong friend, and boyhood friends of Blaser’s.

Sub-series consists of photographs of Blaser and his immediate and extended family.

Sub-series consists of incoming and outgoing correspondence between Blaser and family, friends, colleagues, and unidentified correspondents. Records include handwritten and typed correspondence, as well as facsimile and email correspondence. Additional material includes newspaper clippings, notes, receipts, and other textual material sent to Blaser.

Sub-series consists of incoming and outgoing correspondence between Blaser and family, friends, and colleagues. Material includes handwritten and typed correspondence, as well as facsimile correspondence. Additional material includes newspaper clippings, poems, personal papers, and other textual material sent to Blaser.

Sub-series consists of incoming and outgoing correspondence between Blaser and family, friends, and colleagues. Material includes handwritten and typed correspondence, as well as facsimile correspondence. Additional material includes sketches, newspaper clippings, pamphlets, and other textual material sent to Blaser.

Sub-series consists of outgoing correspondence from Blaser to family, friends, and colleagues. Material includes handwritten and typed correspondence, as well as facsimile and email correspondence.

Sub-series consists of incoming correspondence to Blaser by family, friends, and colleagues. Material includes handwritten and typed correspondence as well as facsimile and email correspondence sent or forwarded to Blaser. Additional material includes enclosed contracts, poetry, and other textual material sent to Blaser.

Sub-series consists of records relating to Norman Klenman’s development of a screenplay for a feature film titled “Woodsmen of the West,” inspired by M. Allerdale Grainger’s memoir of the British Columbia coast in 1908, and plans for its production. Records include several screenplay drafts, notes and ideas, research material, contracts, and production budget and casting proposals.

Sub-series consists of records relating to Norman Klenman and Philip Saltzman’s development of a feature film screenplay titled “The Ultimate Victim,” which was eventually produced under the title "The Swiss Conspiracy". Records include outlines and various drafts of the screenplay, contracts, notes, correspondence, and research material.

Sub-series consists of scripts and screenplays written by Norman Klenman, alone and in collaboration with others, for feature and short films, produced and not produced, as well as related records. Additional material includes related notes, correspondence, contracts, research material, and moving images. Includes screenplays for “Beggarman’s Game,” “Dilbeck Junior,” “The Ecstasy of Rita Joe,” “A Forest of Eyes,” Ivy League Killers (a.k.a. “The Fast Ones”), “Nails,” "Now That April’s Here," “Passion” (based on The Gambler), “Riel”, and “Voices,” as well as a number of other scripts written for the National Film Board and CBC-TV. Series also includes two "Ivy League Killers" film reels.