Sub-series consists of draft short stories and drafts of the collection of short stories published as Out on Main Street in 1993. A small amount of correspondence dates to 1998.
Sub-series consists of In His Image, a work composed by Mootoo sometime prior to the publication of her short story collection Out On Main Street. Mootoo may have drawn on In His Image when writing He Drown She in the Sea.
Sub-series consists of drafts of various short works written by Mootoo over a span of years, mainly works that are as yet unpublished. The sub-series also includes draft essays and lectures given by Mootoo on various occasions.
Sub-series consists of records relating to exhibitions of Mootoo’s visual art and video installations and portfolios relating to the same. The sub-series also includes sketches by Mootoo in various media.
Sub-series consists of handwritten and typed manuscripts and drafts of novels that were eventually published. Includes galley proofs used during the publishing process.
Sub-series consists of drafts and manuscripts of novels, short stories, plays, and poems written by June Skinner. Material is typed and handwritten. Some writings had no identifiable title or date.
Sub-series contains incoming and outgoing correspondence that is related to June Skinner's novels. Correspondence is from agents, publishers, fans, and family.
This sub-series contains incoming and outgoing correspondence between June Skinner and agents; both literary agents and her Hollywood agent. Content mostly relates to June's attempts at getting novels published, rejection notices, and details about her books that were being published.
Sub-series contains incoming and outgoing correspondence between Skinner and Al Hart. Hart was first Skinner's editor at various publishers and later he was her literary agent.
The sub-series contains correspondence with the Authors Guild (including bulletins), Canada Council, fans, Skinner's family, the Public Lending Right Commission, and the author Shirley Suttles.
This sub-series contains June's incoming correspondence from family and friends. Some of the correspondence is addressed to June's children or both her and her husband Fred.
Sub-series consists of income tax return forms, tax assessments from National Revenue Service, lists of expenses and receipts for Skinner's writing career, and correspondence from Skinner's accountant and the National Revenue Service.
Sub-series contains royalty statements from Macmillan, Gollancz, Longmans Green, Dial Press, Beaufort Books, and Second Chance Press for the sales of Skinner's novels.
