Series consists of posters, flyers, handbills, ephemera, promotional objects, t-shirts and bags, and other material publicizing art and literary readings, conferences or other projects Beaulieu was part of or contributed to. The series also includes newspaper clippings of reviews, articles written by Beaulieu and articles featuring Beaulieu and his work.

Series consists of notebooks, sketchbooks and daytimers used by Derek Beaulieu. Books contain sketches, notes, itineraries, lists and other material.

Series consists of print works on paper, photographic documentation, paintings, drawings and linocuts used in the preparation of artworks and chapbooks. Series is divided into the following four sub-series: Works on paper (1996–2005), Linocuts [before 2009], Photographs documenting artworks (1991–[before 2009]), and Artworks by others (2002–[before 2013]).

Series consists of emailed and hand-written correspondence between Derek Beaulieu and his personal and professional contacts. Also includes related records, including signed contracts, employment agreements, grant applications, award submissions and letters of recommendation, postcards, clippings, ephemera and photographs.

Series consists of the chapbooks and editorial records generated from the publishing activity of No press since its founding. Series contains the following sub-series: No press publications (2005–2015); Editorial files (2005–2014).

Series consists of the publications and other records generated from the publishing activity of housepress over its seven-year existence. Series contains the following sub-series: housepress publications (1997–2007), Editorial files (1997–[before 2005]), Administrative files (1998–2004), Financial records (1999–2007), Electronic file backups ([ca. 1999]–[ca. 2003]), and Objects ([between 1997 and 2004]).

The materials in this series consist of media clippings, programs, pamphlets, bookmarks and promotional posters.

The materials in this series consist of media clippings, photographs, programs, pamphlets, bookmarks and promotional posters.

The records in this series consist of media clippings, programs, a photograph, pamphlets, bookmarks and promotional posters.

The materials in this series consist of media clippings, programs, pamphlets, bookmarks and promotional posters.

The series documents Lissel as a handmade papermaker and includes drafts of TOPOS and paste paper samples for TOPOS. The series is arranged in chronological order.

The series documents Lissel as a handmade paper artist, which includes various handmade papers that he has experimented on. He did experiments on different materials, such as cotton, flax, and linen—most of which are defined on the individual paper. Paper samples include kozo and gampi and other samples. The series is arranged in chronological order.

Series consists of one file labeled “Manuscript – A Very Ordinary Life”. The papers inside are annotated and heavily edited at times.

Series consists of financial records relating to payroll, taxes and employment forms. Records include: financial statements, printouts, balance sheets, notes, tax statements and receipts.

Series consists of balance sheets detailing book sales by title per month, grouped by year. The reports visibly grow more complex over the years as computerization and software allowed for greater detail in accounting. Records include: balance sheets, both handwritten and printouts.

Series consists of correspondence between the publisher, sub-contractors, vendors, promoters and authors. Most files contain instructions and drafts as to editorial layout, typesetting, artwork, etc. Records include: correspondence, style sheets, contracts, invoices, grant applications, editorial copy, galley proofs, newspaper clippings, magazines, cartoons, photographs and a poster.

For related materials, see also Series 2: Author correspondence and Series 8: Royalties and related correspondence.

Series consists of correspondence with professional organizations, governmental departments or ministries, and service providers dealt with in the course of normal business. Records include: internal communications, external correspondence, reports, grant applications and awards, contracts, minutes, notes, trade publications, contracts, memorandum, and invoices.

Series consists of correspondence related to the marketing, reviews and sales of New Star publications. The majority of the series are news clippings of various book reviews. Records include: correspondence, photocopies of articles, newspaper clippings and cartoons, and trade publications.

Series consists of correspondence between the publisher and various authors regarding current and future projects, editorial discussions and decisions, revisions, biographical information, book tour information, financial estimates and payments, and press coverage. Records include: correspondence, invoices, orders, receipts, notes, contracts, trade publications, photographs and newspaper clippings.

For related materials, see also: Series 5: Editorial correspondence and related records and Series 8: Royalties and related correspondence

Series consists of accounts payable and received by various vendors, distributers, professional organizations and service providers dealt with in the course of normal business. Records include: correspondence, balance sheets, invoices, orders, receipts, contracts, trade publications, and newspaper clippings.

Series documents Stanley’s interactions with friends from different literary circles, including: Beat Movement, Jack Spicer Circle, San Francisco Renaissance, writers associated with TISH magazine and other parts of the Vancouver arts scene.

Photographs feature writers and friends of George Stanley, including: Helen Adam, Paul Alexander, Hope Anderson, Tony Aste, Ebbe Borregaard, Robin Blaser, Bill Brodecky, Robert Creeley, Robert Duncan, Lewis Ellingham, Nemi Frost, Jim Herndon, Joanne Kyger, Billy Little, Bill McNeill, Stan Persky, David Phillips, Ron Primack, George Stanley, and Scott Watson.

Series documents Stanley’s personal life outside of his work as a poet, and includes records relating to: the death of writer James Herndon, teaching at Northwest Community College, and other personal interests and reflections.

Records in the series include: correspondence, journals, and drawings.

Series documents the publication and critical reception of Stanley’s work and his interaction with the broader literary community.

Series includes: correspondence, financial records, contracts, and sound recordings of readings.

Series documents Stanley’s interactions with other writers and their work. Includes copies of other writers’ work sent to Stanley, Stanley’s suggestions, as well as published articles about the writers themselves and their work.

Series includes manuscripts, typescripts, posters, pamphlets, and newspaper cuttings.

Series documents Stanley’s creative process, including research, writing, and editing in preparation for publication.

Series includes: research notes, drafts, notebooks, typescripts, manuscripts, and chapbooks. Files in the series are arranged alphabetically by title of work, and include a file of miscellaneous poetry

Series documents Stanley’s interactions with friends and other writers in the form of both incoming letters and copies of outgoing letters. The letters include critical discussions of new work, either by Stanley or the correspondent, or relate to personal matters.

Series includes: personal and professional letters, post cards, and cards.

Series consists of the first, second and third drafts of the first edition of "The Voyage of the Komagata Maru: The Sikh Challenge to Canada's Colour Bar," published in 1979 in Delhi by Oxford University Press.

Series consists of analogue sound recordings of radio interviews, lecture series, news documentaries, and a soundtrack for the Architectural Institute of America awards ceremony. The subject of these motion pictures includes Erickson, the Erickson/Massey Architects firm, and specific buildings and designs by Erickson.

Series consists of analogue and digitized artistic films which are possibly created by Arthur Erickson. Imagery depicted include landscapes, children, architecture, and subjects interacting with each other and their surroundings.

Series consists of analogue and digitized motion pictures depicting Arthur Erickson's family and personal life. Motion pictures are filmed at several Erickson familial residences and largely depict family members socializing as well as children and pets playing together.