Sub-series consists of records relating to recommendations Daphne Marlatt has written for others and literary competitions she has judged. Records include letters of recommendation, correspondence, poems from other writers, notes, and administrative records.

Sub-series consists of Daphne Marlatt's grant applications and supporting material, including photographs, biographical information, promotional articles, and correspondence.

Sub-series consists of Daphne Marlatt's writings, presentations, correspondence, event material, travel documents, promotional records, photographs and other material relating to readings she delivered and events she attended.

Sub-series consists of records relating to Daphne Marlatt's role as writer-in-residence at various institutions. Records include correspondence, promotional records, job applications, and administrative documents.

Sub-series consists of records relating to various writing workshops and "studio" workshops Daphne Marlatt has lead. Records include administrative records, correspondence, workshop publications, and other teaching materials.

Sub-series consists of correspondence, contracts and notes regarding Marlatt's university job applications and the administrative aspects of her faculty appointments.

Sub-series consists of records relating to Daphne Marlatt's development of creative writing courses. Records include lecture notes, student evaluations, syllabi, and other course material.

Sub-series consists of records relating to Daphne Marlatt's Women's Studies course on mother-daughter relationships, taught at the University of Victoria and the University of Saskatchewan. Records include articles, lecture notes, correspondence, student evaluations, syllabi, and other course material.

Sub-series consists of records relating to Daphne Marlatt's English course "Four Modernist Women," taught at the University of Victoria and the University of Saskatchewan. Records include articles, lecture notes, syllabi, and other course material.

Sub-series consists of records relating to Daphne Marlatt's course "Tradition and Modernity," taught at Capilano College and Simon Fraser University. Records include articles, lecture notes, correspondence, syllabi, and other course material.

Sub-series consists of records relating to Daphne Marlatt's activities at the annual Sage Hill Poetry Colloquium in Saskatchewan, associated with the Sage Hill Writing Experience. Marlatt served as the colloquium's facilitator. Records include correspondence, brochures, articles, evaluations, and notes.

Sub-series consists of records relating to Daphne Marlatt's development and instruction of various Women's Studies courses, as well as English courses with feminist content. Records include articles, lecture notes, student evaluations, syllabi, and other course material.

Sub-series consists of records relating to Daphne Marlatt's development and teaching of various courses at post-secondary institutions. Records include articles, lecture notes, evaluations by colleagues, brochures, syllabi, and other course material.

Sub-series consists of incoming and outgoing correspondence between Blaser and family, friends, and colleagues. Material includes handwritten and typed correspondence, as well as facsimile correspondence. Additional material includes newspaper clippings, poems, personal papers, and other textual material sent to Blaser.

Sub-series consists of incoming and outgoing correspondence between Blaser and family, friends, and colleagues. Material includes handwritten and typed correspondence, as well as facsimile correspondence. Additional material includes sketches, newspaper clippings, pamphlets, and other textual material sent to Blaser.

Sub-series consists of incoming and outgoing correspondence between Blaser and family, friends, colleagues, and unidentified correspondents. Records include handwritten and typed correspondence, as well as facsimile and email correspondence. Additional material includes newspaper clippings, notes, receipts, and other textual material sent to Blaser.

Sub-series consists of records relating to Peter Trower's 1993 novel "Grogan’s Cafe." Records include an initial outline for the book, editorial feedback, an edited manuscript, and promotional material.

Sub-series consists of records relating to Peter Trower's 2000 novel "The Judas Hills." Records include notes, outline and manuscripts from various stages of the novel's development (including first and final drafts), editorial comments by John Moore, Trower's storyboard sketches, and Trower's comments on the novel's cover design.

Sub-series consists of page proofs for the book "Hellhound on his Trail & Other Stories," a collection of Trower's magazine features and newspaper columns published by Ekstasis Editions in 2008.

Sub-series consists records relating to Peter Trower's 1996 novel "Dead Man's Ticket." Records include manuscripts, editorial comments by John Moore, and publicity records.

Sub-series consists of a manuscript for "The Counting House," an unpublished book based on Trower’s experiences at Oakalla Prison in the 1960s.

Sub-series consists of records relating to Peter Trower and Yvonne Klan’s unpublished book project "Gangsterquest: The Search for the King of Safecrackers." An account of the life of Herbert Emerson Wilson (aka Herb Wilson), the project was originally titled "Holy Herb." Records include notes, research records, chapter and screenplay outlines, and edited and unedited draft manuscripts.

Sub-series consists of a project proposal and a manuscript for "Bastions and Beaver Pelts," an aborted book project Trower worked on with Yvonne Klan.

Sub-series consists of records relating to various book projects of Trower’s which have not been published. Projects include “Busted for Pot,” “Kisses in the Whiskey,” “Vancouver Centennial Anthology,” “Wild West Coast Woods,” and "Echos from another life." Record types include manuscripts, proposals, and chapter outlines.

Sub-series consists of records relating to articles and short stories written by Trower, both published and unpublished. Record types include drafts, outlines, notes, proposals, project lists, notes, and research and reference material. Includes articles and short stories published in the periodicals B.C. Studies, Coast News, En Route, Equity, Lifestyle, Peninsula Voice, Vancouver Magazine, Western Living, and Whistle Punk.

Sub-series consists of newspaper articles, reviews, and poems, written by Peter Trower and published in the Coast News newspaper. Includes some original articles and some photocopied reproductions. Articles are often accompanied by explanatory comments added by Trower at a later date.

Sub-series consists of draft manuscripts of published and unpublished prose arranged into files by Trower according to year of creation. Includes drafts of fictional and non-fictional articles and short stories, some of which were published in the Coast News, Vancouver Magazine, Raincoast Chronicles, B.C. Logging, Business Logger, West Coast Logger, and Western Living. Also includes drafts of material subsequently included in Trower’s novels "Grogan’s Cafe," "Dead Man’s Ticket," and "The Judas Hills." Drafts often contain notes written by Trower at a later date in order to provide further information concerning the piece’s evolution and publication, or lack of publication.

Sub-series consists of copies of Peter Trower’s first collection of poetry, "Poems for a Dark Sunday" published in 1964 as a mimeo. Includes a copy with comments made by Trower at a later date, a copy with comments by Ted Poole, and a revised version created in 1969.

Sub-series consists of records relating to the development and promotion of Trower's 1978 book "Ragged Horizons." Includes the final selection of poems, as well as correspondence, corrections, a draft of Al Purdy’s introduction, and promotional material.

Sub-series consists of a draft manuscript by Trower titled "Tapdance on Quicksand," which evolved into "Moving Through the Mystery," published in 1969.