“A Forest of Eyes” [screenplay, copy 2]
- 16
- File
- [1967]
Part of Norman Klenman fonds
Written by Norman Klenman.
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“A Forest of Eyes” [screenplay, copy 2]
Part of Norman Klenman fonds
Written by Norman Klenman.
"Swiss Conspiracy" : recent contracts and letters – 1976
Part of Norman Klenman fonds
File consists of contracts and correspondence relating to rights to "The Swiss Conspiracy", as well as a few summaries of a proposed screenplay by Klenman for the television series Mission Impossible, titled “In the Eye of the Hasselblad,” and a portion of a screenplay by Klenman titled “Charma.”
“A Forest of Eyes” [screenplay, copy 1]
Part of Norman Klenman fonds
Written by Norman Klenman.
"The Swiss Conspiracy" screenplays and related records
Part of Norman Klenman fonds
Sub-series consists of records relating to Norman Klenman and Philip Saltzman’s development of a feature film screenplay titled “The Ultimate Victim,” which was eventually produced under the title "The Swiss Conspiracy". Records include outlines and various drafts of the screenplay, contracts, notes, correspondence, and research material.
["Swiss Conspiracy" research article]
Part of Norman Klenman fonds
"The Danny Thomas Hour" : “Give Me One For my Baby” : first draft, July 17, 1967 [copy 2]
Part of Norman Klenman fonds
File consists of a teleplay by Norman Klenman, produced by Stanley Kallis, with executive producers Aaron Spelling and Danny Thomas.
Work in progress : misc. ideas for stories
Part of Norman Klenman fonds
File consists of story ideas, proposals and scripts for various television programs, including the following television series: "Star Trek", "Mission Impossible", "Judd for the Defense", "I Spy", "Bonanza", "Run for Your Life", "Felony Squad", "Mannix", "The Invaders", "The Outsider" and "The F.B.I.". The file also includes a proposal by Klenman and Daryl Duke for a half hour television program called “Svengali Jones.” The original file folder is inscribed with a list of story titles and a 2002 note by Klenman reading “early ‘works’ from my writer days.”
“A Forest of Eyes” : notes for an original story and screenplay by Norman Sedawie and Norman Klenman
Part of Norman Klenman fonds
File consists of notes for a script and screenplay of a special episode of the CBC series "Festival", which was never produced. Includes edits and annotations.
Part of Norman Klenman fonds
File consists of records relating to the creation of the screenplay for “The Ultimate Victim,” ultimately produced as "The Swiss Conspiracy". Includes a 1969 draft outline by Klenman; December 15, 1970 “Notes toward revision of Ultimate Victim” by Norman Klenman and Howard Merrill; “”The Ultimate Victim” [screenplay] : revised treatment by Philip Saltzman & Norman Klenman, January 17, 1969”; correspondence with Philip Saltzman and 20th Century Fox; and several articles pertaining to Swiss banks.
[Film reel] : Galanty, "California Dreamin’"part 3 of 3, B roll
Part of Norman Klenman fonds
[Film reel] : Galanty Productions Limited : Hollywood, part 1
Part of Norman Klenman fonds
“Infanticide in the House of Fred Ginger” by Fred Watson
Part of Norman Klenman fonds
Preliminary notes on a proposed Canadian feature film production of Fred Watson’s stage play – “Infanticide in the House of Fred Ginger,” prepared for Edwards-Marion Productions by Producer-Director William Davidson, Toronto, Canada, January 8, 1968.
“The Ultimate Victim” : records – book 1 : outlines / "Swiss Conspiracy"
Part of Norman Klenman fonds
File consists of Norman Klenman’s “personal file copies” of outlines, notes and comments pertaining to the development of Norman Sedawie, Howard Merrill and Klenman’s screenplay for "The Swiss Conspiracy", also known as “The Ultimate Victim.” Includes Klenman’s August 23, 1968 notes regarding Sedawie and Merrill’s pilot story outline and several subsequent outlines by the three writers, using various working titles.
"The Survivors" : chapter five, 2nd draft [April 1, 1969]
Part of Norman Klenman fonds
"The Survivors" : chapter six, first draft
Part of Norman Klenman fonds
“Woodsmen of the West” screenplays and related records
Part of Norman Klenman fonds
Sub-series consists of records relating to Norman Klenman’s development of a screenplay for a feature film titled “Woodsmen of the West,” inspired by M. Allerdale Grainger’s memoir of the British Columbia coast in 1908, and plans for its production. Records include several screenplay drafts, notes and ideas, research material, contracts, and production budget and casting proposals.
“Woodsmen [of the West]” – staff and location budget and Eassie contract
Part of Norman Klenman fonds
File consists of two copies of a contract between Galanty Productions Limited and the rights holder to the original novel.
New Galanty and Mogul financial reports
Part of Norman Klenman fonds
"The Swiss Conspiracy" [revised screenplay]
Part of Norman Klenman fonds
Galanty letter file #3 to March 6 1970
Part of Norman Klenman fonds
File consists of correspondence of Norman Klenman, Daryl Duke and Edgar Cowan pertaining to Galanty Productions Limited projects, business dealings and financial matters.