Subseries consists of documents related to the administration and funding of the After-school program in Media Production.

Series contains records related to Urban Aboriginal Multipurpose Youth Centres (UMAYC), including grant applications, correspondence, contracts and agreements, reports, budgets, and forms.

Series contains documents related to the Aboriginal Community Career Employment Services Society, including guidelines on completing grant applications, draft and completed grant applications, contracts and agreements, correspondence, reports, and budgets.

Subseries consists of recordings of commercials for the film festival, of television coverage of the film festival, and of interviews with IMAG members promoting the film festival.

Subseries consists of films that film-makers, production companies, students, and others submitted for screening in the IMAG annual Aboriginal Film and Video Festival. Subseries includes films that were selected for screening and films that were not selected for screening.

Subseries consists of student work done at IMAG, including rough cuts and final versions of films.

Subseries contains a file related to awards for best film in various categories at the IMAGeNation Film and Video Festival. Subseries also contains an award plaque.

Subseries contains documents related to organizing panels that were held at the IMAGeNation film and video festival.

Subseries contains forms, lists and correspondence related to films and videos submitted for the annual IMAGeNation Film and Video festival.

Sub-series contains records related to promotion and publicity for the IMAG annual film and video festival. Document types include festival programs, newspaper clipping and photocopies, posters, IMAG press releases, press kits for films, and correspondence related to advertising and media sponsorship.

Sub-series contains applications, correspondence, reports, budgets and other documents related to applications for funding for the IMAG annual film and video festivals.

Sub-series consists of records related to the administration of the Vancouver annual Indigenous film and video festivals, including records related to planning the festivals, coordinating festival events and volunteers, and recommendations for subsequent festivals. Document types include correspondence, reports, forms, schedules, budgets and receipts.

Sub-series consists of research articles, newspaper clippings and a literary brochure collected by Coupey.

Sub-series consists of correspondence from writers and poets, postcards, invitations, greeting cards, exhibition broadsides, newspaper clippings, poems, photographs, literary/poetry publications, chapbooks & zines, an audio tape consisting of five poems, ephemera, drafts & manuscripts, a McLean’s article featuring BC writers and poets, June 1973, and a series of postcards created by Coach House Press. Also included in the sub-series are correspondence and sample pages for One More Once: For Pierre Coupey’s 70th, a festschrift to honor Pierre Coupey’s dedication to art and literature on the occasion of his 70th birthday in 2012.

Coupey corresponded with a variety of writers and poets with whom he was friends. Some of the writers and poets featured in this sub-series include Peter Culley, Barry McKinnon, Zonko (Bill Little), Rick Jones, Brian Fawcett, Steve Cummings, Warren Stevensen, John Newlove, bp Nichol, Henri Chopin, Duncan McNaughton, Rick Kitaeff, Patrick Lane, Sharon Thesen, George Stanley, Bill Schermbrucker, Michael Ondaatje, Esther Mills, John Pass, Audrey Thomas, Margo Foote, Fielding Dawson, Colin Browne, Louis Dudek, Meredith Quartermain, Lenore Kandel, Roy Kiyooka, Jamie Reid, Ryan Knighton, Daphne Marlatt, David Phillips, Victoria Walker and George Bowering, among others.

Sub-series consists of letter of introduction to writers/poets, an outline for the publication content, templates for the writers/poets regarding their submissions for the anthology, memoranda from Capilano College regarding Coupey’s paid educational leave, Capilano College faculty letters, a list of poets, Coupey’s outline, stages and development for the publication, correspondence (incoming and outgoing) with Patrick Lane, Patrick Lane’s biographical information and filled in template for the publication. Also included is a copy of the manuscript, What Matters: Writing 1968-70, by Daphne Marlatt, correspondence from Lionel Kearns, his CV and his filled in template for the publication, a list of Kearns’ published poetic works, an excerpt of his published works by Coach House, 1979, a transcription of a radio show featuring Lionel Kearns, a statement of poetics by Kearns, a photocopy of an introduction to Western Windows written by Lionel Kearns, a photocopy of “Writing Poetry,“ by Lionel Kearns, revisions for his poems, “Menace,” “Manitoulin Poem” and “Guatemala 1975.” Other record types include commentaries written by Lionel Kearns regarding his own work, a postcard featuring an image of Lionel Kearns newspaper clippings and reviews on Kearns. Coupey kept folders for each of the poets he was considering for this publication. Listed below are the names of each folder and the contents within each. The purpose of the publication was to create an anthology of major poetic works of British Columbia in the period between 1970 and 1980. The title, West Coast Poetry and Poetics: 1970-1980 was considered as the working title for the anthology. This project was part of Coupey’s half-year paid educational leave from Capilano College; the project was never brought to completion.

Sub-series consists of letters, schedules and itineraries for reading engagements, newspaper clippings on Pierre Coupey, research materials, drafts of poetic works by Coupey, annotations from Bill Schermbrucker on a first draft for the poem, “Moon Bay,” a draft copy of “The Alphabet of Blood” as well as a published photocopy of the poem. Also included are correspondence and publishing information from Gary Geddes, a letter from Coach House Press (bp Nichol and Michael Ondaatje), an award certificate from The Malahat Review (circa 1980s), poetic materials for the “Interventing the Text: A Symposium, 1991,” as well as drafts and poems from Coupey’s formative years as a youth, including a significant letter from 1957 from Canadian poet Louis Dudek to Coupey and a newspaper clipping about Dudek. This photocopy of this seminal letter from Dudek fuelled Coupey’s life-long passion as a poet. A few of the early poems from this sub-series are included in Coupey’s publication Bring Forth the Cowards. Also included in this sub-series are drafts and working copies of poems for “Notes Towards a Requiem,” 1997 and Cutting Out The Tongue: Selected Poems: 1962-1997 by Coupey.

This sub-series, consisting primarily of loose handwritten pages, consists of draft versions of poems or miscellaneous thoughts in draft form. This represents the bulk of the fonds, and was received in an unorganized state. There is next to no order between files, many of which will contain iterations of the same work.

This sub-series contains work determined to be either finished or near completion. Colin Stuart spent much of his life continually editing and revising his poems, so it is likely that multiple different versions of the same piece exists.

Subseries contains magazines, photocopies, books, exhibit catalogues and film festival guides.

Subseries consists of drafts of talks Peter Culley gave and recordings of poetry readings by Peter Culley.

Subseries contains drafts and typescripts of poetry, essays and film reviews.

Sub-series consists of handwritten and typewritten notes and drafts for poetry, essays, film reviews and other writing.

Sub-series consists of bound notebooks that contain notes and drafts of poetry, essays, film reviews, and talks.