File includes the first rough draft and first draft of a screenplay by Norman Klenman and Philip Saltzman for a film produced as the "Swiss Conspiracy" (draft title “The Ultimate Victim”).

File consists of correspondence of Norman Klenman, Daryl Duke and Edgar Cowan pertaining to Galanty Productions Limited projects, particularly "The Ecstasy of Rita Joe"; business dealings and financial matters; as well as agreements and assessments of Galanty.

File includes correspondence pertaining to the finances and current and proposed projects of Galanty Productions Limited / Galanty Limited.

File consists of a document containing the following for a proposed motion picture and television series
titled “The Shadow War” by Howard Merrill and Norman Klenman: a treatment of the film, notes on the
criminal conspiracy and a dramatis personae for the series.

File consists of correspondence of Norman Klenman, Daryl Duke and Edgar Cowan pertaining to Galanty Limited business dealings, financial matters and projects, particularly "The Ecstasy of Rita Joe".

File consists of a Galanty Productions Limited proposal to shoot a film version of George Ryga’s play The Ecstasy of Rita Joe, and includes biographical information for Norman Klenman, Daryl Duke and William Davidson.

File consists of story ideas and research notes for various projects, including an episode of the television show "Ironside", a television drama titled “A Gentleman of Toronto”, “The Story of Sir Henry Pellatt, Builder of Casa Loma”, “Vancouver Police Inquiry: 1955”, and several items pertaining to Frederick Phillip Grove.

File consists of a document containing the following for a proposed feature film and television series by
Howard Merrill and Norman Klenman titled “The Shadow War”: an outline of the treatment of the film, notes on the criminal conspiracy and an outline of the dramatis personae of the television series. The document is dated June 1, 1970.

File consists of a May 10, 1971 third draft screenplay for “Dilbeck Junior” written by Charles O’Neal and revised by Norman Klenman, as well as a later version of the screenplay written by Norman Klenman and containing June 7/71 corrections. Also included in the file is an April 27, 1971 sketch for the screenplay.

File consists of correspondence of Norman Klenman, Daryl Duke and Edgar Cowan pertaining to Galanty Limited business dealings, financial matters and projects, particularly The Ecstasy of Rita Joe. Correspondence also relates to their interest in CITY-TV as founding shareholders. Inscription on the inside of the front cover of the original file folder read: “Norman Klenman: Hasselblad and Film Correspondence.”

File includes correspondence and agreements pertaining to various projects of Galanty Limited, Canadian Talking Picture Company Limited and Bull and Bear Films Limited, including “The Ecstasy of Rita Joe,” “The Bind,” “The Hard Knock,” “Woodsman of the West,” “Maquinnah” and “The Weekend Man.” File also includes correspondence concerning an application by Klenman and Duke for a television station in Vancouver (CKVU).

File consists of a screenplay written by Norman Klenman, based upon a screenplay by Charles O’Neal.

File consists of a screenplay written by Norman Klenman, based upon a screenplay by Charles O’Neal.

File includes agreements, financial statements, minutes of Board of Directors meetings and correspondence concerning the financial situation of Galanty Limited, the termination of the Galanty partnership and the development of other production companies.

File consists of a copy of the second draft of a story and screenplay written by Norman Klenman.

File includes business contracts and related records of Norman Klenman and Galanty Limited. Includes contracts with the Canadian Broadcasting Corporation, 20th Century Fox and Glen-Warren Productions Limited.

File consists of a story and screenplay by Norman Klenman, based upon the work of the Crisis Intervention and Suicide Prevention Centre. This version of the screenplay is titled “Caring.”

File consists of a screenplay by Norman Klenman.

Pages 24-26 are missing from this copy.

File consists of the final version of a screenplay written by Norman Klenman for Horatio Productions Ltd. A note by Klenman on the original folder reads “Assigned writer but this was never filmed.”

File consists of a five page document written by Norman Klenman, script editor, providing the premise of the series, descriptions of its main characters, and the ‘essential ingredients of the Starlost’.

File consists of a photocopy of Harlan Ellison’s April 10, 1973 outline of the basic format for "The Starlost" television series, titled “The Word.” The text is accompanied by illustrations, and the front cover is stamped as registered June 12 1973 by the Writers Guild of America.

File consists of a copy of Harlan Ellison’s outline of the basic format for "The Starlost" television series, titled “The Word.” The text is accompanied by illustrations. The front cover appears to be missing from this copy.

File consists of a screenplay written by Harlan Ellison and Norman Klenman.