Sub-series consists of one photograph album and loose photographic prints and slides of Beaulieu’s artworks, installations and related events.

Sub-series consists of records relating to "The Gull," the Japanese Noh play written by Daphne Marlatt. The play is a dramatization of the historical link between the fishing town of Steveston, home to many Japanese-Canadians, and Mio, the coastal village in Wakayama, Japan, from which many of their ancestors originally emigrated. Records include manuscripts, permissions, correspondence, musical scores, research material, photographs, books, articles, promotional material, programs and related production material. Also includes two optical discs, one of which contains sound files with transcriptions.

Sub-series consists of correspondence, contracts and notes regarding Marlatt's university job applications and the administrative aspects of her faculty appointments.

Sub-series consists of published materials written by Blaser. Material includes The Holy Forest, chapbooks and broadsides, music lyrics, and individual poems.

Sub-series consists of textual materials related to readings and other performances of Blaser’s written works. Included is a transcript of an interview with Blaser, handwritten notes from Blaser’s reading copy of The Holy Forest, copies of poems read at events, programs, correspondence with organisers, receipts, and schedules.

Sub-series consists of published books, chapbooks, broadsides, journals, and other published materials owned by Blaser. Many of the materials in this series were written by close friends and colleagues of Blaser and have inscriptions and signatures by the author.

Sub-series consists of facsimile and printed email correspondence between Blaser’s partner, David Farwell and friends.

This sub-series contains letters to and about both Ajaib and Nirmal, as well as other individuals (presumably extended family members). Also included are some memorabilia items and ephemera that illustrate how Ajaib and Nirmal enjoyed their free time (concerts, theatre shows, trips, etc.).

This sub-series consists of administrative records created by the Editorial Board and management of the Iskra

This sub-series consists of the various records relating to the USCC and its executive members and their relationship with members of the Doukhobor community and Doukhobor and other organizations. This sub-series contains records related to trips that the USCC executive members took as representative of the USCC, including trips to Russia and relationship of with Russian Government in early 1990 and 2000s and joint cultural projects, such as restaurant at Tolstoy's estate. It also includes records related to the Doukhobor community, youth and sport organizations, history of Doukhobor leadership and other records.

Subseries consists of films that film-makers, production companies, students, and others submitted for screening in the IMAG annual Aboriginal Film and Video Festival. Subseries includes films that were selected for screening and films that were not selected for screening.

This sub-series consists of the various writings and notes of Eli Popoff relating to the nature of Doukhobor history, religion, beliefs, culture, education, singing and life-style choices. This sub-series includes texts of speeches, some translations and transcriptions of writings by other authors with the commentary by Popoff. Some of these writings were used as resources for the Iskra publication and some are related to the USCC. This sub-series also contains drafts and related material of works written by Popoff: Origin of Doukhobor Life Concept; What is the meaning of Doukkhobor; Recollections of Early Doukhobor Settlement in the Castlegar-Kinnard Area; Tolstoy in the Lives of Two Families; Katya; Origin of the Doukhobor Surnames.

This sub-series contains records relating to any post-publication activities relating to the promotion and sales for “I Stand for Canada”. Record types include print-outs, newspapers, invoices and reports.

Sub-series consists of articles, poems, manuscripts, and other works written by other authors. Some works are unpublished versions and drafts sent to Blaser and include both handwritten and typescript materials.

Sub-series consists of hand-carved lino blocks used by Beaulieu to create printed works on paper.

Sub-series consists of unique handmade books made by Derek Beaulieu. One book contains seven photographs glued to its pages.

Subseries contains edited typescripts and page proofs with annotations from colleagues and publishers, as well as original artwork used for covers. Includes notes and drafts, and correspondence.

This sub-series is primarily comprised of family photographs contained in a photo album, along with some loose images from later years.

This sub-series contains records relating to the conceptualization and development of the textual content of “Selling for Canada”. Record types include print-outs, correspondence and notes.

Sub-series consists of cartoons, sketch books, drawings and paintings by Peter Trower, including material produced by Trower during his time as a student at the Vancouver School of Art, 1958 to 1959. Includes watercolours, ink, pencil, charcoal and pastel drawings. Cartoons pertain to the logging and aluminum industry, international politics, local politics and issues, the hippie movement, and super-hero spoofs. The subject matter of the drawings and sketches include Peter Trower (self-portraits), family members, friends, models, logging, Trower’s homes in North Vancouver and Gibsons, British Columbia, and in various places in Vancouver, Gibsons, and Port Alice. Series also includes three copies of Jack Wise’s only know cartoon.

Sub-series consists of correspondence, legal agreements, drafts, and photographs pertaining to Daphne Marlatt's poetry/art book "Between Brush Strokes" (2008).

Sub-series consists of incoming correspondence to Blaser by family, friends, and colleagues. Material includes handwritten and typed correspondence as well as facsimile and email correspondence sent or forwarded to Blaser. Additional material includes enclosed contracts, poetry, and other textual material sent to Blaser.

Sub-series consists of handwritten and typewritten notes and drafts for poetry, essays, film reviews and other writing.

Sub-series consists of records relating to Norman Klenman’s development of a screenplay for a feature film titled “Woodsmen of the West,” inspired by M. Allerdale Grainger’s memoir of the British Columbia coast in 1908, and plans for its production. Records include several screenplay drafts, notes and ideas, research material, contracts, and production budget and casting proposals.