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Simon Fraser University Special Collections and Rare Books Norman Klenman fonds
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Dostoyevsky : 2nd draft revisions

File consists of Norman Klenman’s second revision of his screenplay titled “Passion”, dated March 22, 1988. The screenplay is based on Fyodor Dostoyevsky’s novel "The Gambler".

"The Swiss Conspiracy" screenplays and related records

Sub-series consists of records relating to Norman Klenman and Philip Saltzman’s development of a feature film screenplay titled “The Ultimate Victim,” which was eventually produced under the title "The Swiss Conspiracy". Records include outlines and various drafts of the screenplay, contracts, notes, correspondence, and research material.

“Ult. [Ultimate] Victim” : Saltzman draft Ult. Vict. [Ultimate Victim] : became "The Swiss Conspiracy"

File consists of records relating to the creation of the screenplay for “The Ultimate Victim,” ultimately produced as "The Swiss Conspiracy". Includes a 1969 draft outline by Klenman; December 15, 1970 “Notes toward revision of Ultimate Victim” by Norman Klenman and Howard Merrill; “”The Ultimate Victim” [screenplay] : revised treatment by Philip Saltzman & Norman Klenman, January 17, 1969”; correspondence with Philip Saltzman and 20th Century Fox; and several articles pertaining to Swiss banks.

"Swiss Conspiracy" : recent contracts and letters – 1976

File consists of contracts and correspondence relating to rights to "The Swiss Conspiracy", as well as a few summaries of a proposed screenplay by Klenman for the television series Mission Impossible, titled “In the Eye of the Hasselblad,” and a portion of a screenplay by Klenman titled “Charma.”

“The Ultimate Victim” : records – book 1 : outlines / "Swiss Conspiracy"

File consists of Norman Klenman’s “personal file copies” of outlines, notes and comments pertaining to the development of Norman Sedawie, Howard Merrill and Klenman’s screenplay for "The Swiss Conspiracy", also known as “The Ultimate Victim.” Includes Klenman’s August 23, 1968 notes regarding Sedawie and Merrill’s pilot story outline and several subsequent outlines by the three writers, using various working titles.

“Woodsmen of the West” screenplays and related records

Sub-series consists of records relating to Norman Klenman’s development of a screenplay for a feature film titled “Woodsmen of the West,” inspired by M. Allerdale Grainger’s memoir of the British Columbia coast in 1908, and plans for its production. Records include several screenplay drafts, notes and ideas, research material, contracts, and production budget and casting proposals.

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