The fonds comprises records made or received in the course of administering and carrying out the Women in View Festival's functions and programs. Most of the records originated with the Board or with Festival employees. Activities documented include media promotion of the Festival board; management of the Festival's finances; evolution of the Festival's organizational structure; production of the Festival's newsletter; committee and annual general meetings and retreats; correspondence; and reports . Records include meeting minutes and supporting papers; correspondence; reports; copies of the Festival newsletter; newspaper clippings; photographs and negatives; video cassettes and audio cassettes.
Fonds consists of moving images, sound recordings, and textual records relating to Arthur Erickson, his achievements, his travels, and his friends and family. Moving images include documentaries; exhibitions; TV programs; Architectural Institute of America meetings; artistic films; and home movies documenting Erickson's travels and family life. Note that a number of the films are duplicates stored on different mediums (e.g. Betacam, U-matic, and VHS). Sound recordings include radio interviews, lecture series, news documentaries, movie soundtracks, and a soundtrack for the Architectural Institute of America awards ceremony. Textual records include two books and two pamphlets.
The fonds has been arranged by the archivist into seven series:
Fonds consists of concert ephemera, posters, promotional material, photographs, correspondence, and audio recordings created and collected by Heather Haley. Records illustrate her involvement in the Vancouver punk scene, including her bands the Zellots, and the 45s. Other notable members from Vancouver punk bands are represented in the photographs and ephemera collected by Haley.
