Series consists of sixteen pen and watercolour drawings made by George Kuthan in 1959 portraying wildflowers of the Williams Lake area

Series consists of ten pen and watercolour drawings made by George Kuthan in 1959 portraying wildflowers of the Vancouver area

Series consists of works written by Wah as well as other types of records relating to Wah's writing. It contains writing drafts, manuscript pages, and published works of Wah's, as well as related records such as notes, correspondence, research records, and reviews of Wah’s works written by others.

The records in this series have been arranged into the following three sub-series: Diamond grill records, Faking it records, and General records.

Series consists of examples of printing done by the Margison Brothers Printers, as well as a small amount of business records and other miscellaneous items created by the family. Items include stationary, greeting cards, calling cards, business cards, invitations, announcements, posters, cash books, sales tax info and other fiscal records, clip art, newspaper clippings, a publication entitled “Be Tolerant”, and information about a platen printing press.

Series consists of fifteen pen and watercolour drawings made by George Kuthan in 1959 portraying wildflowers and wild animals of the Manning Park area

Series consists of correspondence received and sent by Gladys Hindmarch, as well as a small number of letters accumulated by Hindmarch from other correspondents. Correspondence is related to both personal and professional matters, and correspondents include friends, fellow writers, and publishers.

Series consists of records accumulated by Gladys Maria Hindmarch, created by or related to other people or organizations, primarily friends and fellow writers. Files in this series are predominantly made up of works of other writers, with a small number of records about those writers also included in some files. Record types include writing drafts and published works.

This series contains Bartlett’s notebooks which have a wide array of content. Travel journals, sailing logs, computer schemas, sketch books, and compositional sketches are included. Relevant content may also be found for other series such as Series 5: Gamelan, Series 6: Research materials, Series 7: Writing, Series 8: Computer Programming, and Series 9: Compositions.

The Capilano Review (TCR) was founded in 1971 by Pierre Coupey at Capilano College in North Vancouver. Its first issue appeared in 1972. The series consists of records generated from the publishing activities of The Capilano Review when Coupey was the founding editor from 1971-1976; editor 1989-1991; assistant editor 1987-1989, 2002, to committee member and now as a Board member. TCR provides a forum for experimental contemporary writings and poetry from notable writers and poets along with publishing artworks by artists from Canada, the US and other countries. Along with publishing the magazine, TCR also conducts interviews and hosts workshops, talks and panel discussions. In 2015, TCR parted from Capilano University to become an independent literary, art and poetry magazine. Records include, but are not limited to the following: correspondence, artwork submissions, research articles, Curricula Vitae (CVs) and biographies, interview transcriptions, marked proofs, newspaper articles, hand written notes, postcards and greeting cards, administrative records (agendas, minutes, memos and letters) for the Koerner Foundation Lecture Series, submissions from writers such as Sharon Thesen, Michael Ondaatje, Bill Schermbrucker, George Bowering, Phyllis Webb, Duncan McNaughton, and Jack Spicer, and correspondence from writers/poets such as Robin Blaser, Brian Fawcett, bp Nichol, Fielding Dawson, Audrey Thomas, Susan Musgrave, Rick Jones, Brian Fisher, Stan Persky and Guy Montpetit. The Series also includes a copy of and is not limited to the following: the Capilano Courier, February 14, 1979, which ran a parody of The Capilano Review; Boreal: poesia Espanola en el Canada, Marzo 1975 nos. 4-5; Cancion En El Viento poesias by Manuel Betanzos Santos, 1974; a manuscript of San Francisco Gone by George Stanley, 1989; poetic works such as “The White Antibes, The Canaries” “The Black Bull,” “Morning,” “Bet On It,” and “To Melville” by Duncan McNaughton; Stan Dragland’s “Creatures of Ecstasy,” 1986 and non-fiction work “Coach House Poetry,” ND and Michael de Courcy’s “Grocery List,” ND.

Series consists of twenty-two pen and watercolour drawings and two posters made by George Kuthan in 1959 portraying wildflowers and wild animals of British Columbia. The posters illustrate a short biography and the title of his collection.

Series consists of textual records and photographs relating to locations to which Blaser traveled. Records include travel schedules, receipts, handwritten notes, boarding passes, event programs, ticket stubs, and brochures.

The majority of this series is comprised of newspaper and magazine articles containing reviews of performances which Ruth participated in and, later, produced. Publications include: the “Boston Herald”, “Lexington Minute-Man”, “Wellesley Townsman”, “Boston Globe”, “Cambridge Chronical”, “Dance Observer”, “Village Voice”, “The New York Times”, “Show Business”, “New York Herald Tribune”, “Dance Magazine”, “Christian Science Monitor”, “Champaign-Urbana Courier”, “Daily Illini”, Seattle Times”, “Seattle Post-Intelligencer”, “Champaign-Urbana News Gazette”, “The Peak”, “Georgia Straight”, “Contact Quarterly”, “Radcliffe News”, and the “Vancouver Sun”.

Series consists of artwork lists, reviews, art commission records, research, newspaper clippings, UBC panel discussion itinerary and letter, correspondence to and from art galleries, correspondence pertaining to government run art programs; design sketches, sketchbooks and journals; artworks on paper, newspaper clippings and art related print ephemera.

Series contains material relating to Culley's poetry, books, and essays. Includes handwritten, typed, and word-processed notes and drafts of works; some annotated; page proofs and other materials relating to the creation and publication process of Culley's works; published work; recordings of talks given; and includes correspondence. The series has been divided into several sub-series, which were created based on form. The subseries are: Notebooks; Notes and drafts; Typescripts and page proofs; Talks; and Publications.

Series consists of souveniers of travel, memorabilia, library check-out lists, receipts, report cards, and school work.

Series consists of photocopies, clippings, images, publications and ephemera used for research in writing various essays, reviews, and poems.

Series contains correspondence (both incoming and outgoing), contracts for book publishing and movie adaptations, and copyright applications for June Skinner's novels.

Series consists of correspondence to and from Wah, relating to both personal and professional activities. Includes correspondence between Wah and other writers and poets, between Wah and publishers, friends, and professional acquaintances. Correspondents include George Bowering, Robert Creeley, Lionel Kearns, Ron Loewinsohn, Charles Olson, Michael Ondaatje, Raymond Souster, Warren Tallman, Audrey Thomas, and Phyllis Webb.

Series consists of newspaper clippings, art consignment information, art fundraising records, copyright reproduction information, day timers, travel records, grant applications, postcards, greeting cards, correspondence (typed and handwritten) from poets, writers and art organizations, a magazine article about The Georgia Straight, memorial pamphlets, website design plans and notes, BC Photography and Media Arts Society records (meeting agendas, committee and financial reports, planning records, staff lists and correspondence) and records (reports, constitution, correspondence, minutes, and exhibition requirements) pertaining to the Coast Art Trust. Series also includes official government correspondence, a petition letter on behalf of Barry McKinnon and newsletter articles on Pierre Coupey while he was an instructor at Capilano College/University.

Series consists of sample, draft and completed commercial work produced by Rimmer as a free-lance designer employed by various companies, organizations and individuals. Records include items completed by Rimmer for Colophon Books, including Alison’s Fishing Birds and preliminary work on Allen Ginsberg’s Meditations at Lake Louise; editorial cartoons created by Rimmer for the Williams Lake Tribune from 1960 to 1961; and numerous prints, paintings, and logos created for commercial purposes. Companies, organizations and individuals represented include Murchie’s Tea and Coffee Ltd., Canada Mortgage and Housing Corporation, Air Canada, Vancouver Public Library, Hot Jazz Club, the band Heart, Whistler village, Shrine Circus, and Douglas & McIntyre Publishers.

File consists of records related to the writing and editorial activities of Gladys Maria Hindmarch. The majority of the records document work on Hindmarch's 1988 book "The Watery Part of the World," with a smaller number of records relating to her other books and her works of short prose. Series also includes records relating to her editorial work for a proposed women's magazine. Records include drafts, manuscripts, notes, correspondence, and research records.

Series has been divided into the following two sub-series: "The watery part of the world records" (1964-1988) and "General writings and related records" (1960-1991).

Series consists of magazines, newspapers, clippings and photocopies of articles about Duke or his various projects. Clippings were either set aside by Duke himself, or received from professional press clippings companies.

Series consists of various types of records relating to Wah's personal activities. Records include photographs, notes and course materials from his days as a university student, personal calendars, and records relating to Wah's 20th high school reunion.

Series consists of letters, printouts of emails, and faxes from various friends, editors, family members, and grants. Includes photographic material and drafts of poems and other writings.

Series consists of materials relating to Scottish country dancing believed to have been assembled or created by Mary Macaree. Records include a manuscript and publications.

Series consists of records collected relating to Robbie Burns. Records include manuscripts, notes, photocopies, fliers and publications.

Series contains promotional material and reviews for O'Grady's novels including a book stand, book catalogues, and newspaper clippings.

Series consists of correspondence created or received by Marlatt for personal and professional purposes. The correspondence is with family, friends, and professional colleagues, as well as political authorities on a variety of issues important to Marlatt. For correspondence with publishers, see series MsC-142-0-6.

Series consists of slides and prints featuring images of Jim Rimmer, as well as various aspects and stages of the printing process and the design and cutting of metal typefaces in his studio. Also included is an image of Gerald Giampa.

This series contains textual materials and audio recordings (cassettes, audio reels, vinyl records) related to professional activities that are not specifically gamelan or composition, though they may also be related to both. Items include recordings of compositions by other composers, samples of sounds, recordings of different world music (especially a large number of recordings of Indian classical music), and some live concert recordings.