Series consists of correspondence, drafts and copies of the free press papers, newspaper articles and protest information.

The Capilano Review (TCR) was founded in 1971 by Pierre Coupey at Capilano College in North Vancouver. Its first issue appeared in 1972. The series consists of records generated from the publishing activities of The Capilano Review when Coupey was the founding editor from 1971-1976; editor 1989-1991; assistant editor 1987-1989, 2002, to committee member and now as a Board member. TCR provides a forum for experimental contemporary writings and poetry from notable writers and poets along with publishing artworks by artists from Canada, the US and other countries. Along with publishing the magazine, TCR also conducts interviews and hosts workshops, talks and panel discussions. In 2015, TCR parted from Capilano University to become an independent literary, art and poetry magazine. Records include, but are not limited to the following: correspondence, artwork submissions, research articles, Curricula Vitae (CVs) and biographies, interview transcriptions, marked proofs, newspaper articles, hand written notes, postcards and greeting cards, administrative records (agendas, minutes, memos and letters) for the Koerner Foundation Lecture Series, submissions from writers such as Sharon Thesen, Michael Ondaatje, Bill Schermbrucker, George Bowering, Phyllis Webb, Duncan McNaughton, and Jack Spicer, and correspondence from writers/poets such as Robin Blaser, Brian Fawcett, bp Nichol, Fielding Dawson, Audrey Thomas, Susan Musgrave, Rick Jones, Brian Fisher, Stan Persky and Guy Montpetit. The Series also includes a copy of and is not limited to the following: the Capilano Courier, February 14, 1979, which ran a parody of The Capilano Review; Boreal: poesia Espanola en el Canada, Marzo 1975 nos. 4-5; Cancion En El Viento poesias by Manuel Betanzos Santos, 1974; a manuscript of San Francisco Gone by George Stanley, 1989; poetic works such as “The White Antibes, The Canaries” “The Black Bull,” “Morning,” “Bet On It,” and “To Melville” by Duncan McNaughton; Stan Dragland’s “Creatures of Ecstasy,” 1986 and non-fiction work “Coach House Poetry,” ND and Michael de Courcy’s “Grocery List,” ND.

This series consists of photographs created and received by the Woodsworth/MacInnis families. They are primarily posed studio portrait images, although photographs from later years tend to be photographs related to Grace MacInnis's political career.

This series consists primarily of notes and transcripts of correspondence that were used by Grace MacInnis in her research and writing of a biography of her father. Some of J.S. Woodsworth's and Angus MacInnis's original writings are also included, including a manuscript written by J.S. regarding a trip to Russia in 1932, and a collection of Angus MacInnis's diaries.

This series consists of letters, notes and postcards created and received by various members of the Woodsworth/MacInnis families, primarily Grace MacInnis. Key events mentioned in this correspondence include the Woodsworth family's years in Gibson's Landing, B.C., the period of time between the arrest and release from jail of J.S. Woodsworth in the Winnipeg General Strike of 1919, Lucy Woodworth's participation in the Women's International League conference of 1924, an extended European tour that J.S. and Lucy took in 1932, and the general course of Grace and Angus MacInnis's political careers from the 1930's through the 1960's.

This series consists of multiple video cassettes in various formats, as well as 2 DVD’s. Some of the same recordings – especially speeches and produced content - exist across multiple formats.

This series consists multiple copies of 5 photographs as well as a CD of images.

This series consists of mainly correspondence and transcripts of interviews. Also included is a project proposal to continue the film-making process of a project that was interrupted by the death of Jon Gates in 1992.

This series contains the various videotapes (and some cassettes and other multimedia formats) scattered throughout the collection. Some are professional copies, most are home recordings of various shows, most of which it is presumed LaPierre played a part or had an interest in.

This series consists of photographs, slides and negatives of LaPierre’s personal and professional activities over more than 60 years. There is no order at all to any of the groups of images, they are primarily labelled according to the original bankers box they were received in.

Due to the success of his broadcasting and writing careers, as well as his involvement with charitable organizations and service as a Senator, LaPierre was often called upon to speak at or chair events. This series, primarily correspondence, is comprised of records related to these engagements.

Laurier LaPierre invested significant time contributing to various charities and organizations throughout his life. This series is comprised of records, primarily correspondence and reports, relating to is work with these entities. Some of these activities took place during his service as Senator, so related records can be found in Series 4: Records related to term in Senate and Series 6: Records related to public speaking engagements.

This series contains any records related to Laurier LaPierre’s term in the Canadian Senate (2001-2004). These records are primarily comprised of correspondence, official documents, reports and copies or drafts of speeches. Related records can be found in Series 5: Records related to work with charities and organizations and Series 6: Records related to public speaking engagements

This series contains any records related to LaPierre’s writing activities, primarily research for books and drafts of various projects. Included are versions of his published works as well as several unfinished manuscripts in various stages of completion.

This series is comprised of any records relevant to LaPierre’s career in broadcasting. It includes various teleplays and scripts, awards, correspondence and memorabilia.

This series is comprised of some of Laurier LaPierre’s personal records, including legal and medical records, newspaper articles and both personal and general correspondence. It contains primarily textual records, but also photographs and some ephemera. Included also are programs, cards and ephemera from LaPierre’s funeral.

This series consists of material found throughout the fonds of which Colin Stuart was not the creator. Primarily these were generated by Colin's good friend, Duncan McNaughton, but other authors are represented as well. The final file in the series contains transcriptions of some of Colin's work, compiled by his sister on the 1-year anniversary of his passing.

This series consists of documents found throughout the fonds that relate to Colin's life outside of his poetry - either academic, employment, personal, medical or legal.

This series consists of photographs found in files elsewhere in the fonds and organized here, stored together for preservation purposes. Each image has been assigned a unique identifier, which is noted at the file level.

This series consists of notebooks found throughout the fonds and collected for ease of access. They consist of poem drafts, random notes or musings, and personal diaries kept from Colin's student days up until shortly before his death in 2018.

This series contains correspondence removed from other files in the fonds and organized here, primarily by recipient.

This series consists of the extensive bulk of Colin Stuart's body of work - largely unpublished and/or incomplete. It has been divided into two sub-series: Manuscripts and complete poems (1967-[200-]) and Partial manuscripts, drafts, and notes ([ca. 1964]-[before May 2018]).

Series consists of reviews, interviews, curriculum vitaes, grant applications, and conference programs.

Series consists of negatives, contact sheets, photographs and slides.

Series consists of posters, flyers, leaflets, and trade publications.

Series consists of photocopies, clippings, images, publications and ephemera used for research in writing various essays, reviews, and poems.

Series consists of page proofs for works Peter Culley edits and materials about art exhibits Peter Culley curated.

Series consists of souveniers of travel, memorabilia, library check-out lists, receipts, report cards, and school work.

Series consists of letters, printouts of emails, and faxes from various friends, editors, family members, and grants. Includes photographic material and drafts of poems and other writings.