Title and statement of responsibility area
General material designation
- Photographic material
- Graphic material
- Textual record
- Moving images
Other title information
Title statements of responsibility
- Source of title proper: The title of the fonds is based on the name of its creator.
Level of description
Edition statement of responsibility
Class of material specific details area
Statement of scale (cartographic)
Statement of projection (cartographic)
Statement of coordinates (cartographic)
Statement of scale (architectural)
Issuing jurisdiction and denomination (philatelic)
Dates of creation area
1964 - 2007 (Creation)
- School for the Contemporary Arts
Physical description area
ca. 1.4 m of photographic material
305 moving images
24 sound recordings
Publisher's series area
Title proper of publisher's series
Parallel titles of publisher's series
Other title information of publisher's series
Statement of responsibility relating to publisher's series
Numbering within publisher's series
Note on publisher's series
Archival description area
Name of creator
The School for the Contemporary Arts is a department within the university's Faculty of Arts committed to the study, production and promotion of contemporary art. The School offers a graduate Master of Fine Arts (MFA) degree, and undergraduate programs in art and culture, dance, film, music, theatre and visual art. Exhibit and performance are integral to the curriculum. The School also includes the Praxis Centre for Screenwriters; located in downtown Vancouver, Praxis is a non-profit organization devoted to the professional development of Canadian screenwriters and filmmakers.
The School's history can be divided into three broad periods: its origins as a Centre within the Faculty of Education in the university's early years (1965-1969); its years as an independent Centre emphasizing public-events programming (1970-1976); and its formation as an academic unit offering credit courses and degree programs (1976-).
In the university's first year of operation (1965), the Faculty of Education was organized into several Centres, including the Communications Centre (renamed the Centre for Communications and the Arts in 1966). The Centre's mandate included instructional programming (credit and non-credit courses in communications, media studies and the fine and performing arts) and public programming (theatre productions, films, art exhibits, lectures and demonstrations). In the fine and performing arts, artists were engaged as faculty and university residents, accessible to students and the university community through performances, exhibits, workshops, seminars and special events.
Over 1969 and 1970 the Faculty of Education reorganized; the Centre transferred out of the Faculty and reported instead first to the Director of General Studies, then to the Director of University Services (1971). The Centre retained its functions of public-events programming and provision of non-credit, non-degree instruction in the arts, while academic credit programming was transferred to the newly formed Department of Communication Studies in the Faculty of Education. During this period, the Centre focussed its energies on organizing the cultural life of the university, with an extensive series of public programs, including a full-scale production of Henry Purcell's 17th-century opera, "Dido and Aeneas" in 1973. The Purcell String Quartet became the SFU's Quartet-in-Residence in 1972, an association that continued until 1982.
In 1976 the Centre was reorganized as the Centre for the Arts, a department within the Faculty of Interdisciplinary Studies. Its mandate was to develop credit programs in the fine and performing arts, while inheriting its predecessor's public-programming functions, including management of both the university Theatre and Art Gallery. In 1984 the Centre sustained a large funding cut, approximately a third of its budget. Its home faculty -- the Faculty of Interdisciplinary Studies -- was disbanded in 1985 and the Centre moved to the Faculty of Arts. Despite these circumstances, the Centre continued to develop its academic programs, and in addition established strong professional development programs with the the annual Summer Institute series of intensive programs (1986-1994) and the Praxis Centre for Screenwriting (1986-).
In 1990 the Centre changed its name to the present form, the School for the Contemporary Arts. In the same year, the School created a graduate Master of Fine Arts (MFA) degree.
Scope and content
The fonds consists of records relating to activities of the School and its predecessors. Activities and events documented include the evolution of the department's structure, functions and governance; management of the School's budget and financial resources; management of School facilities; deliberations of School committees; correspondence of the Director with staff, faculty, other university departments and external organizations; curriculum development and course instruction; public-events programming; management of faculty and student relations; media relations, publicity and communications; and the organization of conferences and other special events.
Records include correspondence and reports; budgets and financial working papers; meeting agendas, minutes and supporting papers; course outlines and related material; media releases, event programs, flyers and booklets; audio and audio-visual recordings, films, photographs, posters and other graphic material; and departmental publications, including annual reports (1965-1976), course guides, newsletters and brochures.
Immediate source of acquisition
Language of material
Script of material
Location of originals
Availability of other formats
Restrictions on access
Some files may contain personal or confidential information. Access to these files may be restricted as required by law. Files marked 'pending review' must be reviewed by an archivist prior to release, and as a result of the review access restrictions may apply. Please see the file lists and consult the archivist for more details.
Access to audio and audio-visual materials in analog format (film, video, audio reel, audio-cassette) is restricted due to the fragility of the media; consult with the reference archivist for more information about accessing these materials.
Terms governing use, reproduction, and publication
File lists are available. Item lists are available for all audio and audio-visual records. Amoung textual records, the archivist described down to the item level only in selective cases to identify significant reports and other documents. Please be aware that the textual item lists are not exhaustive; they do not list every report contained in the fonds and were prepared only to facilitate searches.
For non-textual records (audio and audio-visual material), item lists are available. Director, cast and production crew credits are registered as access points where the information was available; please see Appendix A for an access points index.
Predominant dates of textual records in the fonds are 1965-1994. Sound recordings, moving images and graphic materials (posters, flyers and brochures) date up to 2007.
Photographs are predominantly located in series F-109-12 (ca. 1.37 m). Other series that includes photographs are 5-5 (Departmental correspondence – film program), 6-4 (Summer Symposium files), 7-1 (Public programming – general files), 7-5 (Purcell String Quartet files), and 7-6 (Dido and Aeneas opera files).
Standard number area
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Genre access points
Description record identifier
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Level of detail
Dates of creation, revision and deletion
19 January 2015: Scope & content for item F-109-14-2-1-0-92 was revised, and a physical description note added and scope & content removed for item F-109-14-2-1-0-111 by Rita Mogyorosi.