- MsC 73-0-6-0-12
- File
- 1996
Part of filling Station fonds
File contains 3 copies of Wah, Fred et al., “Calendric.” Calgary, AB : a filling Station publication, 1996.
Part of filling Station fonds
File contains 3 copies of Wah, Fred et al., “Calendric.” Calgary, AB : a filling Station publication, 1996.
[“Canada’s America or Lost in the Funhouse” – Peter Buitenhuis]
Part of Robin Blaser fonds
File contains Peter Buitenhuis’ essay, “Canada’s America or Lost in the Funhouse.”
“CFU [Canadian Farmworkers Union] Advances,” CAIMAW – Hot Metal (October 1980)
Item is an article about the Canadian Farmworkers Union from CAIMAW – Hot Metal, the newsletter of the Canadian Association of Industrial and Mechanical and Allied Workers.
“Charma” : from an idea by Wilf Wolfman : story by Norman Klenman
Part of Norman Klenman fonds
File consists of a story outline written by Norman Klenman for a proposed production.
Part of Norman Klenman fonds
Part of Norman Klenman fonds
File consists of a screenplay written by Norman Klenman.
Part of filling Station fonds
File contains 2 copies of Rhodes, Shane, “Claims: The Poems.” Calgary, AB : a filling Station publication, 1995.
“Close Up” [The Given] – ms. readers’ responses early 2007
Part of Daphne Marlatt Fonds
[“Constituting Modernity” – Jerald Zaslove]
Part of Robin Blaser fonds
File consists of photocopy of Jerald Zaslove’s article, “Constituting Modernity.”
Part of filling Station fonds
[“Cool Million: the $1,000,000.00 Rubber Check” script]
Part of Daryl Duke fonds
Duke, Daryl
Part of Robin Blaser fonds
File consists of carbon typescript of Bob Rose’s “Cornet Bay,” as well as other various poems.
File includes a Watno Dur article pertaining to Cesar Chavez’s visit to a Canadian Farmworkers Union picket line at Country Farm Natural Foods, Richmond, BC, as well as 2 related photographic prints.
“Crime and Revenge in Vancouver” [screenplay, draft 4 final]
Part of Norman Klenman fonds
File consists of a screenplay written by Norman Klenman.
[“Critical Thesis” – Ross Robertson]
Part of Robin Blaser fonds
File includes copy of Ross Robertson’s essay, “Critical Thesis: In a Dark Forest Between Grace and Hatred – Jack Spicer’s Dictation and the Human Condition.”
[“Culture as Politics” – Steven Cole]
Part of Robin Blaser fonds
File consists of correspondence to Blaser from Steven Cole in regards to his enclosed paper, “Culture as Politics: Coleridge and the Historicity of Prometheus Bound.”
Part of filling Station fonds
File contains 2 copies of Muir, Tom et al. “Cycletic.” Calgary, AB : a filling Station publication, 1994.
[“Daniel Defoe and the Jacobite Movement” – notes and typescript]
Part of David and Mary Macaree fonds
[“Daniel Defoe and the Jacobites: 1688-1702” – essays and typescript]
Part of David and Mary Macaree fonds
[“Daniel Defoe, the Church of Scotland, and the Union of 1707” - article]
Part of David and Mary Macaree fonds
Part of filling Station fonds
File contains 2 copies of Cullen, Nancy et al. “Demo: An Aural Anthology,” introduction by Fred Wah. Calgary, AB : a filling Station publication, 1994.
Part of Robin Blaser fonds
File consists of excerpt from Vow to Poetry titled, “Deviant Identities,” which quotes Blaser’s work. Correspondence from Coffee House Press to Blaser, seeking Blaser’s permission to quote his work also enclosed.
“Dilbeck Junior” : screenplay by Norman Klenman, 15 May 1971
Part of Norman Klenman fonds
File consists of a screenplay written by Norman Klenman, based upon a screenplay by Charles O’Neal.
“Dilbeck Junior” screenplay by Norman Klenman [June 7/71 and September 28/71 corrections]
Part of Norman Klenman fonds
File consists of a screenplay written by Norman Klenman, based upon a screenplay by Charles O’Neal.
“Dilbeck” s/p [screenplays and sketch] – not produced
Part of Norman Klenman fonds
File consists of a May 10, 1971 third draft screenplay for “Dilbeck Junior” written by Charles O’Neal and revised by Norman Klenman, as well as a later version of the screenplay written by Norman Klenman and containing June 7/71 corrections. Also included in the file is an April 27, 1971 sketch for the screenplay.
Part of filling Station fonds
File contains unused commissioned artwork for special issue on disgust.
[“Einbahnstrasse” – Jerald Zaslove]
Part of Robin Blaser fonds
File consists of Jerald Zaslove’s essay, “Einbahnstrasse: The Production of Literature Culture: The Legacies of Formalism and the Dilemmas of Bureaucratic Literacy.”
Part of Norman Klenman fonds
File consists of a script for an episode of the television series "Festival" titled “An Enemy of the People,” written by Henrik Ibsen and adapted by Norman Klenman, as well as a related memo.