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Archival description
Pierre Coupey fonds
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[Correspondence and art shared with Allen Flye]

The correspondence, doodles and artworks within this folder are original materials that Coupey sent to his friend Allen Flye between 1964 and 1965 while Coupey was studying in France under the tutelage of Stanley William Hayter, Atelier 17 at 17 rue Daguerre, Paris France. In March of 2019, Allen Flye, life long friend of Coupey's since their student days at McGill University, sent back the original correspondence, doodles and artworks when he became aware of Coupey's archives being submitted to Simon Fraser University.

[Correspondence and news clippings]

General correspondence with poets, instutions and arts organizations. Also includes a pettion on behalf of Barry Mckinnon for his reinstatement at the College of New Caledonia, newsclippings, newsletters (articles on Pierre Coupey while at Capilano College/University) (PI concerns)

[Crown Gallery: A Book of Days I-XII]

Consists of exhibtion information, mailing list -personal addresses, newspaper article on Pierre Coupey at the Crown, gallery information, correspondence written by friends regarding the show, photocopy of guestbook with addresses,

[Daphne Marlatt]

Folder cover contains her personal contact and residency information (privacy concern) along with Pierre Coupey's to do check list for the anthology

[David Phillips]

Folder cover contains his personal contact and residency information (privacy concern)File does not include additional info.

[Daytimers]

[Daytimers] file (file 1): consists of Pierre Coupey's daytimers (PI concerns)

[Donations to various galleries]

Correspondence to the Burnaby Art Gallery, Lethbridge Art Gallery, Two Rivers Gallery, Kelowna Art Gallery, Ontario College of Art & Design, Art Gallery of Ontario, Vancouver Art Gallery and other galleries pertaining to artwork donations. (PI Concerns)

[Dwight Gardiner]

Folder cover contains his personal contact and residency information (privacy concern) File does not include additional info.

Evaluations

Consists of evaluations, greeting cards, Spring 1996 awards brochure

[Evergreen Cultural Centre: Requiem Notations I-IX]

Consists of a installation photograph, photocopies of the installation, exhibition records, correspondence, gallery layout, framing quote, handwritten notes, invitation layout and design, CV, memoranda, lists of works, various invitation cards, press release, and duo tang with CV and press releases.

[Exhibition correspondence (1)]

Consists of Pierre Coupey letters with galleries for the intent to exhibit. Writing letters to have his visual art represented by a gallery. Includes response letters from Galleries, setting up shows which includes poetry readings as part of the exhibit, exhibtion invitations, newspaper clippings, letter from the Vancouver Art Gallery for the "Affinities" exhibition confirmation, Queen Elizabeth theater diagram for a proposed exh. 80-81, letters with Franklin Silverstone fine art

[Exhibition correspondence (3)]

Consists of letters of interests to exhibit, handwritten notes, gallery correspondence, gallery invitations and posters, gallery program and newpapers clippings, magazine articles, letters.

Exhibition records

Series consists of gallery correspondence, exhibition invitations and catalogues, artist catalogues, postcards, newspaper clippings, exhibition floor plans, handwritten notes, ephemera, magazine articles, mock-ups, drafts and proofs for layout and design work for invitations and catalogues, invitation lists, photocopies of guest books, mailing lists, an interview transcription of Coupey with a curator, exhibition planning records, cue card notes, research information, business cards, itinerary and travel records, gallery guides, comment books, corporate sponsorship records, to do lists, promotional drafts, newsletters, drafts for essays, budgets and receipts, a student essay, grant program information, printmaking information, laser copies and transparencies, installation photographs, quotes, memoranda, lists of artworks, press release and announcements and an exhibition attendance report.

[Faculty exchange: Japan (1)]

Consists of correspondence, maps, memorandums, a couple of photographs, handwritten research notes, itinerary and Aichi Gakusen College information. In 2003, just prior to Coupey's retirement, Coupey received a one month faculty exhange at Capilano College's sister school Aichi Gakusen College, Okazaki, Japan in the Aichi Prefecture. Aichi Gakusen similiar to Capliano College is a coed liberal arts college situated in Aichi Japan. One of the College's goal is to offer a faculty exchange to Capilano instructors to pursue their professional development projects as they relate to Japan. As part of the Faculty exchange, Capilano College faculty are to provide lectures, have office hours available to students, assist in orientation of the Aichi Gakusen students who may eventually attend Capilano College. While at Aichi, Coupey's researched calligraphy from the Kamakura period. In 2003, Coupey was fortunate to attend three major Kamakura exhibitions, which provided in depth research for his Faculty Exchange.

[Financials]

Budget info, sales info, art fundraising contribution, copyright information, Public Lending Right Commision sales receipts, Heinemann publication invoice

[Fred Wah]

Folder cover contains his personal contact and residency information (privacy concern) along with Pierre Coupey's to do check list for the anthology, letter from Wah to Coupey and biogrpahical information

[Fundraising and correspondence]

Consignment information, VGH&UBC fundraising brochure, copyright-reproduction information, art fundraising contributions, and general correspondence.

[Gallery of the Canadian Embassy, Tokyo - Notations 1994-1998 Exhibition: planning]

Consists of Coupey's exhibition catalogue, Notations 1994-1998, gallery guides for galleries in Japan, business cards and exhibition and travel information for Coupey's Notations 1994-1998 exhibition held at the Gallery of the Canadian Embassy, Tokyo, Japan from September 9 to October 27, 1998. Coupey submitted a proposal for the exhibition to the Department of Foreign Affairs. The Department is responsible for three international galleries, one in Paris, Canada House, London, England and the Gallery of the Canadian Embassy, Tokyo, Japan.The Department selected the Notations 1994-1998 exhibition to be shown at the Gallery of the Canadian Embassy, Tokyo. The Department provided 8,000.00 CDN towards the exhibition while the remainder of the funds was crowd sourced by Coupey by soliciting donations from prominent Japanese businesses in Japan. Coupey raised approximately 152,000.00 CDN, which was used for shipping the artworks, setting up the Gallery space, travel and other expenses related to the exhibition.

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