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Archival description
Women's Monument Project fonds
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Women's Monument background records

Series consists of records which were used to define and develop the Project within its social and artistic contexts. Includes reference materials such as statistics on violence against women; original proposals for the Project; speeches given by Committee members at public functions; biographies of the fourteen women; "What They're Saying," a brochure of quotations from well-known public figures who supported the Project; information on other memorials; a budget and a financial statement. Examples of core published materials, such as brochures and the single rose logo and letterhead, are preserved here as well as a cloth banner. Also includes a VHS copy of the film, Marker of Change, donated by the film's producer.

Photographs and slides

Series consists of photographs of various activities including fundraising events, December 6th memorials, jury process, committee meetings, design competition exhibition, Monument construction, and dedication of the Monument. Permission to copy the photographic material was granted by the various photographers in return for photo credit.

Women's Monument Project fonds

  • F-101
  • Fonds
  • 1981 - 1999

The fonds of the Women's Monument Project consists of records created and received in the course of carrying out the Project. Activities documented include Committee and sub-committee meetings, fundraising events, groundbreaking and unveiling ceremonies, site selection, dedication, language selection, design selection, construction, and gallery exhibits.

Includes proposals, reports, minutes, correspondence, speeches, published materials, press releases, news clippings, design competition guidelines, design submissions, construction contracts, Monument inscriptions, drawings, site maps, photographs and slides, videotapes, a cloth banner, and the original maquette and artwork of the winning design by Beth Alber.

Women's Monument Project

Monument design records

Series consists of records relating to the site for the Monument, and its artistic design. Activities documented are site selection, the national design competition (stages one and two), and selection of the dedication languages inscribed on the Monument. Includes correspondence, notes, a site map, subcommittee minutes, competition guidelines, records pertaining to the jurisdiction of the Vancouver Parks Board and the Vancouver Public Art Committee, copies of all 98 design submissions, and questionnaires given out to the public with regard to the dedication languages. Also includes transcripts and audiotapes containing discussions about the selection of seven dedication languages for the site. Also includes the original maquette and artwork for the winning design by Beth Alber.

Construction records

Series consists of records related to the building of Marker of Change, the Women's Monument by the artist, Beth Alber. The Groundbreaking Ceremony is also documented.

The monument consists of fourteen pink Laurentian granite "benches" arranged in a wide circle approximately ninety feet in diameter. Each bench approximates the length of a woman's body (5'5"), representing and inscribed with the name of one of the murdered women. (Each name appears on the side of the bench facing into the circle.) A horizontal vulva-shaped hollow, sand-blasted into the top surface of each bench, gathers rainwater, a symbolic vessel for tears and memory. Every other bench has an inscription of the Dedication in one of seven languages. The Dedication reads:

The fourteen women named here were
murdered December 6, 1989
University of Montreal.
We, their sisters and brothers,
remember, and work for a better world.
In memory and in grief for all women
who have been murdered by men.
For women of all countries, all classes,
all ages, all colours.

Surrounding the benches is a protective ring of clay tiles with over five thousand names of individuals and groups who donated to the Project. Tiles inscribed with epitaphs written by the families are located across from the bench of their respective daughters or sisters. A feather inscription designed by Susan Point is incised in Genevieve Bergeron's bench to signify to all First Nations people that the language inscribed there, Chinook, is First Nations. An orientation stand at one corner of the site has key text written in Braille and raised lettering for people who are visually impaired. The site is wheelchair accessible.

Includes all of the inscriptions that appear on Marker of Change --- for example, the text on the fourteen families' tiles, on the benches, donor tiles and orientation stand, and a drawing of the feather. Also includes a site map and donor tile placement map, and a file describing tile creation by Sumas Clay Inc. Should damage occur, these records contain the details that would be needed to guide repairs or restoration. Also includes budget, contracts and the Engineer's Seal of Approval.

Correspondence

Series consists of letters received from the public about the Project and examples of letters sent by the Committee in response. Also includes official support letters from community leaders, correspondence with the fourteen families of the murdered women, and correspondence with translators for the project's inscription.

Media relations clippings and releases

Series consists of material created by the Project for the media, as well as examples of Canadian print media coverage of the Project. Extensive news clippings from 1991-1998 indicate the scope of the public debate which was inspired by the Project and the social issues it represented. Includes press releases issued by the Committee from 1991-1997, and the text of a television commercial created for the Women's Television Network.

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