Sub-series consists of records relating to Flood’s unpublished work. Records include drafts, correspondence, and handwritten manuscripts of stories, essays and poetry.

Sub-series consists of records relating to Flood’s unpublished novel, "The Woman In The Window." Records include handwritten and typed drafts as well as correspondence with various publishers.

Sub-series consists of records relating to the writing and publishing of Flood’s novel, "Making a Stone of the Heart." Records include reviews, correspondence, publicity materials, manuscripts of early versions of the novel, an excerpt published in "Grain" journal (2008) and research materials.

Sub-series consists of letter of introduction to writers/poets, an outline for the publication content, templates for the writers/poets regarding their submissions for the anthology, memoranda from Capilano College regarding Coupey’s paid educational leave, Capilano College faculty letters, a list of poets, Coupey’s outline, stages and development for the publication, correspondence (incoming and outgoing) with Patrick Lane, Patrick Lane’s biographical information and filled in template for the publication. Also included is a copy of the manuscript, What Matters: Writing 1968-70, by Daphne Marlatt, correspondence from Lionel Kearns, his CV and his filled in template for the publication, a list of Kearns’ published poetic works, an excerpt of his published works by Coach House, 1979, a transcription of a radio show featuring Lionel Kearns, a statement of poetics by Kearns, a photocopy of an introduction to Western Windows written by Lionel Kearns, a photocopy of “Writing Poetry,“ by Lionel Kearns, revisions for his poems, “Menace,” “Manitoulin Poem” and “Guatemala 1975.” Other record types include commentaries written by Lionel Kearns regarding his own work, a postcard featuring an image of Lionel Kearns newspaper clippings and reviews on Kearns. Coupey kept folders for each of the poets he was considering for this publication. Listed below are the names of each folder and the contents within each. The purpose of the publication was to create an anthology of major poetic works of British Columbia in the period between 1970 and 1980. The title, West Coast Poetry and Poetics: 1970-1980 was considered as the working title for the anthology. This project was part of Coupey’s half-year paid educational leave from Capilano College; the project was never brought to completion.

Sub-series consists of correspondence from writers and poets, postcards, invitations, greeting cards, exhibition broadsides, newspaper clippings, poems, photographs, literary/poetry publications, chapbooks & zines, an audio tape consisting of five poems, ephemera, drafts & manuscripts, a McLean’s article featuring BC writers and poets, June 1973, and a series of postcards created by Coach House Press. Also included in the sub-series are correspondence and sample pages for One More Once: For Pierre Coupey’s 70th, a festschrift to honor Pierre Coupey’s dedication to art and literature on the occasion of his 70th birthday in 2012.

Coupey corresponded with a variety of writers and poets with whom he was friends. Some of the writers and poets featured in this sub-series include Peter Culley, Barry McKinnon, Zonko (Bill Little), Rick Jones, Brian Fawcett, Steve Cummings, Warren Stevensen, John Newlove, bp Nichol, Henri Chopin, Duncan McNaughton, Rick Kitaeff, Patrick Lane, Sharon Thesen, George Stanley, Bill Schermbrucker, Michael Ondaatje, Esther Mills, John Pass, Audrey Thomas, Margo Foote, Fielding Dawson, Colin Browne, Louis Dudek, Meredith Quartermain, Lenore Kandel, Roy Kiyooka, Jamie Reid, Ryan Knighton, Daphne Marlatt, David Phillips, Victoria Walker and George Bowering, among others.

File consists of correspondence sent by Gladys Hindmarch relating to personal and professional matters. Correspondents include Cliff Andstein, Roy Kiyooka, Stan Persky, and Daphne Marlatt, among others.

Sub-series consists of poetry and book files for titles written or edited by Beaulieu, including "With Wax," "How to Write," and "Rush: What Fuckan Theory."

Sub-series contains drafts and accompanying correspondence about articles, talks and essays written by Beaulieu.

Sub-series consists of correspondence and unpublished manuscripts from writers such as Helen Hajnoczky, Eric Zboya, Pete Spence, Jordan Scott and Mark Laliberte. Series also includes a publication edited by Christian Bök and produced in an edition of forty copies for Beaulieu’s fortieth birthday.

This sub-series contains records relating to the re-purchase of images, requests for copyright clearance and/or permission to re-publish images from "I Stand for Canada" in “A Flag for Canada”, and any related correspondence.

This sub-series contains records relating to research conducted, predominantly photocopies or printouts from online searches for factual information or photographs for possible inclusion in “A Road for Canada”.

This sub-series contains records relating to graphic design and draft layouts in the pre-publication process. Record types include print mock-ups, correspondence, invoices, draft book copies and sample prints.

This sub-series contains records relating to legal records between author and publisher.

This sub-series contains records relating to graphic design and draft layouts in the pre-publication process. Record types include print mock-ups, correspondence, invoices, draft book copies and sample prints.

Sub-series consists of income tax return forms, tax assessments from National Revenue Service, lists of expenses and receipts for Skinner's writing career, and correspondence from Skinner's accountant and the National Revenue Service.

Sub-series consists of drafts and manuscripts of novels, short stories, plays, and poems written by June Skinner. Material is typed and handwritten. Some writings had no identifiable title or date.

Sub-series contains incoming and outgoing correspondence that is related to June Skinner's novels. Correspondence is from agents, publishers, fans, and family.

Sub-series consists of records relating to Norman Klenman and Philip Saltzman’s development of a feature film screenplay titled “The Ultimate Victim,” which was eventually produced under the title "The Swiss Conspiracy". Records include outlines and various drafts of the screenplay, contracts, notes, correspondence, and research material.

Sub-series consists of page proofs for the book "Hellhound on his Trail & Other Stories," a collection of Trower's magazine features and newspaper columns published by Ekstasis Editions in 2008.

Sub-series consists of a manuscript for "The Counting House," an unpublished book based on Trower’s experiences at Oakalla Prison in the 1960s.

Sub-series consists of records relating to Peter Trower and Yvonne Klan’s unpublished book project "Gangsterquest: The Search for the King of Safecrackers." An account of the life of Herbert Emerson Wilson (aka Herb Wilson), the project was originally titled "Holy Herb." Records include notes, research records, chapter and screenplay outlines, and edited and unedited draft manuscripts.

Sub-series consists of records relating to articles and short stories written by Trower, both published and unpublished. Record types include drafts, outlines, notes, proposals, project lists, notes, and research and reference material. Includes articles and short stories published in the periodicals B.C. Studies, Coast News, En Route, Equity, Lifestyle, Peninsula Voice, Vancouver Magazine, Western Living, and Whistle Punk.

Sub-series consists of galley proofs for Trower's 1989 book "Unmarked Doorways."

Sub-series consists of material relating to the development of Trower's 2004 book "Haunted Hills and Hanging Valleys."Includes several draft manuscripts, including the first selection of poems and the final draft, as well as correspondence between Trower and Harbour Publishing.