Series consists of five notebooks containing drawings and thoughts made by the activists

Series consists of articles and publications, including issues of The Occupied Vancouver Sun, and articles from Extra and MetroNews. It also includes the book Dispatches from the Occupation: A History of Change (2012) by Stephen Collis.

Series consists of material relating to Occupy Vancouver either created or received by Adbusters. Included are two flags similar to the American and Canadian flags. The first flag contains the symbols of large corporations. The second flag is decorated with multiple maple leaves that form “99%.” It also includes a copy of the Adbusters magazine The Big Ideas of 2012 and a copy of the book Meme Wars: The Creative Destruction of Neoclassical Economics.

The series documents the activities of community activism groups associated with Betty Krawczyk. Series consists of mission statements, flyers, a paper flag, song lyrics, correspondence, pamphlets, booklets, newspaper clippings, journals, three calendars, speeches, handwritten notes, a membership list, and envelopes for Women in the Woods, the Canadian Party of Women, and other community activism groups Krawczyk was involved with during the mid-1990s to 2007. Series also contains textile records, including a Prison Justice Day t-shirt, flags, hats, a tote bag, and an aboriginal bead blanket. A large portion of the series relates to the activities of Women in the Woods and Betty’s political movements.

Series consists of letters of correspondence, postcards, greeting cards, photographs, mailing address lists, prison correspondence lists, faxes, photocopies of letters, printed e-mails, excerpts from a magazine, newspaper clippings, a receipt, two calendars, earning reports, newsletters, a real estate advertisement, and drawings from Betty Krawczyk time in prison. Local, national, and international incoming and outgoing correspondence is included in this series. Some of the correspondence and its accompanying materials were received from Krawczyk’s family members and friends, while others are from strangers who read about her experiences in newspapers throughout the world. Some correspondence also includes proof samples of Krawczyk’s publications.

Series consists of course outlines, certificates, articles, print-outs of PowerPoint slides, and notes written by Betty Krawczyk when completing courses from the Institute of Indigenous Government concerning Aboriginal Women’s Studies. File also includes one Simon Fraser University course outline.

Series consists of legal reports, court statements, affidavits, legal notices, court speeches, financial papers, request forms, behavioral reports, and government correspondence with Betty Krawczyk. Series also contains research Krawczyk performed while preparing for her court cases. There are numerous copies of diverse legal acts and other court case examples from throughout North America.

Series consists of newspaper clippings, articles from magazines, print-outs of online articles, flyers for the Burnaby Correctional Institute for Women Library, pamphlets, newsletters, associated correspondence, and press releases related to Betty Krawczyk’s environmental activities, prison sentence, and court case. Reviews of Betty’s published works are included in the series. Series also contains print copies of Betty’s blog posts. There is coverage of various community activism groups, including aboriginal issues in British Columbia. Some of the records are photocopies and photographs.

Series documents Betty Krawczyk’s publishing activities in British Columbia. The series consists of five of her published books, correspondence, poetry, manuscripts, her published magazine articles, interview transcripts, business cards, pamphlets, speech notes, and notices of upcoming event. File also includes two floppy disks and financial records related to the publication of her works.

Series consists of diaries written by Betty Krawczyk while she was incarcerated at Burnaby Correctional Centre for Women. Series includes three files containing two bound dairies and handwritten notes on loose-leaf paper.

Series consists of various photographs collected by Betty Krawczyk. Series includes photographic prints of various sizes that document Krawczyk’s activities in community organizations, protests, prison, and her family. Some photographs have corresponding handwritten notes attached to them.

Series consists of textual records and other media, such as a baseball mitt, a canvas banner, fabric patches, and plaques, created by Harry Jerome during his life. The records pertain to his athletic, academic, and professional careers. The series includes general athletic records, incoming and outgoing correspondence, awards and certificates, and personal records. Additionally, the series contains one file with correspondence and other materials from Ron C. Gibbs, founder and fund administrator for the Harry Jerome Scholarship Fund. Also included in the series are two files that attest to Harry Jerome’s involvement in national athletic programming for youth: Sports Canada, including the Cross-Canada Sports Demonstration, and the Premier’s Sports Award Program.

Series consists of textual records and other media, created and accumulated by Valerie Jerome. While the series was created by Valerie Jerome, the records mostly pertain to Harry’s athletic career and his prominence in the media, even after his death. However, the series does contain some genealogical records about the Howard/Jerome family, and an untitled, biographical manuscript about her family and Harry’s life. The series also contains records relating to Valerie’s political career with the British Columbia Green Party as well as her own athletic achievements.

The series contains textual records that pertain to the Harry Jerome Awards, an annual ceremony that is arranged and presented by the Black Business and Professional Association. The series is arranged into one file, containing ceremony programs. The first ceremony was conducted in 1983. The ceremony was created by Hamlin Grange, Al Hamilton, Denham Jolly, Al Mercury and Errol Townshend, who had gathered in Toronto in November 1982 to discuss how to celebrate six Black athletes who had distinguished themselves at the 1982 Commonwealth Games in Brisbane, Australia. The group had planned to host a reception and decided to invite Harry Jerome as the keynote speaker; however, when Harry Jerome suddenly died in December 1982, the group decided to name the awards banquet after him. The first ceremony was held on March 5, 1983. In the first year of the ceremony, awards were only given based on athletic achievements. In 1984, the categories were expanded to include academics and arts. In addition, it was decided to honour members of the Black community who had contributed to the community.

The series contains textual records created by the Harry Jerome Commemorative Society, which was formed by Valerie Jerome, following Harry Jerome’s death. The Harry Jerome Commemorative Society was formed to achieve two main objectives: to establish a memorial tribute to Harry Jerome in recognition of his athletic achievements and contributions to society; and, to foster an appreciation of athletic accomplishment through the provision of scholarships and bursaries for athletes in BC. The Harry Jerome Commemorative Society funded the creation of a bronze statue of Harry Jerome, which can now be found in Stanley Park in Vancouver, BC, through donations and their main fundraising event, a commemorative dinner in 1985. The series has been arranged into four files: general society records; meeting minutes; sculpture sub-committee records; and financial records.

The series contains photographs, negatives, and slides created and accumulated by both Harry and Valerie Jerome. The photographs dates from 1919-[2005] and reflect the personal and professional lives of Harry, Valerie, and the Jerome family in general.

Series consists of newspaper clippings, dating from 1946-2012. The clippings pertain to the lives of Harry and Valerie Jerome, including their achievements in track and involvement in various groups and initiatives. There are also several clippings about Valerie’s son and Harry’s nephew, Stuart Parker, primarily concerning his role in the British Columbia Green Party – first as a member of the Young Greens political youth organization and eventually as leader of the Green Party. As the clippings were accumulated by different persons, including Harry, Valerie, and friends who sent the clippings to Valerie following Harry’s death, they are contained within their own series. The clippings reflect the mixed reaction that the media had towards Harry Jerome; many of the articles are critical of Harry. During the peak years of his career from 1960-1968, there are many articles about his various races, records, and injuries. The

clippings dating from 1982-2012 were collected by Valerie Jerome and include posthumous articles about Harry and the creation/unveiling of the Harry Jerome statue. There are also several clippings on Valerie’s political career, including campaign ads, letters to the editor and news stories from political events.

The series consists primarily of photographs relating to Stanley Park and the burial site of E. Pauline Johnson. All but one hand-coloured photo postcard are black and white images, most have notes written on the reverse which approximately date the series between about 1905-1913. One postcard can only be dated to after-1922 because that is the year the stone memorial was built. Pauline's sister Evelyn is thought to have written some of the identifying information on the reverse of some images, and features in at least one of them.

The series consists of various printed materials, mostly newspaper articles. There is one illustrated advertisement for an up-coming speaking tour, but the other items are mostly tributes relating to the life and death of E. Pauline Johnson.

Series consists of the first, second and third drafts of the first edition of "The Voyage of the Komagata Maru: The Sikh Challenge to Canada's Colour Bar," published in 1979 in Delhi by Oxford University Press.

Series consists of photocopies of six published articles and one final draft of an essay, on the subject of Sikhs in Canada and the Komagata Maru, written by Hugh Johnston.

Series consists of photocopies and original clippings of newspaper articles and research notes. Clippings are from primarily English-Canadian and Indo-Canadian publications.

Series consists of correspondence, legal and financial records, notes, manuals, plans, agreements, project files, customer survey research and other materials generated or used by Celia Duthie, as president of Duthie Books, Ltd.

Series consists of incoming and outgoing correspondence of a personal and business nature between Rimmer and various members of the printing community, including Paul Duensing, Jules Remedios Faye, Richard L. Hopkins, Richard Kegler, Robert R. Reid, William Rueter, Andrew Steeves, Christopher Stern and Alan C. Waring. Correspondence includes technical advice and comments on recent work. Records also include contact information, thank you letters and prints, as well as correspondence related to various organizations, including the American Typecasting Fellowship, Typochondriacs and the Alcuin Society.

Series consists of material related to publications issued by Pie Tree Press, including books, prints, and broadsides. Includes material relating to Rimmer’s work on an abandoned book entitled “Fred Goudy, Type Designer,” and the development and publication of A Christmas Carol, Shadow River: the Selected and Illustrated Poems of Pauline Johnson, Leaves from the Pie Tree and The Adventures of Tom Sawyer, as well as various Wayzgoose publications. Types of material in this series include drafts, mock-ups, proofs, prints, drawings, illustrations, pamphlets, booklets, broadsides, linocuts, and master patterns.

Series consists of material related to Rimmer’s design and production of typefaces for both the Rimmer Type Foundry and the Lanston Type Company. Records include preliminary sketches, drawings in ink and pencil, transparencies, samples, digital print-outs, electronic files, master patterns, specimen castings, matrices, lead working patterns, and cast metal sorts. Some files contain notes and instructions for modification, and some include explanatory comments written by Rimmer. Electronic files were created by Rimmer on a Macintosh computer using the typeface design software IKARUS and saved to 3.5" floppy disks and compact discs.

Series consists of sample, draft and completed commercial work produced by Rimmer as a free-lance designer employed by various companies, organizations and individuals. Records include items completed by Rimmer for Colophon Books, including Alison’s Fishing Birds and preliminary work on Allen Ginsberg’s Meditations at Lake Louise; editorial cartoons created by Rimmer for the Williams Lake Tribune from 1960 to 1961; and numerous prints, paintings, and logos created for commercial purposes. Companies, organizations and individuals represented include Murchie’s Tea and Coffee Ltd., Canada Mortgage and Housing Corporation, Air Canada, Vancouver Public Library, Hot Jazz Club, the band Heart, Whistler village, Shrine Circus, and Douglas & McIntyre Publishers.

Series consists of numerous prints and illustrations created by Rimmer as art pieces, as well as linocut blocks, woodcut blocks and stencils created by Rimmer to produce prints. Includes images of animals, people, still life, Frederic W. Goudy and keepsakes created for the American Typecasting Fellowship, (A.T.F.) and other associations.

Series consists of material related to the promotion and advertisement of Rimmer’s typographic and graphic design work. Records include sample linocut prints, typeface samples, illustration proof-sheets, portfolios, and commercial advertisements.

Series consists of works created by others relating to Jim Rimmer. Included are articles pertaining to Rimmer; journals, broadsides and pamphlets set in Rimmer typefaces; and memorial books. Series also includes records relating to the staging of ‘Rimmerfest’ at the SFU Vancouver campus in the fall of 2006. These records include electronic copies and colour printouts of photographs taken at ‘Rimmerfest’ and for a video presentation at the event; writings about Jim; a guestbook; and nineteen broadsides produced by friends and colleagues for the event.