Series consists of works created by others relating to Jim Rimmer. Included are articles pertaining to Rimmer; journals, broadsides and pamphlets set in Rimmer typefaces; and memorial books. Series also includes records relating to the staging of ‘Rimmerfest’ at the SFU Vancouver campus in the fall of 2006. These records include electronic copies and colour printouts of photographs taken at ‘Rimmerfest’ and for a video presentation at the event; writings about Jim; a guestbook; and nineteen broadsides produced by friends and colleagues for the event.

Series consists of material relating to Occupy Vancouver either created or received by Adbusters. Included are two flags similar to the American and Canadian flags. The first flag contains the symbols of large corporations. The second flag is decorated with multiple maple leaves that form “99%.” It also includes a copy of the Adbusters magazine The Big Ideas of 2012 and a copy of the book Meme Wars: The Creative Destruction of Neoclassical Economics.

Series consists of letters of correspondence, postcards, greeting cards, photographs, mailing address lists, prison correspondence lists, faxes, photocopies of letters, printed e-mails, excerpts from a magazine, newspaper clippings, a receipt, two calendars, earning reports, newsletters, a real estate advertisement, and drawings from Betty Krawczyk time in prison. Local, national, and international incoming and outgoing correspondence is included in this series. Some of the correspondence and its accompanying materials were received from Krawczyk’s family members and friends, while others are from strangers who read about her experiences in newspapers throughout the world. Some correspondence also includes proof samples of Krawczyk’s publications.

Series documents Betty Krawczyk’s publishing activities in British Columbia. The series consists of five of her published books, correspondence, poetry, manuscripts, her published magazine articles, interview transcripts, business cards, pamphlets, speech notes, and notices of upcoming event. File also includes two floppy disks and financial records related to the publication of her works.

Series consists of print works on paper, photographic documentation, paintings, drawings and linocuts used in the preparation of artworks and chapbooks. Series is divided into the following four sub-series: Works on paper (1996–2005), Linocuts [before 2009], Photographs documenting artworks (1991–[before 2009]), and Artworks by others (2002–[before 2013]).

The series documents Lissel as a handmade paper artist, which includes various handmade papers that he has experimented on. He did experiments on different materials, such as cotton, flax, and linen—most of which are defined on the individual paper. Paper samples include kozo and gampi and other samples. The series is arranged in chronological order.

Series consists of photocopies and original clippings of newspaper articles and research notes. Clippings are from primarily English-Canadian and Indo-Canadian publications.

Series consists of the chapbooks and editorial records generated from the publishing activity of No press since its founding. Series contains the following sub-series: No press publications (2005–2015); Editorial files (2005–2014).

Series consists of notebooks, sketchbooks and daytimers used by Derek Beaulieu. Books contain sketches, notes, itineraries, lists and other material.

Series consists of emailed and hand-written correspondence between Derek Beaulieu and his personal and professional contacts. Also includes related records, including signed contracts, employment agreements, grant applications, award submissions and letters of recommendation, postcards, clippings, ephemera and photographs.

Series consists of posters, flyers, handbills, ephemera, promotional objects, t-shirts and bags, and other material publicizing art and literary readings, conferences or other projects Beaulieu was part of or contributed to. The series also includes newspaper clippings of reviews, articles written by Beaulieu and articles featuring Beaulieu and his work.

Series consists of photocopies of six published articles and one final draft of an essay, on the subject of Sikhs in Canada and the Komagata Maru, written by Hugh Johnston.

The series consists primarily of photographs relating to Stanley Park and the burial site of E. Pauline Johnson. All but one hand-coloured photo postcard are black and white images, most have notes written on the reverse which approximately date the series between about 1905-1913. One postcard can only be dated to after-1922 because that is the year the stone memorial was built. Pauline's sister Evelyn is thought to have written some of the identifying information on the reverse of some images, and features in at least one of them.

Series consists of various photographs collected by Betty Krawczyk. Series includes photographic prints of various sizes that document Krawczyk’s activities in community organizations, protests, prison, and her family. Some photographs have corresponding handwritten notes attached to them.