This series consists of mainly correspondence and transcripts of interviews. Also included is a project proposal to continue the film-making process of a project that was interrupted by the death of Jon Gates in 1992.

This series consists multiple copies of 5 photographs as well as a CD of images.

This series consists of multiple video cassettes in various formats, as well as 2 DVD’s. Some of the same recordings – especially speeches and produced content - exist across multiple formats.

This series consists of letters, notes and postcards created and received by various members of the Woodsworth/MacInnis families, primarily Grace MacInnis. Key events mentioned in this correspondence include the Woodsworth family's years in Gibson's Landing, B.C., the period of time between the arrest and release from jail of J.S. Woodsworth in the Winnipeg General Strike of 1919, Lucy Woodworth's participation in the Women's International League conference of 1924, an extended European tour that J.S. and Lucy took in 1932, and the general course of Grace and Angus MacInnis's political careers from the 1930's through the 1960's.

This series consists primarily of notes and transcripts of correspondence that were used by Grace MacInnis in her research and writing of a biography of her father. Some of J.S. Woodsworth's and Angus MacInnis's original writings are also included, including a manuscript written by J.S. regarding a trip to Russia in 1932, and a collection of Angus MacInnis's diaries.

This series consists of photographs created and received by the Woodsworth/MacInnis families. They are primarily posed studio portrait images, although photographs from later years tend to be photographs related to Grace MacInnis's political career.

The Capilano Review (TCR) was founded in 1971 by Pierre Coupey at Capilano College in North Vancouver. Its first issue appeared in 1972. The series consists of records generated from the publishing activities of The Capilano Review when Coupey was the founding editor from 1971-1976; editor 1989-1991; assistant editor 1987-1989, 2002, to committee member and now as a Board member. TCR provides a forum for experimental contemporary writings and poetry from notable writers and poets along with publishing artworks by artists from Canada, the US and other countries. Along with publishing the magazine, TCR also conducts interviews and hosts workshops, talks and panel discussions. In 2015, TCR parted from Capilano University to become an independent literary, art and poetry magazine. Records include, but are not limited to the following: correspondence, artwork submissions, research articles, Curricula Vitae (CVs) and biographies, interview transcriptions, marked proofs, newspaper articles, hand written notes, postcards and greeting cards, administrative records (agendas, minutes, memos and letters) for the Koerner Foundation Lecture Series, submissions from writers such as Sharon Thesen, Michael Ondaatje, Bill Schermbrucker, George Bowering, Phyllis Webb, Duncan McNaughton, and Jack Spicer, and correspondence from writers/poets such as Robin Blaser, Brian Fawcett, bp Nichol, Fielding Dawson, Audrey Thomas, Susan Musgrave, Rick Jones, Brian Fisher, Stan Persky and Guy Montpetit. The Series also includes a copy of and is not limited to the following: the Capilano Courier, February 14, 1979, which ran a parody of The Capilano Review; Boreal: poesia Espanola en el Canada, Marzo 1975 nos. 4-5; Cancion En El Viento poesias by Manuel Betanzos Santos, 1974; a manuscript of San Francisco Gone by George Stanley, 1989; poetic works such as “The White Antibes, The Canaries” “The Black Bull,” “Morning,” “Bet On It,” and “To Melville” by Duncan McNaughton; Stan Dragland’s “Creatures of Ecstasy,” 1986 and non-fiction work “Coach House Poetry,” ND and Michael de Courcy’s “Grocery List,” ND.

Series consists of correspondence, drafts and copies of the free press papers, newspaper articles and protest information.

Series consists of drafts, sample pages, unpublished and published literary works by Pierre Coupey and other writers/poets, advertisements, ephemera, an early Pierre Coupey CV, reading engagement information, publication outline and forms for the West Coast Poetry and Poetics Anthology project, invitations, newspaper clippings, postcards, type written, email and hand written correspondence and an audio cassette.

This series is divided into 5 sub-series: 1: Poetry ([ca. 1957-2012]); 2: Poetry publications - general (1960-1979); 3: Poetry publications - "West Coast Poetry & Poetics Anthology" ( 1970-1980); 4: Literary works by other authors (1960-2012); 5: Research for literary works ([198-?-2011])

Series consists of records generated from Coupey’s work as an Instructor of English Literature, Canadian Literature, Composition and Creative Writing at Capilano College. Records include and are not limited to the following: correspondence, departmental records, VHS teaching materials, Art Advisory Committee records, greeting cards, ephemera, newspaper clippings, dispute information regarding Capilano University’s cuts to the Fine Arts program, contact information for the Capilano College Art Institute, memos regarding reading engagements, memoranda, applications, project proposals, list of expenses, Coupey’s CVs and correspondence for Paid Educational Leaves. Also included are correspondence, maps, memoranda, travel plans, Aichi Gakusen College information, photographs, travel and tourist guides, handwritten research notes, and itinerary for Coupey’s visit to Japan.

In 2003 just prior to Coupey's retirement, Coupey received a one month faculty exchange at Capilano College's sister school Aichi Gakusen College, Okazaki, Japan in the Aichi Prefecture. Aichi Gakusen, like Capilano College, is a coed liberal arts college situated in Aichi, Japan. One of the College's goals is to offer a faculty exchange to Capilano instructors to pursue their professional development projects as they relate to Japan. As part of the Faculty exchange, Capilano College faculty are to provide lectures, have office hours available to students and assist with orientation of Aichi Gakusen students, who may eventually attend Capilano College. While at Aichi, Coupey researched calligraphy from the Kamakura period, 14th to 16th C. During his stay, Coupey was fortunate to attend three major exhibitions of Kamakura period work in Kyoto, which provided in-depth research for his Faculty Exchange.

Series consists of gallery correspondence, exhibition invitations and catalogues, artist catalogues, postcards, newspaper clippings, exhibition floor plans, handwritten notes, ephemera, magazine articles, mock-ups, drafts and proofs for layout and design work for invitations and catalogues, invitation lists, photocopies of guest books, mailing lists, an interview transcription of Coupey with a curator, exhibition planning records, cue card notes, research information, business cards, itinerary and travel records, gallery guides, comment books, corporate sponsorship records, to do lists, promotional drafts, newsletters, drafts for essays, budgets and receipts, a student essay, grant program information, printmaking information, laser copies and transparencies, installation photographs, quotes, memoranda, lists of artworks, press release and announcements and an exhibition attendance report.

Series consists of artwork lists, reviews, art commission records, research, newspaper clippings, UBC panel discussion itinerary and letter, correspondence to and from art galleries, correspondence pertaining to government run art programs; design sketches, sketchbooks and journals; artworks on paper, newspaper clippings and art related print ephemera.

Series consists of newspaper clippings, art consignment information, art fundraising records, copyright reproduction information, day timers, travel records, grant applications, postcards, greeting cards, correspondence (typed and handwritten) from poets, writers and art organizations, a magazine article about The Georgia Straight, memorial pamphlets, website design plans and notes, BC Photography and Media Arts Society records (meeting agendas, committee and financial reports, planning records, staff lists and correspondence) and records (reports, constitution, correspondence, minutes, and exhibition requirements) pertaining to the Coast Art Trust. Series also includes official government correspondence, a petition letter on behalf of Barry McKinnon and newsletter articles on Pierre Coupey while he was an instructor at Capilano College/University.

Series consists of documents related to the organization, funding, promotion, administration and hosting of the annual Aboriginal Film and Video festival in Vancouver, from 1998-2007. The series is divided into the follow sub-series: Festival administration; Grant applications and related correspondence; Publicity and promotional materials; Festival submissions, Panels, and Awards.

Series consists of records relating to obtaining funding for the traveling film and video festivals, including grant proposals, budgets and correspondence. Series also contains information related to the organization and administration of the traveling film festivals.

Series consists of VHS, DVDs, Betacam, Umatic and reel-to-reel recordings of audio-visual materials related to IMAG's training programs and film festivals.The series is divided into three subseries: Submissions to film festivals, commercials and other promotional films for the film festivals, and student work or other recordings produced as part of a training program.

Series consists of documents related to the day-to-day administration of IMAG, including by-laws, contracts, board meeting agendas and minutes, correspondence, budgets, insurance policies, financial statements, audited financial statements, grant applications, pamphlets, posters, brochures, advertising ephemera, newspaper clippings, and other documents.

Series consists of photographs, negatives and contact sheets of IMAG events, including the annual film and video festival opening ceremonies, honouring ceremonies, panels, youth programs, and other events, the traveling film and video festivals, IMAG workshops such as the Randy Redroad workshop, and training programs, such as the Healing Hands training program.

Series consists of a list of books that were donated as part of the IMAG fonds. These books have been catalogued and are stored according to their call numbers.

This series consists of textual records related to research into Pat Lowther's life and writing career, the circumstances of her death and the subsequent trial of her husband for the crime, and also interviews with Lowther's friends and family. Most of the research was originated by either Toby Brooks or Dona Sturmanis, but some consists of photocopies obtained from other archival institutions. The information collected in this series culminated in the book "Pat Lowther's Continent".

The record types included in this series are: notes, correspondence, newspaper articles and reviews.

This series consists of textual records generated by Dona Sturmanis during the period she was collaborating with Toby Brooks, the subject being the life and early death of poet Pat Lowther. Included in this series is correspondence, notes, and draft chapters.

This series consists of records relating to a series of tribute readings organized by Toby Brooks in honor of Pat Lowther, typically held at various bookstores on her milestone birthdays. The record types included are: correspondence, posters, promotional material, and business records relating to donations to support speaking and housing fees for various invited guests.

Series includes submissions, correspondence, editorial and working notes, clippings, paste-ups, mock-ups, two (f.)Lip issues (Volume 1, Number 2, July 1987; Volume 2, Number 3, December 1988) and other records.

Series includes subscription notes, correspondence, financial statements and other magazines issues.

This series contains photographs pertaining to Japanese Canadians in the decades leading up to, and including, the Second World War.

This series consists of a postcard relating to the subject of Japanese Canadians in the time period before the Second World War.

Series consists of materials related to the composition and activities of the Women in View festival board of directors and festival staff members. Records include correspondence, reports, meeting minutes, procedures, and photographs.

Series consists of newsletters of the Women in View Festival organization.