This sub-series contains records relating to the conceptualization and development of the textual content of “Waterfront”. Record types include print-outs, correspondence and notes.

This sub-series contains records relating to any post-publication activities relating to the promotion and sales for “Waterfront”. Record types include print-outs, invoices and reports.

This sub-series contains records relating to the purchase of images, requests for copyright clearance and/or permission to publish images in “Waterfront”, and any related correspondence.

This sub-series is comprised of compact discs containing images collected for use in “Waterfront".

This sub-series contains records relating to any post-publication activities relating to the promotion and sales for “The Wild Ride”. Record types include print-outs, newspapers, invoices and reports.

Sub-series contains incoming and outgoing correspondence between Skinner and Al Hart. Hart was first Skinner's editor at various publishers and later he was her literary agent.

Sub-series consists of scripts and screenplays written by Norman Klenman, alone and in collaboration with others, for feature and short films, produced and not produced, as well as related records. Additional material includes related notes, correspondence, contracts, research material, and moving images. Includes screenplays for “Beggarman’s Game,” “Dilbeck Junior,” “The Ecstasy of Rita Joe,” “A Forest of Eyes,” Ivy League Killers (a.k.a. “The Fast Ones”), “Nails,” "Now That April’s Here," “Passion” (based on The Gambler), “Riel”, and “Voices,” as well as a number of other scripts written for the National Film Board and CBC-TV. Series also includes two "Ivy League Killers" film reels.

Sub-series consists of records relating to Norman Klenman’s development of a screenplay for a feature film titled “Woodsmen of the West,” inspired by M. Allerdale Grainger’s memoir of the British Columbia coast in 1908, and plans for its production. Records include several screenplay drafts, notes and ideas, research material, contracts, and production budget and casting proposals.

Sub-series consists of records relating to Peter Trower's 2000 novel "The Judas Hills." Records include notes, outline and manuscripts from various stages of the novel's development (including first and final drafts), editorial comments by John Moore, Trower's storyboard sketches, and Trower's comments on the novel's cover design.

Sub-series consists of newspaper articles, reviews, and poems, written by Peter Trower and published in the Coast News newspaper. Includes some original articles and some photocopied reproductions. Articles are often accompanied by explanatory comments added by Trower at a later date.

Sub-series consists of copies of Peter Trower’s first collection of poetry, "Poems for a Dark Sunday" published in 1964 as a mimeo. Includes a copy with comments made by Trower at a later date, a copy with comments by Ted Poole, and a revised version created in 1969.

Sub-series consists of records relating to the development and promotion of Trower's 1978 book "Ragged Horizons." Includes the final selection of poems, as well as correspondence, corrections, a draft of Al Purdy’s introduction, and promotional material.

Sub-series consists of records relating to Trower's 2000 "A Ship Called Destiny: Poems of Love and Travel," originally titled "Yvonne’s Book." Includes the first selection of poems, an edited manuscript, the author’s introduction, postscript and table of contents, and galley proofs with photographs.

Sub-series includes records generated from the administration of housepress and includes the housepress minute book, permission files, ISBN log, grant application, correspondence, one photograph and publicity clippings.

Sub-series consists of records documenting the financial operation of housepress, including invoices, bank statements, bank books, check stubs, notices of assessment, and receipts.

Sub-series consists of electronic backups of housepress’s administrative and manuscript files.

Sub-series consists of the housepress sign, as well as linocuts, stamps and a seal used in the production of housepress chapbooks.

Series consists of proofs, correspondence and manuscript submissions for chapbooks published by No press.

Sub-series contains research and project files for Derek Beaulieu’s MA thesis on the TISH poets, and annotated drafts of his PhD dissertation on concrete poetry and conceptual writing.

The following large broadsides and posters associated with this sub-series were entered into the SFU catalog and have been stored in the Contemporary Literature Collection cases in Special Collections:

Chapter O (for Christian Bök) #1 & #2 / Derek Beaulieu
Midwinter Glaciaria / Christian Bok
Sentences on Simon Morris / Howard Britton
Instruction manual / Lucia Della Paolera
The different senses in which... / Lucia Della Paolera
For Atomino / Derek Beaulieu
Andy Warhol had been shot / Steve Giasson
Carnival: second panel / Steve McCaffery

Sub-series consists of one photograph album and loose photographic prints and slides of Beaulieu’s artworks, installations and related events.

Series is comprised of records relating to events organized by Duthie Books Ltd., including its annual sales, Civitas lecture series, Natural History series and Dogwood School Book Fairs.

Series is comprised of records relating to advertisements planned by Scott Baldwin, former marketing manager for Duthie Books.

Series consists of records documenting the editorial and production of the "Reader," a quarterly book review periodical started in 1981, published by Duthie Books and edited by Celia Duthie. One issue per year was published as the "Children's Reader."

Sub-series consists of files of editorial correspondence, submissions and marked proofs of housepress publications.

Sub-series consists of records relating to the writing and publishing of Flood’s first collection of short stories, "The Animals in Their Elements." Records include notes, drafts and correspondence with publishers. Sub-series also includes ten publications in which Flood’s stories are printed: "New: West Coast Fiction" (1983); "Vancouver Short Stories" (1983); "Matrix" (1981); "Queen's Quarterly" (1981); "Common Ground" (1980); "Journal of Canadian Fiction" (1980); "Fireweed" (1989); "Event" (1987); "Prism International" (1987); and "Atlantis" (1981).

Sub-series consists of records relating to the writing and publishing of Flood’s third collection of short stories, "The English Stories." Records include notes, drafts, and correspondence with publishers.

This sub-series contains MIDI files, performance instructions, sound samples, and synthesizer files, which are mostly computer disks.