The fonds consists of a typescript copy of the poem "Chant for Half the World".

The fonds consists of incoming and outgoing correspondence to Barry McKinnon, book files (including manuscripts), business records, and publications of the Caledonia Writing Series press.

Fonds consists of records created and received by Bud Osborn during his life and work as an activist, poet and community organizer in Vancouver's Downtown Eastside. Records include legal documents, reports, manuscripts, photographs, correspondence, royalty statements, sound recordings and research.

The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others.

Fonds consists of records relating to the activities of the Book and Periodical Development Council and its committees and task forces. They include reports, research, Freedom to Read kits, bank statements, minutes, correspondence, newspaper clippings, memos, and newsletters.

Fonds consists of correspondence, photographs and ephemera as well as published and unpublished manuscripts from several authors: Victoria Walker, Stephen Stepanchev, Lionel Kearns, George Stanley, Robert Creeley, Ed Dorn, Joan Kyger, Bill Corbett, Duncan McNaughton, Robin Blaser and Michael Davidson.

Fonds consists primarily of manuscripts and poems of Bill Bissett, journal entries (1958), reviews, sketches and doodles, correspondence, paste-ups and graphics for several Blewointment Press publications, and photographs of the press.

Fonds consists of 22 linocut blocks created by Bev Leech in 1961, as a senior thesis project at the Vancouver School of Art (now Emily Carr University of Art and Design) to produce the book, A Glossary of Typographical Terms by Simon Oliver.

The fonds consists of correspondence, notebooks, and manuscripts of Betty Lambert relating to her career as a writer and a university professor.

The fonds consists the archive of poet and writer Barry McKinnon.

The fonds consists of correspondence (with manuscript and typescript enclosures) from Anne Waldman to Lewis Warsh, much of it pertaining to the relationship between the two poets, as well as to relationships with other poets. Their involvement in the Naropa Institute is also described. Most of the letters from 1969 to 1973 concern the publishing of Angel Hair Books and contain much information about the New York poetry world centred at the Poetry Project.

Fonds consists of the literary papers of BC writer Anne Cameron. Records include manuscripts, ephemera, photographs, news clippings, correspondence, periodicals, notebooks, and floppy disks.

Fonds consists of correspondence, drafts, articles, reviews, and other records created and accumulated by Anita Rau Badami in the course of her career as a writer. Includes drafts of her first three novels: Tamarind Mem (1997), The Hero’s Walk and Can You Hear the Nightbird Call?. There are no records related to her last novel, Tell it to the Trees (2011). The records have been arranged in the following four series: Personal records (1992-2003); Tamarind Mem (1994-2001); The Hero’s Walk (1999-2005); Can You Hear the Nightbird Call? (2003-2006).

The fonds consists of manuscripts, including typescripts, proofs, galleys, and page proofs corrected by the author, and correspondence from Robin Blaser to Ferry Press pertaining to publication of Blaser's translation of "Les Chimeres".

Fonds consists of records generated from Al Neil's work as a musician, artist and writer, as well as his personal and family records. These include family photographs, records from Neil's military service, correspondence, documentation of performances, art exhibitions and collages, clippings of interviews and reviews, original manuscripts and drafts, published writings, grant applications, posters, and material related to his and Carole Itter's cabin at Dollarton, North Vancouver, BC.

Fonds has been arranged into the following eight series: Correspondence (1959–2010); Writings (1968–1996); Professional records (1936-2009); Reviews and clippings (1958–2009); Personal records (1940–1994); Photographs ([185-]–[200-]); Videos (1978–2005), and Sound recordings (1976–1987).