The collection consists of correspondence written by Ezra Pound while in St. Elizabeth's Hospital to Denis Goacher, a British writer, concerning publishing projects and publicity schemes to secure Pound's release (1952-1957), to Pound's long-time friends Wyndham Lewis and Agnes Bedford (1946-1959), and to Willis Hawley, a sinologist, concerning linguistic and technical details involved with the publication of "Confucius: The Great Digest and Unwobbling Pivot" (1951). Some of the correspondence to Hawley was written by Dorothy Pound and James Laughlin.

Series consists of records related to Duke’s personal and administrative affairs. This series includes:
• Personal notes and memos written by Duke for family, friends and staff
• Correspondence received by Duke from family, friends and business associates
• Administrative correspondence received by Duke from agents, publishers and other associates
• Miscellaneous ephemera collected by Duke
• This series also contains records relating to Duke’s administrative affairs

Among those who Duke received correspondence from are the following:
• Anne-Marie Duke (1985-2000)
• Brian and David Duke (1986-2001)
• Cliff Robertson (1960-1969)
• David Darriff (1951)
• Don Erickson (1951-1952)
• Eve Duke (1961-1981)
• Henry Miller (1961-1962)
• Jeremy Geidt (1965-1966)
• Mordecai Richler (1961)
• Norman Klenman (1966)
• Sir Fitzroy Maclean (1962)
• Yu Hong (2001-2004)

The fonds consists of correspondence from Cid Corman to Gael Turnbull; rejections from Poetry, Tiger's Eye, and Howard Griffin; and correspondence with Robert Singer.

Fonds consists of 63 letters and 1 postcard sent by Creeley to Richard Wirtz Emerson of Golden Goose Press, publisher of Creeleys Le Fou (1952); also typescripts of poems, stories and essays sent with the letters.

Fonds consists of holograph drafts and typescript drafts of poems and criticisms, press proofs, notebooks (including Davey's childhood writing in elementary and secondary school), university essays, book reviews, records relating to a brief to the Applebaum-Hebert Commission (1983), drafts relating to various critical works, university course outlines and conference material, research material, "dream journals", records relating to the journal "Open Letter" and to Coach House Press, and correspondence. Correspondents include George Bowering, Lionel Kearns, Louis Dudek, Dennis Lee, Dave Godfrey, Fred Wah, and Talonbooks. Fonds includes records of "Open Letter", a literary journal edited by Davey; archives of the writers agency, Linda McCartney, Writers Agent (1971-1976); also email correspondence relating to ACCUTE (Canadian Association of Canadian College and University Teachers of English) ca. 1993-1999.

The fonds consists of press releases, clippings, typescripts of speeches, photographs, and other material.

Series consists of records related to film and television productions that Duke was involved with. Records include drafts of screenplays, scripts, publicity, call sheets, administrative documents, shooting scripts, itineraries and other records related to the development and production of Duke’s cinematic projects. This series contains records related to the following projects:
• "A Cry For Help" (1975)
• "An Ill Wind" (1988)
• "The Angel of English Bay" (1988)
• "A Sparrow Falls" (1993)
• "A Tale From Bali" (1988)
• "Citizenship" (1952)
• "Close Up" CBC (1958)
• "Columbo: Smokescreen" (1990)
• "Dance of Shiva" (1990)
• "Hard Feelings" (1980)
• "I Heard the Owl Call My Name" (1973)
• "Memory of a Murder" (1992)
• "Nude" (1987-1990)
• "Pauline" (1997)
• "Payday" (1973)
• "Silent Partner" (1982)
• "Stock Exchange" (1989-1990)
• "Sunday" (1966-1967)
• "Tai-Pan" (1985-1986)
• "The China Story" (1991)
• "The Heritage Minute" (1990)
• "The Insiders" (1991)
• "The Nightingale Saga" (1984)
• "The Raincoast Chronicles" (1989-1994)
• "The Thorn Birds" (1982)
• "When We Were Young" (1989)
• "Wojeck" (1989-1990)

The fonds consists of correspondence (inward and outward), daily calendars, manuscripts and working papers, Canada Council applications and correspondence, personal papers (including diaries of travels, tax records, notebooks, and copies of Gilbert's writings in his high school newspaper), and reference files and material. The fonds includes records (manuscripts, correspondence, etc.) of Gilbert's literary journal, "B.C. Monthly", and records including photographs) of the New Era Social Club, an artists' studio/living space in Vancouver; and audiotapes of radiofreerainforest shows.

Includes scripts and planning documents for “An Outpost of Progress,” “Chuckwagon 33,” “The People of the Potlatch,” “Parade,” “Madic,” and “The Roving Gambler.”