Series consists of articles relating to Ginger Goodwin’s life and legacy as well as articles reviewing and publicizing Stonebanks’ book. Most of the information contained in these clippings is very general and thus would not have provided much research help to Stonebanks, and, indeed, many of the articles were accumulated after the publication of Stonebanks’ book.

Series consists of records relating to the internal organization of Mother Tongue Press. Activities, events and topics documented include workshops, book launches, and paper and other printing equipment suppliers. Records include correspondence, photographs, flyers, agreements, and a notebook.

This series consists multiple copies of 5 photographs as well as a CD of images.

Series consists of letters received from the public about the Project and examples of letters sent by the Committee in response. Also includes official support letters from community leaders, correspondence with the fourteen families of the murdered women, and correspondence with translators for the project's inscription.

Series consists of material created by the Project for the media, as well as examples of Canadian print media coverage of the Project. Extensive news clippings from 1991-1998 indicate the scope of the public debate which was inspired by the Project and the social issues it represented. Includes press releases issued by the Committee from 1991-1997, and the text of a television commercial created for the Women's Television Network.

Series consists of records relating to meetings of the Board of Directors, several committees (including the Executive Committee, Fundraising Committee, Government Relations Committee, Strategy Committee and Advisory Committee) and ad-hoc or extraordinary meetings. In addition to some minutes of the Society's predecessor body, the Fraser South University Society, the series also includes records relating to meetings of the society with other groups, including meetings of the Joint Committee Group, the University of Surrey Community Committee and the Langley Economic Development Commission.

Records include meeting agendas, minutes and supporting papers, correspondence, reports, budgets, financial statements, and special resolutions.

Series consists of records relating to the participation of member organizations in the BC and Yukon Association of Women's Centres. Records include membership forms, directories and lists, correspondence, and certificates of membership.

Series consists of video recordings including copies of Duke’s cinematic productions, interviews and award presentations.

Series consists of Rowling's correspondence and subject files relating to beer and breweries in British Columbia. Records include correspondence; news articles, pamphlets, publications and other reference materials; a copy of Greg Evans' UVic Masters thesis, The Vancouver Island Brewing Industry: 1858-1917; event records for the opening of the Vancouver Island Brewery (1995) and programs for the Okanagan Fest-of-Ale (2000), Vancouver Brewmasters Festival (2000-2001), the Canadian Brewing Awards (2013) and the Island Beer Festival (2013); the Beautiful Brewers of BC 2014 calendar; a poster for the Beer Pioneers film (ca. 2017); copies of issues of Firehall Brewery's newsletter The Beer Department Periodic-ale (2016), the Brewery History Journal (no. 113, 2003), and the Victoria Beer Society's Good Beer Gazette (2022).

Scope and content – Series consists of records relating to the Campaign for Real Ale Society (CAMRA). Evans participated in both the BC and Victoria chapters.

Records includes a photo scrapbook, the BC chapter's constitution, issues of What's Brewing newsletter (2004, 2012, 2013), and CAMRA brochures and publicity material.

Series consists of records relating to the fundraising activities which financed the Project. Activities documented include Reel Change, a filmathon; See Jane Fly, a poetry "bash;" and Lives We Value, a reception. Includes direct mail request letters, and specific requests made to corporations, foundations, unions, associations, VanCity Credit Union and government. Also includes examples of published materials such as programs and flyers.

Series consists of photographs of various activities including fundraising events, December 6th memorials, jury process, committee meetings, design competition exhibition, Monument construction, and dedication of the Monument. Permission to copy the photographic material was granted by the various photographers in return for photo credit.

In the early 1990s, a member of the Kettle Society undertook a project to write the history of the East Enders Society. As part of this project, she interviewed several members of the Society and partial transcriptions of the audio taped interviews were completed. Members of the Society also submitted notes and proposals for book sections. The book project was eventually abandoned before the Society was officially dissolved in 1994. Series includes audio taped interviews, partial transcripts of interviews, notes and correspondence.

Series consists of records petaining to society membership. Donor lists are sometimes included in files with member lists.

Records include policies and procedures, forms and membership lists.

Series includes records related to writing and publishing To this Cedar Fountain, Braid's book of poetry written in response to Emily Carr's paintings, which was nominated for the Dorothy Livesay (BC) Poetry Prize. Records include corresondence from readers, publisher, book reviews, interviews with Braid, and rough drafts.

In 1990 Kate Braid wrote a feature on women in trades for the CBC radio program Ideas, based on a cross-country interview trip. Series includes audio cassettes and logbook.

Series consists of records relating to Braid's work on her book Turning Left to the Ladies. Records include drafts, correspondence with her publisher and editor, and drafts for the editor.

Series consists of sound recordings of interviews undertaken by Michael Riordon for Out Our Way: Gay and Lesbian Life in the Country (Between the Lines, 1996). Interviews were undertaken across Canada. Textual records consist of a copy of Riordon’s log and notes about the tapes and interviews.

Series consists of records relating to the university's interactions with the provincial and federal governments. Records consist predominantly of correspondence, including much that originated with other offices and was copied to the Vice-President, Academic. For detailed description of record types, see individual sub-series.

Series consists of Rowling's collection of artefacts and merchandise relating to BC breweries. Items include beer bottles, labels and glasses; posters, t-shirt, coasters, bottle openers, keychains, and business cards. Most of the materials relate to post-1980 craft breweries, but there are some beer bottles (sub-series 1), posters (sub-series 3) and artefacts (sub-series 6) for earlier historic BC breweries; see sub-series descriptions for details.

Series consists of records relating to Herspectives, the journal Billy edited. Records include correspondence, an index, letter of intent, calendars and the master copy for each issue.

Series consists of records relating to research funding agencies and programs, and grants and other awards won by SFU faculty members. Records consist predominantly of correspondence; for detailed descriptions of record types, see individual sub-series descriptions.

Series consists of files relating to the hops industry in British Columbia. Sub-series 1 brings together Evans' general research files on hops growing. Much of this material was accumulated as Evans worked on "Brewer's Gold", a travelling exhibit on the history of hops in BC. Sub-series 2 consists of the exhibit project files. For record types, see sub-series descriptions.

Series consists of the audio recordings of the interviews. Note that there were originally three cassettes for Ann Ecclestone, but on the request of the interviewee only two of these were included in the transfer of material to the Archives.

Series consists primarily of records relating to the Planning for Change training strategy, but also contains files relating to a few other smaller projects undertaken by the Association. Records include correspondence, proposals, contracts, letters of agreement, meeting agendas and minutes, briefs, reports, reprints, financial statements, drafts, notes, and working papers.

Series consists of photographs, slides, negatives and contact sheets that depict performers, performances, staff, and audiences.

Series consists of the paper documentation associated with each interview subject. Records consist of biographical forms and oral history interview summaries. The biographical form captures the participant's personal data inlcuding information relating to the subject's occupation, places lived, education and employment history, parents, spouses, children. The oral history interview summary forms were prepared by the interviewers to summarize the contents of each cassette tape.

Series consists of physical merchandise produced and distributed by Adbusters Media Foundation, as well as born-digital records related to the creation and design of the merchandise. Physical merchandise includes postcards, stickers, pin-back buttons, fridge magnets, flags, apparel, a coffee mug, a magnetized ceramic cookie, spoof parking tickets, and baseball cards. Born-digital records include photographs and digital graphic mockups of postcards, stickers, T-shirts, coffee mugs, baseball cards, flags, packaging, pin-back buttons, patches, and a spoof parking ticket. While there is some overlap, physical merchandise and born-digital records in this series do not necessarily correlate.

The series has been arranged by the archivist into two sub-series based on the record's format.

• Physical merchandise (sub-series 1).
• Born-digital records (sub-series 2).

Files are arrange chronologically.

Series consists of Adbusters Media Foundation publications and books authored by Kalle Lasn, as well as drafts and mockups associated with the creation of these publications. Records include copies of Adbusters magazine and its mockups, Big Noise magazine, Culture Jam, Design Anarchy, Meme Wars, the Adbusters Media Literacy Kit, calendars, pamphlets, posters, digital spoof ads, and digital listserv newsletters.

The series has been arranged by the archivist into ten sub-series based on the publication type:

• Adbusters magazine records (sub-series 1).
• Big Noise magazine records (sub-series 2).
• Magazine mockups and revisions (sub-series 3).
• Books and associated records (sub-series 4).
• Media literacy kits and associated records (sub-series 5).
• Calendars and associated records (sub-series 6).
• Pamphlets (sub-series 7).
• Posters and associated records (sub-series 8).
• Digital spoof ads and associated records (sub-series 9).
• Listserv newsletter (sub-series 10).

Files are arranged chronologically.

Series contains records related to the administration of Adbusters Media Foundation. Sub-series contained in this series were classified as administrative in the original arrangement of the organization's records. Records include stationary, brand assets, job descriptions, manuals, user surveys, marking plans, operational notes, subscription scheduling, generic communications with subscribers, production schedules, order tracking tables, invoices, sales forecasts, advertisements, grant applications, annual reports, financial summaries, balance sheets, payment schedules, and sales analytics.

The series has been arranged by the archivist into nine sub-series based on the type of administrative activity:

• General administrative records (sub-series 1)
• Culture shop administrative records (sub-series 2)
• Social media marketing records (sub-series 3)
• Operational notes (sub-series 4)
• Subscription records (sub-series 5)
• Production and distribution records (sub-series 6)
• Marketing records (sub-series 7)
• Grant applications and associated records (sub-series 8)
• Financial records (sub-series 9)