Series consists of notes, notebooks/journals, and press clippings that are not directly linked to a specific project. These notes contain Duke’s thoughts, observations and concepts for future subjects. This series also contains material related to:
• Brian Boru (1999)
• CBC (1993-1994)
• Pramoedya Anata Toer (1999)
• Vancouver Institute (1998-1999)
• Vancouver Television (1998)

Series consists of records generated from the lobbying activities of AIDS on Stamps, a non-profit AIDS awareness initiative organized by Blair Henshaw. AIDS on Stamps lobbied Canada Post and the federal government to produce an AIDS awareness stamp for circulation in Canada and abroad. Series includes correspondence, newsletters, newspaper clippings, certificates of recognition, commemorative records, proofs of stamps in development, photographs, research and international listings of stamps. Includes records from the 11th International Conference on AIDS, held in Vancouver in 1996, and an obituary for Blair Henshaw.

Series consists of material relating to artistic works completed by those other than Blaser. Records include reproductions and prints, gallery posters, sheet music, brochures, book launch invitation, and a piece of a collage presumably created by Jack Spicer.

Series consists of AIDS-themed single stamps, mint blocks, mint full sheets, slogan cancels, first day covers, comic books and related records collected by Blair Henshaw. Henshaw’s collection represents philatelic materials issued by 84 different jurisdictions.

This series consists of promotional materials (flyers, posters, mailings, and some newspaper clippings) and programs of Ruth’s performances over the years. It is possible not only to trace the genesis and evolution of certain pieces, but the breadth of detail in the records serves to contextualize Ruth’s path geographically, stylistically, and professionally among her peers. Beginning with her initial performances with The Dancemakers to her work with the Judson Dance Theatre, her training abroad and graduate studies, her career in dance education and through to her efforts to coordinate community engagement in dance, it is possible to view Ruth’s career through these materials based on the depth of her participation and involvement. In some cases there are multiple copies of the same item.

Series consists of diaries kept by Billy. Records include loose diary pages and bound diaries.

Series consists of slides and prints featuring images of Jim Rimmer, as well as various aspects and stages of the printing process and the design and cutting of metal typefaces in his studio. Also included is an image of Gerald Giampa.

This series represents a collection of dance scores and choreographic materials compiled throughout Ruth’s career. Some are for single events while others show the growth and evolution of pieces as they are adapted over the years for different venues, groups or types of dances, and to the audiences for which they are performed.

Series consists of correspondence relating to the development of Peter Trower’s website, and some print outs of website pages.

Series consists of written works by Billy and related materials. Records include drafts, notes, handmade magnets, event posters, newsletters that feature Billy’s work, Billy’s column in The Squamish Chief newspaper and two cassette tapes with speeches.

Series consists of audio recordings made by Duke including personal musical compilations, family voice recordings, interviews with Duke and various production themes.

Series consists of video recordings including copies of Duke’s cinematic productions, interviews and award presentations.

Series consists of correspondence addressed to Blair Henshaw; some envelopes have AIDS-themed stamps, cinderellas (not issued for postal services by a postal jurisdiction) or slogans.

Series consists of records documenting the marketing efforts of members of the filling Station Publications Society. These include requests for review copies, notes, submissions to the Western Magazine Awards, a National Magazine Award Honourable Mention, and promotional material advertising the magazine.

Series consists of AIDS-themed postcards, phone cards, posters, stationary and related records collected by Blair Henshaw.

Series is made up of clippings, photographs, correspondence and other records relating to Shackleton’s professional contacts, friends and family members. Records are organized in files named by the individual subject or in general/miscellaneous files.

Series consists of notebooks containing drafts and notes, unbound drafts, and one copy edited by Algonquin Books of Chapel Hill for the novel Tamarind Mem. It also includes articles, interviews and reviews from Canadian and international newspapers.

Series consists of correspondence between the publisher, sub-contractors, vendors, promoters and authors. Most files contain instructions and drafts as to editorial layout, typesetting, artwork, etc. Records include: correspondence, style sheets, contracts, invoices, grant applications, editorial copy, galley proofs, newspaper clippings, magazines, cartoons, photographs and a poster.

For related materials, see also Series 2: Author correspondence and Series 8: Royalties and related correspondence.

This series is comprised mainly of photographs, touring production notes, programs, audio and visual tapes and other material related to performances of various JMP pieces.

Series consists of publicity clippings and promotional items documenting literary events hosted by the filling Station Publications Society. These include calls for submissions, contest advertisements, published articles and reviews, recordings of readings, photographs, flyers, and posters.

Series consists of records accumulated during Doris French Shackleton’s involvement with professional writing organizations and associations, including Public Lending Right, CanCopy, The Writers Union of Canada, and the Federation of BC Writers.

The series contains textual records created by the Harry Jerome Commemorative Society, which was formed by Valerie Jerome, following Harry Jerome’s death. The Harry Jerome Commemorative Society was formed to achieve two main objectives: to establish a memorial tribute to Harry Jerome in recognition of his athletic achievements and contributions to society; and, to foster an appreciation of athletic accomplishment through the provision of scholarships and bursaries for athletes in BC. The Harry Jerome Commemorative Society funded the creation of a bronze statue of Harry Jerome, which can now be found in Stanley Park in Vancouver, BC, through donations and their main fundraising event, a commemorative dinner in 1985. The series has been arranged into four files: general society records; meeting minutes; sculpture sub-committee records; and financial records.

Series consists of correspondence, notes, contracts, newspaper clippings and other records accumulated by Doris French Shackleton in her career as a broadcaster, journalist and freelance writer. Series has been arranged into the following four sub-series: Journalism and broadcasting records (1960-2000); Non-fiction works records (1943-1999); Fiction and poetry records (1963-2001); and General writing records ([194-]-1993).

This series consists primarily of Ruth’s correspondence regarding certain dance pieces, her personal notes and writings, or articles she authored for publication.

Series consists of materials relating to Scottish country dancing believed to have been assembled or created by Mary Macaree. Records include a manuscript and publications.

Records obtained in an accrual donated by Eden Robinson in 2018. This series consists of a draft of the novel "Monkey Beach".

This series consists of photographs found in files elsewhere in the fonds and organized here, stored together for preservation purposes. Each image has been assigned a unique identifier, which is noted at the file level.

Series contains both incoming and outgoing correspondence. The correspondence relates to June's professional life as a writer and her personal life. It is arranged in six sub-series: Correspondence related to novels (1959-1992); Correspondence from publishing companies (1953-1965); Correspondence with agents (1954-1981); Correspondence with Al Hart (1960-1990); General (1958-1992); and Personal ([1949?]-2000).

Series consists of records pertaining to Daphne Marlatt’s research for professional projects, including those created for her oral history project with Carole Itter, entitled "Opening doors - in Vancouver's East End: Strathcona", as well as for her general writing and teaching work. Records include oral history transcripts, photographs, transparencies, articles, and other research records.

Series has been arranged into the following two sub-series: “Opening doors - in Vancouver's East End: Strathcona" records (1972-1988) and Research records for teaching and writing ([ca. 1965-2000]).

Series consists primarily of photocopied articles published in scholarly journals with some annotations and research notes.