File consists of correspondence received by Gladys Hindmarch relating to personal and professional matters, as well as a small number of letters addressed to people other than Hindmarch. Correspondents include Robin Blaser, George Bowering, Neap Hoover, Robert Kroetsch, and Fred Wah, among others.

File consists of correspondence sent by Gladys Hindmarch relating to personal and professional matters. Correspondents include Cliff Andstein, Roy Kiyooka, Stan Persky, and Daphne Marlatt, among others.

Series consists of records relating to the writing, editing, and publication of Gladys Maria Hindmarch's 1988 book "The Watery Part of the World," based on her experiences working aboard cargo ships in the early 1960s. Hindmarch worked on the book throughout the 1960s, 70s, and 80s, and worked extensively on it from 1985 to 1986, the year she took a sabbatical from her teaching position at Capilano College. It was during this time that the manuscript was first read by Denise Bukowski, Hindmarch's literary agent at Pacific Publishing Services. Working titles for the book project have included "The Boat Stories," "The Boat Book," and "Nootka Odyssey," and these titles are reflected in the file names. Record types in this series include drafts, manuscripts, page proofs, notes, research records, and correspondence.

Sub-series consists of records relating to Gladys Maria Hindmarch's general writing and editorial activities, including those relating to her books "Sketches" (1970), "A Birth Account" (1976), "The Peter Stories" (1976), as well as to her works of short prose. Also includes records relating to her editorial work for a proposed women's magazine with the working title "Canadian Women’s Monthly." Record types in this series include drafts, notes, research records, and correspondence.

Sub-series consists of handwritten and typed manuscripts and drafts of novels that were eventually published. Includes galley proofs used during the publishing process.

Sub-series consists of drafts and manuscripts of novels, short stories, plays, and poems written by June Skinner. Material is typed and handwritten. Some writings had no identifiable title or date.

Sub-series contains incoming and outgoing correspondence that is related to June Skinner's novels. Correspondence is from agents, publishers, fans, and family.

Sub series contains correspondence to and from June Skinner with various publishing companies.

This sub-series contains incoming and outgoing correspondence between June Skinner and agents; both literary agents and her Hollywood agent. Content mostly relates to June's attempts at getting novels published, rejection notices, and details about her books that were being published.

Sub-series contains incoming and outgoing correspondence between Skinner and Al Hart. Hart was first Skinner's editor at various publishers and later he was her literary agent.

The sub-series contains correspondence with the Authors Guild (including bulletins), Canada Council, fans, Skinner's family, the Public Lending Right Commission, and the author Shirley Suttles.

This sub-series contains June's incoming correspondence from family and friends. Some of the correspondence is addressed to June's children or both her and her husband Fred.

Sub-series consists of income tax return forms, tax assessments from National Revenue Service, lists of expenses and receipts for Skinner's writing career, and correspondence from Skinner's accountant and the National Revenue Service.

Sub-series contains royalty statements from Macmillan, Gollancz, Longmans Green, Dial Press, Beaufort Books, and Second Chance Press for the sales of Skinner's novels.

Sub-series consists of records created or accumulated by Marlatt and co-editor Carole Itter while conducting research for and working on the project “Opening Doors - In Vancouver's East End: Strathcona," a work that documents the history and culture of Vancouver's Strathcona neighbourhood through oral history interviews with community members. Records include photographs, a collage, interview transcripts, and other research records.

Sub-series consists of records pertaining to Daphne Marlatt's writing and teaching work. Records include photographs, transparencies, articles and other research records.

Sub-series consists of correspondence, contracts and notes regarding Marlatt's university job applications and the administrative aspects of her faculty appointments.

Sub-series consists of records relating to Daphne Marlatt's development of creative writing courses. Records include lecture notes, student evaluations, syllabi, and other course material.

Sub-series consists of records relating to Daphne Marlatt's Women's Studies course on mother-daughter relationships, taught at the University of Victoria and the University of Saskatchewan. Records include articles, lecture notes, correspondence, student evaluations, syllabi, and other course material.

Sub-series consists of records relating to Daphne Marlatt's English course "Four Modernist Women," taught at the University of Victoria and the University of Saskatchewan. Records include articles, lecture notes, syllabi, and other course material.

Sub-series consists of records relating to Daphne Marlatt's course "Tradition and Modernity," taught at Capilano College and Simon Fraser University. Records include articles, lecture notes, correspondence, syllabi, and other course material.

Sub-series consists of records relating to Daphne Marlatt's development and instruction of various Women's Studies courses, as well as English courses with feminist content. Records include articles, lecture notes, student evaluations, syllabi, and other course material.

Sub-series consists of records relating to Daphne Marlatt's activities at the annual Sage Hill Poetry Colloquium in Saskatchewan, associated with the Sage Hill Writing Experience. Marlatt served as the colloquium's facilitator. Records include correspondence, brochures, articles, evaluations, and notes.

Sub-series consists of records relating to Daphne Marlatt's development and teaching of various courses at post-secondary institutions. Records include articles, lecture notes, evaluations by colleagues, brochures, syllabi, and other course material.

Sub-series consists of minutes and notes resulting from meetings of the filling Station Publications Society.

Sub-series consists of records generated from the administration of "filling Station" magazine. These include forms, letterhead, distribution requests, serials registration, subscriber lists, contact lists, and a stamp.

Sub-series documents general correspondence and submissions received by "filling Station" magazine in the 1990s.

Sub-series consists of grant applications and supporting materials submitted by filling Station Publications Society to granting organizations such as the Canada Council for the Arts and the Alberta Foundation for the Arts.

Sub-series consists of records relating to the writing and publishing of Flood’s first collection of short stories, "The Animals in Their Elements." Records include notes, drafts and correspondence with publishers. Sub-series also includes ten publications in which Flood’s stories are printed: "New: West Coast Fiction" (1983); "Vancouver Short Stories" (1983); "Matrix" (1981); "Queen's Quarterly" (1981); "Common Ground" (1980); "Journal of Canadian Fiction" (1980); "Fireweed" (1989); "Event" (1987); "Prism International" (1987); and "Atlantis" (1981).

Sub-series consists of records relating to the writing and publishing of Flood’s second collection of short stories, "My Father Took a Cake to France." Records include notes, drafts, correspondence with publishers and contracts. Sub-series also includes six publications in which Flood’s stories are printed: "Frictions: Stories By Women" (1989); "Descant" (1991); "Malahat" (1989); "Room Of One's Own" (1988); "Quarry" (1990); and "Books In Canada" (1990).