The collection consists of items related to Robertson's writing, editing, and teaching activities, and includes correspondence, manuscripts, photographs, notebooks, teaching materials, clippings, video and audio tapes, ephemera, and a range of publications, some of which Robertson worked on as an editor, and others to which she contributed her own work. The collection also includes manuscripts produced by several of Robertson's friends and colleagues and original artwork used for covers and interior graphics of various publications.

Fonds consists of correspondence with Canadian writers George Bowering, Roy Kiyooka, Daphne Marlatt, and Fred Wah, and of correspondence with David Robinson of Talonbooks.

Collection consists of diaries, photographs, a passport, correspondence and an award issued to Allan Grant from the Saskatchewan Wheat Pool in 1974.

Fonds primarily contains examples of printed material created by the Margison Brothers Printers from 1959-1999. The fonds also contains some business records, including a cash book and sales tax information, as well as various printing-related publications. The fonds is divided into two series: Series 1. Printing Examples and Business Records, and Series 2. Miscellaneous Publications.

The fonds consists of manuscript, galley proofs and published version of Persky's book of poetry, Lives of the French Symbolist Poets (1967).

The fonds consists of sheet music, pipe band directories, paintings, photographs and other material.

Records consist of material gathered and created by Rose Marie Trembley at and in the lead-up to Vancouver's Writing in Our Time reading series. Records include newsletters, posters, brochures, minutes, press releases, correspondence, and several photographs of readers and events taken by Rose Marie Tremblay. Writing in Our Time was a reading series organized by the Vancouver Poetry Centre in 1979 to benefit West Coast literary presses, especially Blew Ointment Press. Poets who read at the event include George Bowering, Fred Wah, Frank Davey, Daphne Marlatt, Victor Coleman, Gerry Gilbert, bill bissett, Robert Creeley, Ed Dorn, Ann Waldman, and Michael McClure.

Fonds consists of records created and accumulated by the Kiss and Tell collective over the course of the collective’s operations. Records include photographs, correspondence, exhibition specifications and guidelines, and promotional and press materials.

The fonds consists of 16 audio cassette tapes, with a total of 10 interviews, conducted by poet Barry McKinnon of Prince George B.C. for a special issue of the Toronto magazine Open Letter on B.C. Poets and Print. The fonds also contains word-for-word interview transcriptions and transcriptions that have been edited for publication. Fonds also contains a grant proposal, correspondence, notes, drafts, and layouts related to producing the work. B.C. Poets and Print appeared in Open Letter (Seventh series, nos. 2-3) in 1988.

Fonds consists of the literary papers of BC writer Anne Cameron. Records include manuscripts, ephemera, photographs, news clippings, correspondence, periodicals, notebooks, and floppy disks.

The fonds consists of correspondence, notebooks, and manuscripts of Betty Lambert relating to her career as a writer and a university professor.

The Pacific Socialist Education Association’s Pacific Tribune Photograph Collection comprises over 40,000 35-mm images taken for the weekly Vancouver labour newspaper Pacific Tribune. The images cover a twenty-year period, from 1972 to 1992, one of the most active periods in British Columbia’s labour history.
Included in the collection are images from some of the most tumultuous events involving British Columbia’s labour movements:

• the province-wide campaign against insurance rate increases introduced by the new Social Credit government in 1976
• the opposition to federal wage controls that culminated in a one-day national work stoppage in 1976
• the historic Solidarity movement in 1983
• labour’s campaign — that also included a one-day work stoppage in 1987 — against government legislation that severely curtailed the right to organize unions and bargain collectively

The collection is also a rich source of images from political and other social movements, including:

• rallies and campaigns for human rights
• internationally recognized Vancouver walks for peace during the mid-1980s
• anti-poverty and housing movements
• womens' rights
• First Nations' movements
• environmental campaigns

Fonds consists of files related to the publication of Dandelion Magazine, including invoices, cheque requisitions, bank statements, board bylaws, corporate registration information, subscriptions, advertising campaigns, minutes, promotional materials, grants, and correspondence. Fonds also consists of copies of Dandelion and Blue Buffalo magazines, and chapbooks published by the Dandelion Magazine Society.

Fonds consists of records relating to Sandy Shreve's work as a poet, editor, and founder of BC's Poetry in Transit program. Records include correspondence, poetry manuscripts, and book files.

Fonds consists of records created by Carole Rubin while working on her books How to Get Your Lawn off Grass and How to Get Your Lawn and Garden off Drugs . Records include correspondence, manuscripts, and research on pesticide use.

The fonds consists of records relating primarily to Innes’ drawing, painting, and writing. Records include original cartoons, publications containing Innes’ work, a chapbook, exhibit programs and reviews, and images of Innes’ paintings, as well as photographs of Innes, biographical material, and a patent agreement.

The fonds has been arranged into six series: Records relating to Innes’ paintings ([190-?]-1943); Illustrations and cartoons ([between 1880 and 1941]); Publications (1900-[ca. 1934]); Photographs of Innes ([192-?-193-?]); Patent (1 Feb. 1919); and Records relating to Innes created after his death ([1941]-1945).

Fonds consists of master videotapes and notes from two film projects: documentary portraits of Gerry Gilbert (The Big Break), taped in 1988, and Voice: Roy Kiyooka, taped in 1991.

The fonds consists of manuscripts by contributors to nos. 1-7 of the Resuscitator magazine, with accompanying correspondence. Includes 320 items (approx.) holographs, typescripts, 3 photographs, and 1 linoblock.

Fonds consists of correspondence, photographs and ephemera as well as published and unpublished manuscripts from several authors: Victoria Walker, Stephen Stepanchev, Lionel Kearns, George Stanley, Robert Creeley, Ed Dorn, Joan Kyger, Bill Corbett, Duncan McNaughton, Robin Blaser and Michael Davidson.

Fonds consists of records generated from Al Neil's work as a musician, artist and writer, as well as his personal and family records. These include family photographs, records from Neil's military service, correspondence, documentation of performances, art exhibitions and collages, clippings of interviews and reviews, original manuscripts and drafts, published writings, grant applications, posters, and material related to his and Carole Itter's cabin at Dollarton, North Vancouver, BC.

Fonds has been arranged into the following eight series: Correspondence (1959–2010); Writings (1968–1996); Professional records (1936-2009); Reviews and clippings (1958–2009); Personal records (1940–1994); Photographs ([185-]–[200-]); Videos (1978–2005), and Sound recordings (1976–1987).

The fonds consists of correspondence from Cid Corman to Gael Turnbull; rejections from Poetry, Tiger's Eye, and Howard Griffin; and correspondence with Robert Singer.

Fonds consists of research material, scripts, notebooks, permissions and source footage used by Kovanic in the production of her documentary films. Suspino: A Cry for Roma was released in 2003 and directed by Kovanic and produced by Tamarin Productions. The film uses interviews, a profile of a refugee family, and historical footage in order to trace the experience of persecuted Romani peoples in Eastern Europe, primarily Romania. Other films in the fonds include Our Tears Run Red, Yellow and Green, Baboon Tales and Dreaming a Nation: The Kurds, from 1994.

Fonds consists of holograph drafts and typescript drafts of poems and criticisms, press proofs, notebooks (including Davey's childhood writing in elementary and secondary school), university essays, book reviews, records relating to a brief to the Applebaum-Hebert Commission (1983), drafts relating to various critical works, university course outlines and conference material, research material, "dream journals", records relating to the journal "Open Letter" and to Coach House Press, and correspondence. Correspondents include George Bowering, Lionel Kearns, Louis Dudek, Dennis Lee, Dave Godfrey, Fred Wah, and Talonbooks. Fonds includes records of "Open Letter", a literary journal edited by Davey; archives of the writers agency, Linda McCartney, Writers Agent (1971-1976); also email correspondence relating to ACCUTE (Canadian Association of Canadian College and University Teachers of English) ca. 1993-1999.

Fonds consists of posters, handbills, zines, newspapers, comics, original artwork, scripts, promotional material and audiovisual records related to the Vancouver political art and punk scenes in the 1980s and 1990s.

Collection consist of books, newspaper clippings and photographs related to the life of de Mishaegen, and letters from de Mishaegen to de Trémaudan. Books by both women are included.

Fonds consists of records relating to Kamboureli's work as a researcher and writer of criticism of Canadian literature. Records include author files, manuscripts, diaries, correspondence with authors such as Robert Kroetsch, Nana Issaia, Daphne Marlatt, Frank Davey, Fred Wah, and Lola Lemire Tostevin.