Sub-series consists of records relating to Daphne Marlatt's English course "Four Modernist Women," taught at the University of Victoria and the University of Saskatchewan. Records include articles, lecture notes, syllabi, and other course material.
Sub-series consists of records relating to Daphne Marlatt's course "Tradition and Modernity," taught at Capilano College and Simon Fraser University. Records include articles, lecture notes, correspondence, syllabi, and other course material.
Sub-series consists of records relating to Daphne Marlatt's development and instruction of various Women's Studies courses, as well as English courses with feminist content. Records include articles, lecture notes, student evaluations, syllabi, and other course material.
This series consists of records such as writing drafts, notes, and research records relating to the book "Diamond Grill," published by NeWest Press in 1996. The book is a semi-fictional biography recounting Wah's childhood experiences.
Sub-series consists of records such as writing drafts, correspondence, and research records relating to the book "Faking It: Critical Writing 1984-1999," published by NeWest Press in 2000. The book is a collection of Wah's writings, including poems, essays, reviews, journals, and notes.
Series consists of general research records and works of others kept by Wah for personal and professional purposes, as well as other types of records relating to these works, such as related correspondence.
Sub-series consists of records relating to specific courses taught by Wah. Records are primarily related to his work at the University of Calgary, though one file contains records relating to a course given at the University of Regina. Records include course syllabi and assignments, course readings, enrolment records, and student work.
Sub-series consists of materials relating to Wah's work as instructor at various institutions, including Selkirk College and the University of Calgary. Records include pedagogical resources, as well as instructional materials not related to one specific course, or where the course is not known.
Sub-series consists of records relating to the University of Calgary's Markin-Flanagan Distinguished Writers Program. The program was established in 1993, and includes two distinct streams: the Distinguished Visiting Writers, and the Writers-In-Residence. Wah served on the steering committee for the program, participated in the five-year review of the program in 1998 as well as the program's 10th anniversary in 2003. Records include internal correspondence, notes, and administrative records such as meeting minutes.
Sub-series consists of records relating to Wah's work at various academic institutions, including Selkirk College, the David Thompson University Centre, and the University of Calgary. Records include administrative records from Wah’s employers, as well as other general records relating to professional activities, such as letters of reference written for current or former students.
Sub-series consists of records relating to Series consists of records relating to the various residencies and related programs that Wah has participated in during his career. Wah has participated in several residencies throughout his career, including being a writer-in-residence at the University of Alberta from 1988-1989, and at Simon Fraser University from 2006-2007. He has also participated in residencies at the Banff Centre for the Arts. Records include correspondence, promotional materials, and administrative records.
Sub-series consists of incoming and outgoing correspondence between Blaser and family, friends, and colleagues. Material includes handwritten and typed correspondence, as well as facsimile correspondence. Additional material includes sketches, newspaper clippings, pamphlets, and other textual material sent to Blaser.
This sub-series, consisting primarily of loose handwritten pages, consists of draft versions of poems or miscellaneous thoughts in draft form. This represents the bulk of the fonds, and was received in an unorganized state. There is next to no order between files, many of which will contain iterations of the same work.
Series consists of photographs taken by Susan Stewart for the “Drawing the Line” photographic series, as well as photographs taken by others at various “Drawing the Line” shows. Records include photographs, negatives, and contact sheets, as well as notes relating to contact sheets with commentary on specific photographs.
Series consists of records relating to the “Drawing the Line” exhibition. Includes records that document installation and display of the show, as well as those relating to other aspects of the show. Records include photographs, audio cassette tape, text of an artists’ talk, exhibition plan and installation instructions, and a legal agreement.
Series consists of records relating to the promotion of the “Drawing the Line” exhibition, as well as articles about and reviews of the show. Records include pamphlets, promotional postcards, magazines, and newspaper clippings. Contains photocopied reproductions of several articles and reviews.
Sub-series consists of records relating to exhibitions of Mootoo’s visual art and video installations and portfolios relating to the same. The sub-series also includes sketches by Mootoo in various media.
Subseries consists of bound notebooks which contain notes and drafts of course work, poetry, books, chapbooks, essays, interviews, reviews, columns, teaching, and talks.
Subseries contains notes, drafts, typescripts, page proofs, and publications of work produced collaboratively, as well as French translations. Includes correspondence.
Sub-series consists of records relating to the Canadian Farmworkers Union’s research and advocacy of pesticide education and safety, including chemical information, publications, and educational materials. Records include newspaper clippings and research materials, correspondence, reports, and reference photographs. Educational materials in the file include a slide presentation on pesticide safety.