Series consists of records documenting courses proposed, developed, or taught by Bill Richards over his career. It also includes recordings of guest lectures from his classes, and two dissertations by non-SFU PhD students that Richards mentored in social network analysis and his software program FATCAT. Records include correspondence, departmental memoranda, course syllabi and outlines, exams, assignments, evaluations, lecture notes, background literature, audio cassettes, and two dissertations.

Series consists of records documenting courses and workshops taught by Iris Garland primarily at SFU. It also includes substantial material relating to “Dancing in Cyberspace: Creating with the Virtual Body,” a telelearning course she co-developed at SFU. For types of records, see sub-series descriptions.

Series is arranged into 2 sub-series:

1. Course materials
2. Dancing in Cyberspace records

Series consists of records relating to Mark Winston's position as a professor of Biological Sciences at Simon Fraser University, as a professor and Fellow in SFU's Undergraduate Semester in Dialogue program and Centre for Dialogue, and as an instructor in related dialogue, facilitation, and leadership courses and programs. Of particular note are the Knowledge Network "Bees and Beekeeping" televised course written and delivered by Winston; the Bee Masters course offered to the public; graduate student supervision and research records; and two SFU Apiculture "Heavenly Honey" t-shirts. Also included are lecture notes for one pre-SFU course taught by Winston.

Records include correspondence, lecture notes, handouts, assignments, exams, working papers, reports, certificates, photographs, slides, and audio-visual materials.

Series is arranged into 6 sub-series:

1. Pre-SFU courses
2. SFU courses
3. Bee Masters course
4. SFU graduate student files
5. Audio-visual and photographic materials
6. Undergraduate Semester in Dialogue and related courses

Series consists of records relating to Marlatt's work as an instructor of writing and literature at various institutions. Records include articles, correspondence, administrative records, posters, student evaluations, lecture notes, syllabi, and other course material.

Series has been arranged into the following eight sub-series: Administrative records (1991-2009), Creative writing course development records (1989-2007), "Mother-daughter relationships" course development records ([ca. 1993-1999]), "Four modernist women" course development records (1993-1996), "Tradition and modernity" course development records (1976-1993), Women's studies course development records (1986-1996), Sage Hill Poetry Colloquium development records (1998-2010), and General course development records (1973-2007).

This series consists of the writings, notes, songs texts, clippings, chapters, flyers, booklets, correspondence and articles prepared for Sunday school teachings, for lecture series at Selkirk College and for other teaching events.

This series is divided into two sub-series: 1: Selkirk College; 2: General lectures.

Series consists of records made and/or received by Peter Buitenhuis in the course of his teaching career. Topics and activities covered include course instruction and planning, program development, and Buitenhuis’s teaching positions and sabbaticals. The records reflect Buitenhuis's work at such institutions as University of California Berkeley, Yale University, McGill University, and Simon Fraser University's Department of English.

Records include exams; course readings, notes, outlines, and class materials; student assignments; a thesis; program proposals; Master of Publishing Steering Committee minutes; and correspondence.

Series consists of records documenting Fellman's teaching activities. It includes course and lecture materials for SFU courses, as well as workshops, seminars, and public lectures delivered at SFU and abroad.

This series consists of records relating to TeleLearning conferences. Activities documented include conference planning and organization, media relations, delivery of conference sessions, and post-conference evaluations.

Records include conference material (programs, abtracts, and audio recordings of sessions); publicity material (brochures, posters, graphics and promotional artifacts); administrative records (correspondence, work plans, contracts and agreements, release forms, budgets, speakers and registration lists, media releases); and post-conference reports (debriefings, wrap-up reports, conference statistics).

Series consists of draft and final version scripts and screenplays for television film series, plays and serial programs, produced and not produced, as well as related records. The majority of the scripts and screenplays were written by Klenman; others are based on his writings. Includes scripts and screenplays written for CBC-TV, 20th Century Fox, QM Productions and Universal Television Productions, and the following television series: "The Danny Thomas Hour", "The Felony Squad", "I Dream of Jeannie", "The Invaders", "The Iron Horse", "Our Man Flint", "The Phoenix Team", "Quest", "The Seaway", "The Starlost", and "The Survivors". Screenplay projects for CBC include “H.R. : H.R. MacMillan – the early years” for the series "The Winners"; dramatizations of Barry Broadfoot’s "Six War Years" and Henrik Ibsen’s "An Enemy of the People"; as well as “Sam. Johnson” and “Tim Buck : Shooting Reds in the Kingston Pen,” neither of which were produced. Also included in the series are three film reels for "California Dreamin’" (1968) an hour-long documentary for CTV about the migration of Canadian talent to Hollywood, and Klenman’s story ideas for several popular television series, including "Bonanza", "Daniel Boone", "The F.B.I.", "Felony Squad", "The Fugitive", "Jericho", "Judd for the Defense", "The Invaders", "The Iron Horse", "I Spy", "It Takes a Thief", "Mannix", "Mission Impossible", "The Outsider", "Run for Your Life", "Star Trek" and "Tarzan".

This series contains samples of Doukhobor handmade textiles, including crochet rugs, woolen fabrics and woolen fabrics made for skirts.

This series consists of records relating to the Doukhobor music and poetry including texts of songs, pslams and poems, as well as sound recordings of the Doukhobor choirs performances. This series also includes sound recordings containing Russian stories and poetry.
Most of the material is in Russian.
The series is divided into two sub-series: 1: Songs, lyrics, poems; 2: Sound recordings.

The series consists of various printed materials, mostly newspaper articles. There is one illustrated advertisement for an up-coming speaking tour, but the other items are mostly tributes relating to the life and death of E. Pauline Johnson.

The series consists of printed materials, mostly self-published booklets and press releases. The series includes 1 newspaper clipping

This series consists of mainly correspondence and transcripts of interviews. Also included is a project proposal to continue the film-making process of a project that was interrupted by the death of Jon Gates in 1992.

Series consists of notebooks containing drafts and notes, unbound drafts, and copies edited by Algonquin Books of Chapel Hill and Alfred A. Knopf for the novel The Hero’s Walk. It also includes articles, interviews and reviews from Canadian and international newspapers.

Series consists of records relating to the publication of Delany's book on Rupert Brooke.

Series contains research, drafts, permissions, and correspondence, and documents relating to preparing a SSHRC application for research on Brooke.

Series consists of records relating to Lloyd's proposed Northern Stores project, for which he never received funding. The project is described in the Saturday Night article available in the hard copy finding aid. Includes correspondence, grant applications, questionnaires and other documents.

Series consists of the first, second and third drafts of the first edition of "The Voyage of the Komagata Maru: The Sikh Challenge to Canada's Colour Bar," published in 1979 in Delhi by Oxford University Press.

This series is comprised of records related to the conception and publication of the book “The Wild Ride: A History of the North West Mounted Police 1873-1904” published in 2010.
The series is divided into the following 7 sub-series: Drafts, proofs and edits (2008-2010), Agreements and contracts (2008), Project development and correspondence (2009-2010), Post-production, promotions, and reviews (2009-2012), Image copyright requests and agreements (2009-2010), Images collected for use in “The Wild Ride" ([ca. 2009-2010]), and Research conducted for "The Wild Ride" (2009-2010).

Series consists of materials related to proposals for the establishment of the Institute, including correspondence.

Series consists of records relating to Evans' completion of his Master of Arts degree in the Department of History at the University of Victoria. Evans entered the program in 1985 and completed his thesis, The Vancouver Island Brewing Industry: 1858-1971, in 1991.

The series includes a paper and digitized copy of the thesis (files 18-20 and 21 respectively); two course papers that set out the program of study (files 2-3); chapter drafts and notes, including materials for a chapter on labour ("The Workplace") that was omitted in the final thesis (file 10); and administrative records relating to Evans' enrolment in the Master's program (file 1).

Records include notes and working papers, essays, draft chapters, and thesis; correspondence, transcripts, and letters of recommendation.

Files are arranged chronologically.

Series consists of records arising from the administration of the Three Universities Capital Fund campaign. Series includes correspondence, address lists, lists of donations and refusals, promotional material, and other items.

Series includes records related to writing and publishing To this Cedar Fountain, Braid's book of poetry written in response to Emily Carr's paintings, which was nominated for the Dorothy Livesay (BC) Poetry Prize. Records include corresondence from readers, publisher, book reviews, interviews with Braid, and rough drafts.

This series consists of textual records generated by Dona Sturmanis during the period she was collaborating with Toby Brooks, the subject being the life and early death of poet Pat Lowther. Included in this series is correspondence, notes, and draft chapters.

Series consists of subject files created by the Office of the Vice-President, Academic relating to a variety of topics, including university administration, policies and procedures, the work of various university committees and task forces, and liaison with faculty, students, government, and external organizations. Records consists predominantly of correspondence and reports. For detailed descriptions of record types, see individual sub-series descriptions.

Series consists of records relating to the Vancouver Transition House, and other transition houses in British Columbia. Transition houses were set up to offer a refuge for women and children forced to leave their homes due to violent and abusive situations. The goal of the transition houses was to secure the safety and health of the women and children in their care, and to ensure that they not return to unresolved and dangerous situations. Includes academic papers, articles, briefs, correspondence, minutes and publications.

Series consists of analogue and digitized films created by Erickson during his travels to Afghanistan, Cambodia, China, Ethiopia, Greece, India, Indonesia, Italy, Japan, Mexico, Nepal, Pakistan, and Tanzania. Subjects include local inhabitants, architecture, and wildlife.

Series consists of textual records and photographs relating to locations to which Blaser traveled. Records include travel schedules, receipts, handwritten notes, boarding passes, event programs, ticket stubs, and brochures.