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School for the Contemporary Arts fonds Item
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Once Upon A Climb

"A serious discussion of climbing with a contrast of climbing as it used to be with the challenges and possibilities provided by modern equipment. The film uses the vehicle of a morning conversation between two climbers in their tent which is perched on the side of a cliff" [Handwritten notes (author unknown), 21 May 1975, in arrangement & description section of F-232 collection file]

Old Fashioned Style

"(8 minutes) 16mm colour documentary. One job‚ one man, who has been happy for thirty-five years making peanut butter‚ "the best‚ (no additives)!" [1977/78 SFU Film Workshop Productions program]. Only one element (noted as work print, but no splices so likely final). Miscellaneous note: "Woodward Stores Ltd."

All About Sex

"(15 minutes) 16mm colour comdey, educational film. Ah love, (sigh), A wildly funny look at sex education which can sneakily conspire to involve anyone who dares tackle it!" [1977/78 SFU Film Workshop Productions program]

One in a Million

"(12 minutes) 16mm comedy-drama, educational film. One man's addiction to the awesome frustrations of the lottery‚ a mania sweeping Canada in the 70's." [1977/78 SFU Film Workshop Productions program]

Beautiful Day in a Negative World

"Stumbling through the last minutes before a nuclear attack‚ " [Russell Stephens, "Move over, Fassbinder," The Peak, 13 June 1979, p. 6]. "What would you do if you woke up to a hangover and incoming Soviet missiles?" [Program for 1978/79 SFU Student Workshop Films showing, 15 June 1979]

The Tales of Rabbi Nachman

"An ancient Jewish tale of a prince and a rooster." [Program for 1978/79 SFU Student Workshop Films showing, 15 June 1979]. No answer print for this film as per late July 1979 documentation in general correspondence section of F-232 collection file.

Two for Tea

"A surreal social commentary on contemporary lifestyles. Winner of the 1979 B.C. film festival." [Program for 1978/79 SFU Student Workshop Films showing, 15 June 1979]. Also held by "Moving Images Distribution in 16mm format: "Two for Tea evolves in a text/counter-textual structure that relates tothe narrative/anti-narrative debate of avant-garde film practice, and the issues raised regarding the positioning of the subject in an open or closed text ... The film begins with what appears to be a narrative on the banality of suburban life. Two women share mid-afternoon tea, a common practice in this South Vancouver suburb. This mannered feminine ritual also reveals the women'sexperience as a kind of a trophy ... They politely sip their tea, oblivious to the violence in the world around them or to the specific violation of those of their own gender. By framing the woman's "place" as private rather than public,the film explores this feminine social determination. A TV is used as a formal device to deconstruct the narrative's logical, linear coherence and closure.The surreal aspects of the later sequences invite the spectator to take an active part in the production of meaning. (M.I.)" 1979, 12 min. [http://www.movingimages.ca/catalogue/Experimental/Experimental_i.html#RTFToC31b]

Rubblewomen

Also held by "Moving Images Distribution" in video and 16mm formats: "Rubblewomen explores a taboo subject: the "rubblewomen" who helped rebuild shattered postwar Berlin by gathering and cleaning bricks from bombed buildings. Interviews and imaginatively manipulated archival footage sketch in this forgotten chapter in German history. As one interviewee notes, "women are always cleaning up men's messes." Award: Best Documentary, Canadian Student Film Festival, 1985 [http://www.movingimages.ca/catalogue/Experimental/Experimental_b.html#RTFToC3a]

Noohalk

"A documentary on the people of Bella Coola in the north coast of British Columbia by Peter Bryant, Don Shaw, Tony Westman and Peter Goudie." [1968/69 film workshop description]; Indigenous-related material.

Claws?

"(25 minutes) 16mm colour documentary educational film. Probably a crab would be filled with a sense of personal outrage if it could hear us class it wothout ado or apology, as a crustacean, and thus dispose of it. 'I am no such thing,' it would say; 'I am myself, myself alone.' William James. 'Claws?' is a crab's eye view of his world and our ... " [1977/78 SFU Film Workshop Productions program]

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