Series consists of records relating to Daphne Marlatt's general poetry writing projects. Records include notes, drafts of poems, and correspondence with legal permissions.

Sub-series consists of poetry and book files for titles written or edited by Beaulieu, including "With Wax," "How to Write," and "Rush: What Fuckan Theory."

This sub-series consists of the USCC annual convention delegate package records that include conventions agendas, procedures, meeting minutes, memorandums, correspondence, reports, trustee reports, participant lists, financial statements, annual reports and report from other Doukhobor organizations relating to schools, choirs, women’ clubs, youth organizations, Iskra publication, etc. These records are rare as convention packages were strictly issued in small numbers for the use of delegates only. Records are mostly in English and some in Russian.

This series consists of 3 sub-series: Works authored by McWhinney (1956-2013); Works about McWhinney (1963-2012); Works edited or reviewed by McWhinney (1974-2015)

Sub-series consists of records relating to Wah's professional service and activities, including his service on various groups and committees (excluding the Writers’ Union of Canada), his work as a judge for literary prizes, his applications for grants, and related activities. Records include correspondence, manuscripts and drafts of works of others, and administrative records.

Sub-series consists of correspondence and unpublished manuscripts from writers such as Helen Hajnoczky, Eric Zboya, Pete Spence, Jordan Scott and Mark Laliberte. Series also includes a publication edited by Christian Bök and produced in an edition of forty copies for Beaulieu’s fortieth birthday.

Sub-series consists of research, manuscripts, correspondence, and promotional material relating to the poetry book "Liquidities: Vancouver Poems Then and Now," published in 2013.

Sub-series consists of records relating to Wah's work at various academic institutions, including Selkirk College, the David Thompson University Centre, and the University of Calgary. Records include administrative records from Wah’s employers, as well as other general records relating to professional activities, such as letters of reference written for current or former students.

File consists of correspondence, royalty statements, publication catalogues, and promotional materials related to various publishers Bringhurst has worked with.

Sub-series consists of correspondence from Bringhurst to others, arising from personal and professional activities.

This sub-series contains various publications, magazine, newsletters, articles, conference materials, reports, brochure and papers related to environmental issues and protection of ecosystems. The publications include: New Catalyst, Wild Rockies Networker, Watershed Sentinel, Reach for Unbleached, Friends of Ecological Reserves, Friends of Clayoquot Sound, and Global Biodiversity magazine

Sub-series consists of records relating to Wah’s activities as Parliamentary Poet Laureate of Canada, a position he occupied from 2011-2013. Records include correspondence, writings by Wah, travel and event records, and administrative records.

Series consists of original prints of visual poems by Eric Zboya (whose work has been published by "filling Station" and No press), a chess game given to Beaulieu on the occasion of the publication of "Flatland," and a collage given to Beaulieu by text, visual and sound poet Michael Basinski.

Sub-series consists of proposals, reports, correspondence, and photographs relating to projects both internal and external, undertaken or contributed to by the Canadian Farmworkers Union and its members. These projects include cultural events, educational programs, photography projects and exhibits, and documentary videos, as well as research-based awareness projects. Records include production and event photographs, planning documents, and reports.

Records in this sub-series include material relating to the films A Time to Rise (Uthan da Vaila) (1981), produced and directed by Anand Patwardhan and Jim Munro with assistance from the National Film Board (NFB), which documented the history of the farmworkers’ struggle and the Canadian Farmworkers Union; Farmworkers Zindabad! (1985), written and directed by Craig Berggold and Sukhwant Hundal, which dramatized the Hoss Farming Company strike of 1984; and To Pick is Not to Choose (1985), directed by John Greyson for Tolpuddle Farm Labour Information Centre in Ontario. Also included are records relating to the photography exhibits “A Time to Change: South Asian Farmworkers of the Fraser Valley” (originally created in 1983 and exhibited numerous times) and “I would like to tell you a story… Health & Safety Regulations NOW!” (1986) by Craig Berggold. The sub-series also includes records of a health and safety campaign as well as the Technology Impact Program (TIP), a research project which gathered information about pesticide use on berry farms in BC.

This sub-series contains records relating to the purchase of images, requests for copyright clearance and/or permission to publish images in “Selling Canada”, and any related correspondence.

Sub-series consists of Daphne Marlatt's writings, presentations, correspondence, event material, travel documents, promotional records, photographs and other material relating to readings she delivered and events she attended.

File consists of correspondence to Bringhurst from various people, arising from personal and professional activities.

Sub-series consists of Stonebanks’ notes and research records relating to the epilogue of his book. The epilogue speaks about topics related to Goodwin’s legacy, including his gravesite, Miners’ Memorial Day, and Ginger Goodwin Way. It also speaks about the lives and legacies of those connected to Goodwin, and provides information about living and working conditions in the town where Goodwin had lived. Records include reproduced research records for various sources, correspondence, and Stonebanks’ notes.

Sub-series consists of correspondence to Bringhurst, arising from personal and professional activities.

Sub-series consists of letters, schedules and itineraries for reading engagements, newspaper clippings on Pierre Coupey, research materials, drafts of poetic works by Coupey, annotations from Bill Schermbrucker on a first draft for the poem, “Moon Bay,” a draft copy of “The Alphabet of Blood” as well as a published photocopy of the poem. Also included are correspondence and publishing information from Gary Geddes, a letter from Coach House Press (bp Nichol and Michael Ondaatje), an award certificate from The Malahat Review (circa 1980s), poetic materials for the “Interventing the Text: A Symposium, 1991,” as well as drafts and poems from Coupey’s formative years as a youth, including a significant letter from 1957 from Canadian poet Louis Dudek to Coupey and a newspaper clipping about Dudek. This photocopy of this seminal letter from Dudek fuelled Coupey’s life-long passion as a poet. A few of the early poems from this sub-series are included in Coupey’s publication Bring Forth the Cowards. Also included in this sub-series are drafts and working copies of poems for “Notes Towards a Requiem,” 1997 and Cutting Out The Tongue: Selected Poems: 1962-1997 by Coupey.