Fonds consists of correspondence, research, notes, written works, newspaper clippings and other records accumulated by Shackleton over her lifetime. These include records relating to her career as a writer, editor and journalist, her political activities, her education, research, travels abroad and those records relating to her professional and personal relationships within organizations and with acquaintances, friends and family members. Records have been arranged into the following seven series: Writing records ([194-]-2001); Research and reference files ([196-]-1985); Education and employment records (1931-[ca. 1992]); Political records (1944-1979); Professional organization records (1983-2001); Personal subject files ([19--]-2001); and Travel souvenirs, notes, and ephemera ([196-?]-1995).
Fonds consists of records created or accumulated by Derek Beaulieu through his personal and professional activities, primarily from the 1990s to 2015. Records document his work as publisher of housepress and No press, and his work as a writer, editor, art and literature student and creative writing instructor.
Fonds is arranged into the following eight series: housepress (1997–2007); No press (2005–2015); Writings (1991–2015); Correspondence (1994–2015); Artworks (1996–[before 2013]); Notebooks, sketchbooks and daytimers (1987–2015); Promotional records ([199-]–[2015]) and Personal records (1994–2007).
Evelyn Woods was a mature student who entered the University to complete a teaching certificate. She befriended early staff members of The Peak student newspaper and often brought them cakes and other treats. In return, when she completed her studies in 1968, Peak staffers gave her a scrapbook as a souvenir.
Collection consists of one scrapbook of news clippings, and selected issues of The Tartan, SF View, The Peak and other memorabilia.
The fonds consists of records relating to the editorial, business and community activities of Press Gang Publishers. Activities and events documented include the evolution of Press Gang's organizational structure, and the separation of the printing and publishing operations; administration; collective, staff, Board of Directors and committee meetings; financial management, and grant applications; the management of royalties and rights; editorial work including manuscript receipt and evaluation; the physical production of Press Gang books; the promotion and marketing or Press Gang titles; and liaison with other feminist and publishing organizations.
Record types includes correspondence and reports; meeting agendas, minutes and supporting papers; photographs; grant applications and financial statements; contracts and agreements; manuscripts; book reviews and promotional material; photographs; and published books.
The fonds consists mainly of textual materials, including correspondence and diaries. Also present are photo albums, photographs and negatives. The fonds has been arranged into the following seven series: Personal correspondence (1934-1988), Diaries (1914-1973), Desktop diaries (1962-1973), Personal miscellaneous items (1937-1978), Photographs (1927-2002), and Outlawry of War (1921-1960).
Fonds consists of records relating primarily to the academic and professional life of Bill Richards, and in part to his personal life. Activities, topics, and events documented include Richards’ course development and instruction; academic conference participation and presentations; research projects and partnerships; writing and publications; computer software development, implementation, communications, and analyses; grant writing and applications; employment; and his death and memorial. Records include correspondence, notes, course syllabi, program manuals and data sets, publications and reports, grant applications, conference programs and proceedings, software programs, and sound and moving image recordings.
Fonds consists of predominantly of media works (photographs, moving images, sound recordings, graphic materials) created by LIDC and its predecessors. Records were created in the course of the department's work to provide media and technical support for university teaching and research; support instruction in the development of innovative teaching methods; produce publications to communicate and promote SFU and its programs; and create an audio-visual record of campus events and activities. Records include photographs in various formats (negatives, contact sheets, prints, slides), graphic design materials (drawings and cartoons), sound recordings and moving images; textual records comprise print publications created for client departments.
The fonds has been arranged into five series based on media type and subject:
Fonds consists of records created or received by the Peak Publications Society primarily in the course of publishing The Peak, the student newspaper of Simon Fraser University. Activities and topics documented include the establishment and organization of the Peak Publications Society; developing sources of funding; the production of the newspaper, including the taking of photographs required to illustrate stories published; the hiring and duties of Peak staff members; and other publishing ventures of the Peak Publications Society. Includes a complete run of The Peak newspaper from 1965 and other published material such as the Terminal City Express, The Dic (student course guide), and The Peak Handbook. Also includes certification of incorporation, constitution, agendas, minutes, financial records, correspondence, and other documents, as well as contact sheets, prints, negatives, and microfilm reels.
Fonds consists of records documenting the business activities of Nunaga Publishing and its president, Rick Antonson. Fonds is divided into the following sub-series: Corporate records (1973-1988); Book and magazine project files (1970-1980); Sales and distribution records (1974-1983); Correspondence (1973-1984); Submissions and proposals (1974-1979); Government and book information files (1974-1980); Publicity and related records (1973-[1994]); and Douglas & McIntyre files (1977-2006).