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School for the Contemporary Arts fonds Item
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Lotus Shadow

"A girl and forced marriage. Second prize winner of the 1979 B.C. film festival." [Program for 1978/79 SFU Student Workshop Films showing, 15 June 1979]

In Black and White

Also held by "Moving Images Distribution" in video and 16mm formats: "This work asks the viewer to re-examine the right of the police to harass adults because of their sexual preferences. A careful, precise film which raises the question in a reserved and understated style." 10 min., b/w, 1979 [http://www.movingimages ca/catalogue/Experimental/Experimental_m.html#RTFToC38b]. "Television, washroom sex, and state repression." [Program for 1978/79 SFU Student Workshop Films showing, 15 June 1979]

The Tales of Rabbi Nachman

"An ancient Jewish tale of a prince and a rooster." [Program for 1978/79 SFU Student Workshop Films showing, 15 June 1979]. No answer print for this film as per late July 1979 documentation in general correspondence section of F-232 collection file.

Beautiful Day in a Negative World

"Stumbling through the last minutes before a nuclear attackā€š " [Russell Stephens, "Move over, Fassbinder," The Peak, 13 June 1979, p. 6]. "What would you do if you woke up to a hangover and incoming Soviet missiles?" [Program for 1978/79 SFU Student Workshop Films showing, 15 June 1979]

Place

According to Tony Giacinti, the filmmaker, the opening scenes of "Place" show footage of Robson Street (between Burrard and Thurlow) in the midst of being torn apart to make way for commercialization. Giacinti lived in the "Manhattan" apartment at the time. It was an experimental film, as influenced by the experimental filmmakers then teaching the workshop (e.g., Al Razutis). The film won in the "Experimental" category at the 11th Canadian Student Film Festival in Montreal in 1979.

A review of the film stated that "'Place' develops its own language of experimental editing and sound manipulations in order to explore the personna [sic] of an apartment block. In Tony's film objects and people, moving unseeing to each other in space and time, are brought together to create a strange statement about our perception of an observable reality." (Russell Stephens, "Move over, Fassbinder," The Peak, 13 June 1979, p. 7). The film was described as "Man and his Mask; the persona of the place in which we live" in the program for the 1978/79 SFU Student Workshop Films showing on 15 June 1979.

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