This sub-series contains records relating to research conducted, predominantly photocopies or printouts from online searches for factual information or photographs for possible inclusion in “A Road for Canada”.

This sub-series contains records relating to graphic design and draft layouts in the pre-publication process. Record types include print mock-ups, correspondence, invoices, draft book copies and sample prints.

This sub-series contains records relating to legal records between author and publisher.

This sub-series contains records relating to graphic design and draft layouts in the pre-publication process. Record types include print mock-ups, correspondence, invoices, draft book copies and sample prints.

Sub-series consists of income tax return forms, tax assessments from National Revenue Service, lists of expenses and receipts for Skinner's writing career, and correspondence from Skinner's accountant and the National Revenue Service.

Sub-series consists of drafts and manuscripts of novels, short stories, plays, and poems written by June Skinner. Material is typed and handwritten. Some writings had no identifiable title or date.

Sub-series contains incoming and outgoing correspondence that is related to June Skinner's novels. Correspondence is from agents, publishers, fans, and family.

Sub-series consists of records relating to Norman Klenman and Philip Saltzman’s development of a feature film screenplay titled “The Ultimate Victim,” which was eventually produced under the title "The Swiss Conspiracy". Records include outlines and various drafts of the screenplay, contracts, notes, correspondence, and research material.

Sub-series consists of page proofs for the book "Hellhound on his Trail & Other Stories," a collection of Trower's magazine features and newspaper columns published by Ekstasis Editions in 2008.

Sub-series consists of a manuscript for "The Counting House," an unpublished book based on Trower’s experiences at Oakalla Prison in the 1960s.

Sub-series consists of records relating to Peter Trower and Yvonne Klan’s unpublished book project "Gangsterquest: The Search for the King of Safecrackers." An account of the life of Herbert Emerson Wilson (aka Herb Wilson), the project was originally titled "Holy Herb." Records include notes, research records, chapter and screenplay outlines, and edited and unedited draft manuscripts.

Sub-series consists of records relating to articles and short stories written by Trower, both published and unpublished. Record types include drafts, outlines, notes, proposals, project lists, notes, and research and reference material. Includes articles and short stories published in the periodicals B.C. Studies, Coast News, En Route, Equity, Lifestyle, Peninsula Voice, Vancouver Magazine, Western Living, and Whistle Punk.

Sub-series consists of galley proofs for Trower's 1989 book "Unmarked Doorways."

Sub-series consists of material relating to the development of Trower's 2004 book "Haunted Hills and Hanging Valleys."Includes several draft manuscripts, including the first selection of poems and the final draft, as well as correspondence between Trower and Harbour Publishing.

Sub-series consists of a production script and shooting schedule for the movie "The Diary of Evelyn Lau," in which Peter Trower played himself.

Sub-series documents general correspondence and submissions received by "filling Station" magazine in the 1990s.

Sub-series consists of the draft, revisions and final text of The Last Supper, an opera libretto written by Blaser. Material includes handwritten edits and notes on the text, which include facsimiles sent with revisions from Harrison Birtwistle, who wrote the score for The Last Supper, and representatives at Allied Artists.

Sub-series consists of journals and notebooks, speeches, statements, short stories, a translation, and grant applications completed by Blaser.

Sub-series consists of photographs of Blaser and his friends and colleagues. Photographs include other notable writers and artists such as Robert Duncan, Allen Ginsberg, Robert Creeley, Jack Spicer, Jess Collins, as well as other notable American and Canadian poets and authors. The sub-series also includes print photographs that belonged to James Felts, a former partner of Blaser’s.

Sub-series consists of correspondence of artist Jess Collins who was a close friend of Blaser. Records include handwritten and typed correspondence from Jess to a friend and to a publication.

Sub-series consists of correspondence of writer Stan Persky, who was a close friend of Blaser. Records include handwritten and typed correspondence.

Sub-series consists of correspondence of Blaser’s nephew Mark Samac to his mother, Hope Blaser Samac, correspondence of Jonathan Williams, and letter of Robert Duncan to Jack Spicer.

Sub-series consists of records relating to various projects James Delgado worked on throughout his professional career. Records were created or compiled by Delgado through his work for the National Park Service, the Vancouver Maritime Museum, and the Institute of Nautical Archaeology. A large number of files are related to exploring shipwreck sites, court cases related to shipwreck salvage, and the nomination of shipwrecks for Historic Places status. Records include correspondence, photographs, notes, meeting agendas and minutes, newspaper clippings, journal and magazine articles, pamphlets, trip reports and itineraries, press releases, project proposals, and reports.

Sub-series consists of records created or compiled by James Delgado through his work on maritime archaeology projects, primarily projects undertaken while he worked as a historian for the National Park Service. A large number of records focus on Delgado's work on the preservation of shipwreck sites through the National Registry of Historic Places. Records include correspondence, newspaper clippings, slides and photographs, research records, and surveys of shipwrecks.

Sub-series consists of research, manuscripts, correspondence, and promotional material relating to the poetry book "Liquidities: Vancouver Poems Then and Now," published in 2013.

Sub-series consists of records relating to the short film "The Portside," written by Daphne Marlatt. Released in 2009, the film was part of the Out on Screen Queer History Project. Records document the writing of the film as well as its production and submission to film festivals. Records include screenplay drafts, correspondence, research records, and administrative records.

Sub-series consists of records relating to the chamber opera "Shadow Catch," for which Marlatt composed the libretto. The opera was affiliated with the Pro Musica Society of Vancouver's Further East Further West Series, as well as the City of Vancouver's 125th Anniversary Celebration. "Shadow Catch" ran from December 2-4, 2011 at the Firehall Arts Centre in Vancouver. Records include draft scripts, correspondence, articles, musical scores, photographs, programs, and advertisements.

Sub-series consists of records relating to the book "Readings from the Labyrinth," a collection of essays by Daphne Marlatt. Records include manuscripts, newspaper clippings, photographs, and other conference material.

Sub-series consists of drafts, articles, correspondence and research records relating to Daphne Marlatt's reviews of other writers.

Sub-series consists of records relating to awards and honours Daphne Marlatt and her publications have received. They include the Order of Canada, the Diamond Jubilee Medal, and an honourary degree from Mount St. Vincent University. Records include certificates, correspondence, and brochures.