The fonds consists primarily of records created during the writing of Wasserlein's MA thesis at SFU, "An Arrow Aimed at the Heart": the Vancouver Women's Caucus and the Abortion Campaign, 1969-1971, completed in 1990. The fonds also contains records related to other research Wasserlein was involved in, specifically her work with the UBC research project on non-academic women in 1979, and her application for a Canada Council grant in support of her own research project in 1982. Fonds includes taped interviews, transcripts, notes, drafts, correspondence, published materials, periodicals, and photographs. No records exist related to Wasserlein's activities with the Vancouver Folk Music Festival.

The Women's Bookstore collection consists of materials relating to the operation of several Vancouver women's organizations and reflects the issues that dominated the women's movement throughout the 1970s. Consistent with the community based nature of women's movements during this period, the scope and content of the collection reflects the diversity common to a phenomenon rather than the administrative and subject coherence found in records generated by a single organization. As such, the collection as whole gains its coherence due primarily to the interdependence rather than independence of the individual items to one another. This also applies to the records generated by autonomous organizations in the collection. While the different organizations should be regarded as distinct, a good deal of the records concern the communication between various organizations and women's groups across the country or identify issues of concern to a broad range of organizations. Thus, the collection as whole should be regarded as a record of a dynamic process in which a common ideology served to unify the aims of distinctive organizations, persons, and subjects.

The collection is comprised of the records of the Women's Bookstore, Women's Caucus, A Woman's Place, Transition House, the British Columbia Federation of Women and the Morris and Helen Belkin Art Gallery. Includes constitutions, minutes, reports, correspondence, position papers, and sound recordings. Also includes newsletters from women's centres across British Columbia and Canada, subject files, and an assortment of feminist publications.

The fonds of the SFU Childcare Society consists of records made or received in the course of administering the Society and its predecessor bodies and providing facilities, personnel and funding for childcare programs. The bulk of the material ranges from 1968 to the early 1990s. Activities documented include meetings of the various societies and centres established to provide childcare services; obtaining license agreements with the University; securing collective agreements with staff; planning for child care services; construction of buildings; correspondence and liaison with government officials and university administrators; and providing information to parents and staff.

Fonds consists of records made or received by Mitch Taylor in the course of his professional activities and business ventures from 1972 to 1992. The records relate primarily to Taylor's co-founding, development and operation of Granville Island Brewing Company Limited in Vancouver, BC from 1981 to April 1989; his time at the brewery in the role of VP Sales and Marketing for Potters Distilling from April 1989 to 1992; and his co-founding of Creekhouse Industries on Granville Island in 1972.

Fonds consists of textual records, graphic materials, photographic materials and artefacts, and is arranged into four series:

• Talks and speeches
• Correspondence
• Press and publicity
• Granville Island Brewing Company Limited records

Fonds consists of records relating to the activities and management of the publishing company, including correspondence, financial documents, administrative files, rejection letters, educational materials, edited manuscripts, page proofs, printer proofs, production graphics, design mockups, teacher accompaniments, newspaper clippings, catalogues and sales reports. Fonds also contains Scott McIntyre's records from his work with the Canadian Pacific Publishing Society, and books published by Douglas & McIntyre, including the imprints Greystone Books, Groundwood Books, and Western Producer Prairie Books.

Fonds consists of research sources, drafts, correspondence, interviews, journals, magazines, teaching files, essay files, grant applications, and tax information. Records document Zolf's work as a poet, critic, editor, essayist, filmmaker and professor at the New School and University of Calgary. People with whom Zolf regularly corresponds include poets Charles Bernstein, Anne Waldman, Michael Davidson, Rodrigo Toscano, Erin Moure, Joan Retallack; theorist Judith Butler; artists Josiah McElheny, Zoe Leonard and Moyra Davey, and publisher Alana Wilcox.

Fonds consists of chapbooks, page proofs, editorial and production notes on 43 titles published by Nomados from 2002-2014. Includes correspondence, publicity and distribution records. Alphabetical and chronological lists of publications included in Box 1. These titles are also listed on the publisher website: http://www.nomados.org/nomados.htm

Fonds consists of scrapbooks of Mitchell's travels to Japan and Korea, reports she wrote with the Neighbourhood Services Association as a Community Development worker, speeches mailings, newsletters, issues & case work files, correspondence, records related to her memoir, the Vancity Community Foundation's Margaret Mitchell Fund for Women, photographs of various events, and House of Commons debate transcripts.

Fonds consists of 22 sketchbooks (featuring watercolours, pen and ink drawings, pastel and charcoal sketches, travel diary entries) measuring approximately 8 x 10" to 10.5 x 14". These sketchbooks document Rose Malerby's travels to Prince Rupert via ferry and from there to the Yukon with friends in a Volkswagon bus. Malerby captured landscapes, townscapes, harbour scenes, flora, people, architecture and artifacts, and noted weather conditions, gas costs, where they stopped to eat and places they stayed along the way.

Collection consists of letters written to and from Wil Hudson, his personal photographs and negatives, and type blocks used during his work as a printer. Collection also includes tributes to Wil Hudson written after his death in 2014.

Collection consists of first issues of stamps, postcards, comics and other materials related to Blair Henshaw’s collecting and AIDS-awareness advocacy work. Collection has been arranged into the following five series: Stamps and related records (1988–[before 2002]), Postcards, posters and phone cards (1983–[before 2002]), Exhibition records (1993–1999), AIDS on Stamps project files [199-]–2003 and Correspondence (1993–2002).

Fonds consists of photographs, sound recordings, manuscripts, original art, ephemera, broadsides and posters collected by Roy Miki over the course of his career as a writer, editor and professor in SFU's English Department.

Collection comprises photographs, manuscripts, correspondence, ephemera, books and periodical material resulting from and pertaining to the settlement and subsequent history of Doukhobors in Western Canada. Books and periodical items have been catalogued in the SFU Library Catalogue. Digitized images and accompanying descriptions of a portion of the collection are available on the Doukhobor Collection, 1898-1930 website.

Fonds consists of materials related to the production and publication of the multimedia and literary arts zine called Rattler, including correspondence, photographs, publicity, drafts and original layouts, artwork, related posters and zine publications, poetry submissions, and copies of the published zines. Fonds also includes t-shirts that were produced to promote the zine, and one file of original layouts created by Heather Haley for the poetry section of LA Weekly.
The archivist has arranged the fonds into two series:
General operational records (series 1)
Publications (series 2)

The fonds consists of records created, received and collected by the Port Coquitlam Area Women's Centre in carrying out their objectives. Records reflect the administration and organization of the centre; financial arrangements and funding; projects, programs and activities the centre is involved with; its relationship with other feminist organizations; and publications. Includes constitution, by-laws, minutes of general meetings, minutes of steering committee meetings, membership lists, reports, financial records, correspondence, and publications.

Collection consists of two scrapbooks. One scrapbook contains newspaper clippings and other material that documents the Abortion Caravan to Ottawa in 1970. The second scrapbook documents Janiel Jolley as a protest candidate of the Simon Fraser Student Society for Miss Canadian University Beauty.

The Women's Labour History Project documents the histories of women who were active in the trade union movement in British Columbia from 1890s onwards. The project was initiated by Sara Diamond, an undergraduate history student at SFU, who conducted the interviews. She received financial support from the British Columbia Summer Youth Employment Fund. Additional funding was received from many other sources, including The Canada Council, and the Federal Department of Human Resources. Diamond provides a description of her research methodology in a report included as Appendix A1, "Women's Labour History Project" (available in the hard-copy finding aid only).

The collection consists of 43 interviews conducted by Sara Diamond with women in the labour movement in British Columbia. The women discuss their childhoods, family lives, careers, social issues such as childcare and birth control, economic situations such as the depresssion and post-war employment, and the working conditions that led them to become union activists. A summary of each interview is provided in Appendix 1, "Women's Labour History Project" (available in hard-copy finding aid only).

The collection contains audio recordings and transcripts.

The fonds consists of records relating to the life of W.A.C. Bennett. Documented are his personal life, business ventures, community service, club affiliations, and political activities, including his terms as Member of the Legislative Assembly for South Okanagan, and as Premier of British Columbia.

Personal records consist of early correspondence and household records, as well as material which documents W.A.C. Bennett's association with freemasonry and his fundraising activities with organizations such as the Salvation Army.

Business records consist of material relating to Bennett Hardware, Bennett’s Stores, and Calona Wines.

Political records refer to Bennett's tenure as a Member of the Legislative Assembly for South Okanagan, as Premier and as leader of the Opposition. Also relevant are records referring to the passage of a number of Municipal Acts and Bennett’s relationship with Federal politics.

Records include correspondence, advertisements, minutes, annual reports, telegrams, itineraries, schedules, financial statistics, financial statements, petitions, questionnaires, resolutions, reports, speeches, press releases, proposals, maps, plans, charts, file notes, memoranda, newspaper clippings, scrap books, ephemera, photographs, audio recordings, film reels, and video cassettes.

The fonds consists of manuscripts and typescripts, clippings and reviews, notebooks, correspondence with friends and associates, galley and proofs, broadsides and cards by McClure, anthologies and magazines containing items by and about McClure, conference material, tape recordings, photographs, film and ephemera. Film is the only remaining print of Andy Warhol's unauthorized version of "The Beard" (1966). Correspondents include Richard Brautigan, Robert Creeley, Lawrence Ferlinghetti, Bruce Conner, Allen Ginsberg, Gary Snyder and Philip Whalen.

Fonds consists of records relating to Lester's time as a member of the Board of Governers and then the Chairman of the Board. The records are arranged in 3 series: Academic Freedom and Tenure, Correspondence, and Subject files. The subject files include records relating to the CAUT censure, the Department of Political Science, Sociology, and Anthropology (PSA) dispute, and university reorganization as a result of the censure and dispute.

Collection consists of digital copies of a complete run of The Pedestal, a feminist periodical published by the Vancouver Women's Caucus and edited by the Pedestal collective. The periodical referred to itself as a women's liberation newspaper and later as a lesbian-feminist newspaper; it published non-fiction, personal stories, poetry, reviews, letters to the editor, news of the women's movement, informational resources, a dream page and a calendar of events. It was distributed to individual subscribers, women's groups and sold by members at demonstrations and political events, and was available at bookstores and other locations around Vancouver. The Pedestal engaged in debates with members and readers over homosexuality, socialism and relationships with men, and addressed political issues such as abortion, childcare, education, anti-imperialism and patriarchy.

Contributors include Liz Briemberg, Colette Connor, Deb Dubelko, Susan Dubrofsky, Pat Feindel, Barb Finlayson, Eileen Hausfather, Pat Hoffer, Nym Hughes, Beth Jankola, Sylvia Lindstrom, Judi Morton, Jean Rands, Anne Roberts, Diane Schrenk, Sharon Stevenson, Marcy Toms and Dodie Weppler.

Volume VI, Numbers 3 and 4 were published under the title Women Can.

Collection consists of records relating to Vivien Leong's activities as a member of the Simon Fraser Public Interest Research Group (SFPIRG) Recycling Group and a member of the Communications Student Union. Collection includes agendas, minutes, correspondence, publications, posters, anti-calendars, and other documents.

Fonds consists of records relating to the personal and academic life of Peter M. Buitenhuis. Activities, topics, and events documented include course planning and instruction; academic conference attendance and presentations; Buitenhuis's research, writing, and publications; his social life and relationships; and his death and memorial.

Records include correspondence; research notes; class and lecture notes; lesson plans, course syllabi, reading lists, and course work; photographs; manuscripts, publications, literary reviews, articles, and newspaper clippings.

The fonds consists of a typescript copy of the poem "Chant for Half the World".

Covering the time period of 1971 to 2007, the collection is comprised of records created or received by various staff of New Star Books in their business activities. These activities consisted of: soliciting authors for material or responding to author requests for representation, corresponding with authors throughout the editorial process, designing or contracting layouts for books and communicating instructions to vendors, arranging for printing of materials, promoting book tours and maintaining vendor accounts with various independent bookstores and organizations throughout the world. They also monitored book reviews in publications of the popular press and professional organizations, arranged for marketing of products, coordinated payments or receipt of payments, and periodically issued royalty checks. New Star was often reliant on external funding for the publication of some works, especially in instances where translation services were required to reach certain markets, so applications for grants or donations comprise a portion of each series.
The collection reflects some of the major cultural and political issues affecting Canada, and particularly British Columbia and Vancouver, in the late-1970’s and early-1980’s. These topics ranged from criticisms of British Columbia’s Social Credit administration, to works on the Nicaraguan and Cuban revolutions, feminism, gay rights, communism, and the immigrant experiences of Chinese Canadians and Eastern Europeans The collection also offers insight into some of the shifting trend of public interest away from such leftist publications and the choices New Star editors then had to make in choosing marketable content over progressive or provocative literature.
Record types include correspondence, invoices, purchase orders, balance sheets, newspaper clippings, book reviews, financial statements, grant applications, legal transactions or communications, sales figures, book tour schedules, typesetting instructions, style sheets, draft layouts, photographs, and one draft manuscript.
The collection is arranged into the following ten series: Accounts correspondence and invoices (1973–1994); Author correspondence (1977-1997); Book reviews and related records (1976–1999); Business operational files and related records (1971–1999); Editorial correspondence and related records (1973-2001); Sales figures records (1974-1990); Payroll and taxes records (1972-1990); Royalties records and related correspondence (1979-2005); Draft manuscript files [before 1974?]; Invoices, sales registers and related records (1972-2007).

Fonds consists of correspondence, manuscripts, original art, music, ephemera, books, zines, layouts, grant applications and reports, financial records, academic and teaching papers, T-shirts, notebooks and Wershler-Henry's MA and PhD theses. Records are in digital and analogue formats.