Records consist of videotaped poetry performances and textual records relating to the annual Visible Verse videopoem festival held at Pacific Cinematheque in Vancouver, B.C.

Fonds consists of 22 linocut blocks created by Bev Leech in 1961, as a senior thesis project at the Vancouver School of Art (now Emily Carr University of Art and Design) to produce the book, A Glossary of Typographical Terms by Simon Oliver.

Fonds consists of correspondence, manuscripts, notes, articles, and promotional materials created or accumulated by Robert Bringhurst over the course of his career as a typographer and writer. The majority of records were created in 2000 or later, as the donor had also donated records to Library and Archives Canada in the past.

The records include manuscripts of several of his major publications, as well as draft versions and speaking notes for many essays written and talks delivered throughout his career. Also included is correspondence with friends, publishers, and colleagues, translated editions of many of his books, and promotional materials such as posters and brochures for many conferences, festivals, and other events Bringhurst participated in. The fonds also contains some personal records, including birth, marriage, and death certificates from his immediate family. A timeline of major life events and activities has been included by the donor.

The records have been arranged into the following six series: Biographical material (2013); Personal records (1913-2013); Chronological files (1954-2013); Correspondence (1971-2013); Manuscripts (2013); and Broadsides and posters ([ca. 2000-2013]).

Fonds consists of master videotapes and notes from two film projects: documentary portraits of Gerry Gilbert (The Big Break), taped in 1988, and Voice: Roy Kiyooka, taped in 1991.

Fonds consists of records relating to the life and published journalism and books of Allan Fotheringham. They include newspaper clippings, scrapbooks, photographs, notebooks, correspondence, magazines, books, a typewriter, certificates, awards, conference name tags, and born-digital documents.

The fonds consists of correspondence to and from Irving Layton relating to Jennings' writing of an essay on Layton. Fonds includes a copy of the essay entitled "Existentialism in Irving Layton".

The Pacific Socialist Education Association’s Pacific Tribune Photograph Collection comprises over 40,000 35-mm images taken for the weekly Vancouver labour newspaper Pacific Tribune. The images cover a twenty-year period, from 1972 to 1992, one of the most active periods in British Columbia’s labour history.
Included in the collection are images from some of the most tumultuous events involving British Columbia’s labour movements:

• the province-wide campaign against insurance rate increases introduced by the new Social Credit government in 1976
• the opposition to federal wage controls that culminated in a one-day national work stoppage in 1976
• the historic Solidarity movement in 1983
• labour’s campaign — that also included a one-day work stoppage in 1987 — against government legislation that severely curtailed the right to organize unions and bargain collectively

The collection is also a rich source of images from political and other social movements, including:

• rallies and campaigns for human rights
• internationally recognized Vancouver walks for peace during the mid-1980s
• anti-poverty and housing movements
• womens' rights
• First Nations' movements
• environmental campaigns

Fonds consists of photographs, sound recordings, manuscripts, original art, ephemera, broadsides and posters collected by Roy Miki over the course of his career as a writer, editor and professor in SFU's English Department.

Fonds consists of records created and received by Bud Osborn during his life and work as an activist, poet and community organizer in Vancouver's Downtown Eastside. Records include legal documents, reports, manuscripts, photographs, correspondence, royalty statements, sound recordings and research.

Fonds consists of records created and accumulated by the Kiss and Tell collective over the course of the collective’s operations. Records include photographs, correspondence, exhibition specifications and guidelines, and promotional and press materials.

Fonds consists of concert ephemera, posters, promotional material, photographs, correspondence, and audio recordings created and collected by Heather Haley. Records illustrate her involvement in the Vancouver punk scene, including her bands the Zellots, and the 45s. Other notable members from Vancouver punk bands are represented in the photographs and ephemera collected by Haley.

Fonds consists of 89 scrapbooks relating to Grace McCarthy and her career as a politician within the British Columbia Social Credit party. Scrapbooks contain photographs, correspondence, newspaper clippings, magazine articles, press releases, ephemera, and other material dating from 1960 to 1991.

The scrapbooks document the political landscape of British Columbia from 1968 to 1991, in particular the activities of the Social Credit party; events, initiatives, and causes in Vancouver and provincially; state visits; McCarthy's viewpoint on particular issues; her political and charitable activities; leadership campaigns; and her personal and political relationships. They also document McCarthy's most notable accomplishments, including bringing Expo '86 to Vancouver, establishing SkyTrain as a rapid transit system, driving the construction of the Vancouver Trade and Convention Centre, and the lighting of the Lions Gate Bridge. Includes correspondence with other politicians at the provincial, national and international level, including W.A.C. Bennett and Margaret Thatcher; her constituents, residents of British Columbia, and party members; and the business community.

Fonds consists of correspondence, written works and published materials by Wah and other writers, photographs, and other records accumulated by Wah during his lifetime, arising from both personal and professional activities. Records include poems, essays and reviews; journals and notebooks; book manuscripts; teaching materials; travel records; administrative records; and promotional material for conferences, workshops and other events.

The records in this fonds have been arranged into the following eight series: Correspondence (1960-2013); Writings and related records (1961-2012); Research records, works of others, and works about Wah ([196-]-2012); Academic work and instruction records (1927, [196-]-2005); Events and travel records (1965- 2013); Professional service and activities records ([ca. 1961]-2013); Residency records (1981-2007); and Personal records ([196-?]-[199-?]).

Fonds consists of records relating to Mary Billy's life and work as a feminist and editor of Herspectives magazine. Records include correspondence, notes, drafts, poetry, women’s activism records, diaries, journals, clippings, photographs, and research records.
The fonds has been arranged into the following six series: Correspondence (1986-2005); Written works (1978-2002); Diaries (1978-2002); Herspectives records (1989-1995); Women’s activism records (1985-2004); and Works by others (1977-1994).

Fonds consists of photographs, diaries and journals documenting Koerner's artworks and travels to Japan, and one drawing.

Fonds consists of correspondence, research, notes, written works, newspaper clippings and other records accumulated by Shackleton over her lifetime. These include records relating to her career as a writer, editor and journalist, her political activities, her education, research, travels abroad and those records relating to her professional and personal relationships within organizations and with acquaintances, friends and family members. Records have been arranged into the following seven series: Writing records ([194-]-2001); Research and reference files ([196-]-1985); Education and employment records (1931-[ca. 1992]); Political records (1944-1979); Professional organization records (1983-2001); Personal subject files ([19--]-2001); and Travel souvenirs, notes, and ephemera ([196-?]-1995).

The collection consists of photographic images and printed materials relating to the life and death of E. Pauline Johnson. Some of the material is associated with her sister, Evelyn Johnson, but the provenance and nature of compilation is largely unknown.