The fonds consists of typescripts and audio reels of CBC radio reviews of stage plays, motion pictures, children's books and popular culture events and festivals, especially those held in the Lower Mainland area of B.C. Fonds also includes related publicity materials.

The fonds consists of records made or received in the course of administering the BCSF and carrying out its programs. Activities documented include the establishment and organization of the various student groups; executive and general meetings; management of financial resources; research into policy issues; and lobbying activities. Documents include agenda and minutes; constitutions; correspondence; briefs and reports; newsletters; and news clippings.

Fonds consists of the official records of the Independent Publishers Association and its 1976 successor, the Association of Canadian Publishers. The fonds documents the 1971 founding and the first ten years of operation of the ACP and its activities to strengthen and expand the Canadian-owned publishing industry through government action, co-operation between publishing houses and liaison with other associations.

The records contain substantial information and analysis of the English language Canadian publishing industry during this period and of its specialized sectors such as children's book, educational, scholarly, music and paperback publishing. They document the founding and operation of ACP affiliates: the Literary Press Group, Association of Book Publishers of BC and the Atlantic and Alberta Publishers Associations. The records reveal the concerns of these regional and specialized groups and of the industry as a whole and detail the remedial strategies formulated for problems of warehousing and distribution, censorship, production costs, promotion, foreign sales and foreign ownership. The ACP was a sustaining member of the Book and Periodical Development Council and the Canadian Copyright Institute and amassed minutes and papers from these organizations.

The collection reflects the cultural and economic nationalism that emerged in Canada during the 1970's. It offers significant information about federal and provincial government policies, initiatives and funding programs in aid of book publishing and on related issues such as copyright, Canadian learning materials development and the book tariff. Substantial records have been maintained on the Canada Council and its Book Purchase Program, the Ontario Arts Council, and the federal ministries of Secretary of State and Industry, Trade and Commerce. An extensive collection of briefs to the 1971 Ontario Royal Commission on Book Publishing is also included.

The records document Canadian publishers' participation in foreign book fairs and the Montreal Book Fair. Detailed records have been maintained on the proceedings of ACP publishing policy conferences and publishers' professional development seminars. Considerable documentation exists about the interaction between the ACP and associations and individuals representing libraries, educational institutions, booksellers and writers.

Significant correspondents with ACP staff and executive members include Dave Arnason, Beth Appeldoorn, Katherine Benzekri, Bill Bissett, Sally Bryers, Fred Cogswell, William Darnell, Jane Dobell, Robin Farr, Hugh Faulkner, W.E.P. Fleck, Nancy Fleming, Graeme Gibson, Shirley Gibson, Alastair Gillespie, Peter Grant, David Hancock, Ralph Hodgson, Jack Horner, Campbell Hughes, Paul Irwin, Don Jamieson, Luc Jutras, Naim Kattan, Susan Katz, Peter Kidd, Frank Keyes, Sheila Kieran, Georges Laberge, Patricia Lagace, John LeBel, Jack McClelland, David MacDonald, Roy MacSkimming, John Main, Gladys Neale, Jacqueline Nestman-Hushion, Gordon Pallant, J.Z. Leon Patenaude, Ellen Powers, Eva Radford, Bernie Rath, Angela Rebeiro, Ed Roberts, Toivo Roht, Dan Rosborough, Clyde Rose, Karl Seigler, Roy Sharpe, Alan Shute, Annabel Slaight, David Spence, Steve Stevanovic, Jack Stoddart, Anthony Toth, Linda Turnbull, Glen Whitmer and Randall Ware.

Included are the constitution, bylaws, letters patent, correspondence, reports, briefs, speeches and transcripts, budgets, financial statements, newsletters, brochures, catalogues, articles, clippings, press releases, minutes, and photographs.

Fonds consists of printed materials from Cobblestone Press and Giampa's work records, including digital font files, catalogues, sales reports, newspaper clippings and correspondence.

Fonds consists of records reflecting Robert F. Harrison's contributions to the architecture of Simon Fraser University. Records reflect the architectural competition to design the university, and include plans, construction records, and building specifications. Also includes newspaper clippings, correspondence, reports, information releases, minutes, change orders, test results, inspection reports, notes, tenders, financial records, specifications, addenda, photographs, and architectural drawings.

Fonds consists of records created, received and collected by Ellen Frank in her involvement in the women's movement in Vancouver. Activities documented include participation in the Association of University and College Employees (AUCE), the British Columbia Federation of Women (BCFW), the Solidarity Coalition, and activities relating to a number of other feminist organizations, issues, and actions. Includes correspondence, memoranda, minutes, agenda, reports, briefs, newsletters, press releases, notebooks, press clippings, project proposals, posters, and pamphlets.

The fonds consists of correspondence, notebooks, and manuscripts of Betty Lambert relating to her career as a writer and a university professor.

Sue Cox was an undergraduate student at SFU, who was a student in one of Maggie Benston's classes. The collection consists of handwritten class notes and reprints from Maggie Benston's first offering of the course, "Women, Science and Technology," (WS 204-3).

The collection consists of one file.

The fonds consists of correspondence from Cid Corman to Gael Turnbull; rejections from Poetry, Tiger's Eye, and Howard Griffin; and correspondence with Robert Singer.

Fonds consists of records created, received and collected by Working Women Unite. Records reflect the activities and functional responsibilities of Working Women Unite and groups associated with them, such as the BCFW and SORWUC. Includes correspondence, minutes, agendas, bulletins, newsletters, financial records, membership lists, reports, convention proceedings, and articles.

The fonds consists of the audiocassettes for five interviews conducted by Susan Walsh for her thesis.

The negatives depict Hudson in his shops in Vancouver (Cambie Street and later Marine Drive), as manager of the Kingait print cooperative at Kinngait (previously Cape Dorest), and socializing in Vancouver, Burnaby and Powell River.
The individuals depicted in the photos, sometimes identified by first name in the file titles, include:
Wil Hudson
Keith, Betty and Brendan Shields
Fritz Jacobsen
Bill Shoebotham
Harold Johnston
Frances Johnston
Sean Johnston

The fonds consists of records relating to the life of W.A.C. Bennett. Documented are his personal life, business ventures, community service, club affiliations, and political activities, including his terms as Member of the Legislative Assembly for South Okanagan, and as Premier of British Columbia.

Personal records consist of early correspondence and household records, as well as material which documents W.A.C. Bennett's association with freemasonry and his fundraising activities with organizations such as the Salvation Army.

Business records consist of material relating to Bennett Hardware, Bennett’s Stores, and Calona Wines.

Political records refer to Bennett's tenure as a Member of the Legislative Assembly for South Okanagan, as Premier and as leader of the Opposition. Also relevant are records referring to the passage of a number of Municipal Acts and Bennett’s relationship with Federal politics.

Records include correspondence, advertisements, minutes, annual reports, telegrams, itineraries, schedules, financial statistics, financial statements, petitions, questionnaires, resolutions, reports, speeches, press releases, proposals, maps, plans, charts, file notes, memoranda, newspaper clippings, scrap books, ephemera, photographs, audio recordings, film reels, and video cassettes.

The fonds consists of incoming and outgoing correspondence to Barry McKinnon, book files (including manuscripts), business records, and publications of the Caledonia Writing Series press.

The fonds consists of correspondence related to the organization of the conference, student journals, transcripts of conference proceedings, and notes of student organizers.

Fonds consists of Zoltan Kiss's architectural drawings and plans for the Academic Quadrangle and student residences at Simon Fraser University.

The fonds consists of three notebooks that pertain to the negotiation of a first contract between AUCE Local 2 and the University, negotiation for subsequent contracts, the strike of 1979, and the formation of a teaching assistant's union. Also includes four photographs and a t-shirt.

Fonds consists of records made and received by Cliff Lloyd in his role as a professor. Includes correspondence, publications, research proposals, course materials and other documents.

Fonds consists of records related to Myron Kuzych's case against Bill White, then leader of the Marine Workers and Boilermakers Union. Records include correspondence, notes, newspaper clippings, scrapbooks, transcripts and legal documents from the union, the BC Supreme Court, the Court of Appeal, the Supreme Court of Canada, and the Privy Council.

The fonds consists of records created and received by the Women's Studies Association of British Columbia in carrying out its objectives. Includes constitution and by-laws, minutes, correspondence, conference registration forms, conference minutes, papers, membership lists, and publications.

Fonds consists of records documenting Hinda Avery's career as an artist and art teacher in Vancouver, B.C. Includes teaching notes, slides, and notebooks.

Journalist Peter Stursberg interviewed Hugh Keenleyside as part of an oral history project for the Parliamentary Library and the National Archives of Canada. Dr. Keenleyside was a former chair of the B.C. Power Commission and played an important role in the development of hydroelectric power in B.C.

The collection consists of three files containing the complete transcripts of two interviews.

Fonds consists of records created, received and collected in the process of publishing Makara magazine. Records reflect general operation, correspondence, production, and advertising. Includes correspondence, notes, distribution lists, articles, clippings, surveys, manuscripts, lay-out roughs, illustrations, press releases, contracts, promotional material and notes.

Records consist of material gathered and created by Rose Marie Trembley at and in the lead-up to Vancouver's Writing in Our Time reading series. Records include newsletters, posters, brochures, minutes, press releases, correspondence, and several photographs of readers and events taken by Rose Marie Tremblay. Writing in Our Time was a reading series organized by the Vancouver Poetry Centre in 1979 to benefit West Coast literary presses, especially Blew Ointment Press. Poets who read at the event include George Bowering, Fred Wah, Frank Davey, Daphne Marlatt, Victor Coleman, Gerry Gilbert, bill bissett, Robert Creeley, Ed Dorn, Ann Waldman, and Michael McClure.

The Dance in Vancouver collection consists of interviews by Karen Greenhough with eight dance pioneers in British Columbia. The project was suggested by Greenhough's instructor, Iris Garland, SFU Professor of Dance, who obtained support through a Young Canada Works Grant.

The collection consists of seven interviews. Dancers interviewed include Kay Armstrong, Dorothy Hunter, Beth Lockhart, Grace MacDonald, June Roper, Josephine Slater, Dorothy Wilson, and Wynne Shaw. For one of the sessions, Greenhough interviewed two women (Dorothy Wilson and Wynne Shaw) at the same time.

The fonds consists of photographs (8 x10) and contact prints of writers reading at the Itatlian Cultural Centre in East Vancouver in the Warren Tallman-organized reading series Writing In Our Time (1979).

The fonds consists of correspondence, manuscripts, a mailing list and other material.

The collection was compiled by the University Archives staff to illustrate the construction of Simon Fraser University.

The history of Simon Fraser University is reflected in its world-renowned architecture. Located atop Burnaby Mountain, SFU's design was the result of a competition held in 1963 by Dr. Gordon Shrum, the newly-appointed Chancellor of the University. The goal of the competition was to produce five winners. One architect would be awarded first prize for the overall design of SFU, while four other architects would each be invited to build a section of the University under the supervision of the winner. All entries were limited to applicants from British Columbia.

The informal guidelines for SFU's design consisted of a directive from Dr. Shrum entitled, "Notes from the Chancellor," which was distributed to the applicants. In this directive, Dr. Shrum noted many of the features that he felt were essential to the new university based upon his previous experience at the University of British Columbia. Among his recommendations were that students should be able to move from one part of the university to another without going outside, and that the large lecture theaters should be grouped together rather than scattered over the whole campus. Perhaps the most important of his criteria was that SFU should appear in 1965 essentially as it would look in 1995. In other words, it should look like a finished university, but also be designed for expansion. The design chosen was that of a young UBC architecture professor, Arthur Erickson, and his colleague Geoffrey Massey. The four other winners were William R. Rhone and Randle Iredale; Zoltan Kiss; Duncan McNab, Harry Lee, and David Logan; and Robert F. Harrison. The Erickson and Massey design had been the unanimous choice of the judges, and had met all the requirements that Shrum had outlined in his memo.

The collection consists of photographic prints and contact sheets that illustrate the physical development of SFU including site clearance, excavation, the construction of individual buildings, and completed buildings and interiors. There are a number of aerial photographs. The collection also includes photographs of the University's opening ceremonies and the installation of Dr. Shrum as Chancellor and Patrick McTaggart-Cowan as President.