Sub-series contains incoming and outgoing correspondence that is related to June Skinner's novels. Correspondence is from agents, publishers, fans, and family.
Series consists of photographs taken by Susan Stewart for the “Drawing the Line” photographic series, as well as photographs taken by others at various “Drawing the Line” shows. Records include photographs, negatives, and contact sheets, as well as notes relating to contact sheets with commentary on specific photographs.
The sub-series contains correspondence with the Authors Guild (including bulletins), Canada Council, fans, Skinner's family, the Public Lending Right Commission, and the author Shirley Suttles.
Sub-series contains royalty statements from Macmillan, Gollancz, Longmans Green, Dial Press, Beaufort Books, and Second Chance Press for the sales of Skinner's novels.
Sub-series contains reports written or co-authored by Delgado, primarily for university assignments and for the National Park Service. Also included are assessments of historical sites and other surveys and reports focusing on historical, archaeological or shipwreck sites.
Sub-series consists of records relating to the certification of the union at specific farms, including negotiation correspondence, contracts, and worker information. Records include photographs of meetings with the owners of Jensen Mushroom Farm.
File consists of correspondence, both incoming and outgoing, between members of the Kiss and Tell artist collective and others. Correspondence relates primarily to the “Drawing the Line” exhibition in Sidney, Australia, the publication of the book “Drawing the Line: Lesbian Sexual Politics on the Wall,” and responses to the show and book.
Sub-series consists of newspaper articles, reviews, and poems, written by Peter Trower and published in the Coast News newspaper. Includes some original articles and some photocopied reproductions. Articles are often accompanied by explanatory comments added by Trower at a later date.
This sub-series contains live performances, reels for use in performance, master tapes for recording projects, and broadcasts. The formats are mostly audio cassettes and audio reels. The Recordings sub-series also includes items that are more experimental or improvisatory and might not be included in the works list.
Sub-series consists of personal financial records from Thesen's life. Materials include correspondence, a writ of summons, invoices, premium statements, a tax return, pay stubs and other materials. Includes unopened mail.
Sub-series consists of records relating to Daphne Marlatt's course "Tradition and Modernity," taught at Capilano College and Simon Fraser University. Records include articles, lecture notes, correspondence, syllabi, and other course material.
Series consists of records relating to the “Drawing the Line” exhibition. Includes records that document installation and display of the show, as well as those relating to other aspects of the show. Records include photographs, audio cassette tape, text of an artists’ talk, exhibition plan and installation instructions, and a legal agreement.
This sub-series consists of photographic black & white and color images depicting the Sons of Freedom’s various protest and gathering activities from 1927 until 1993. The protests and gatherings were results of various circumstances that the Sons of Freedom found unjustly and worthy of fighting against. Some of the protest were the response to the Canadian government treatment of the Sons, including detention of the children or prison sentences given for arson and public nudity. Other protests were prompted by discontent with leadership issues and divisions within the Doukhobor community as well as by eagerness to demonstrate the Sons’ beliefs. This sub-series includes images of protesters gathering, marching and/or being arrested; images of trek to Aggasiz and camp settlement; images of arson; images of nude protests and images of visits to New Denver School Dormitory where the Sons of Freedom children were detained
Sub-series consists of records relating to Peter Trower's 1993 novel "Grogan’s Cafe." Records include an initial outline for the book, editorial feedback, an edited manuscript, and promotional material.
Sub-series consists of correspondence, photographs, ephemera, notebooks, and other records generated from Doris French Shackleton’s career as a freelance writer and journalist.
This sub-series contains records related to the Social Credit Party Leadership Conventions between 1986 and 1993. It contains candidate promotional materials, ballots, data sheets, party newsletters, memos, posters and photographs.
Sub-series consists of records relating to the Canadian Farmworkers Union’s research and advocacy of numerous issues including working conditions, workers in other countries, and minority groups. Records include newspaper clippings, research material, and correspondence
Sub-series consists records relating to the sinking of the ship S.S. Central America in 1857, as well as records relating to the ship's salvage and the resulting court case regarding ownership of its treasure, for which Delgado served as an expert witness. Records include newspaper articles, research records, and legal documents.
Sub-series consists of writings and drawings by others; writers include Beth Jankola, Carolyn Zonailo, Howard Broomfield, Jamie Reid and Gail Tuttle. Artists include Madja Van Dam and Chris Reed.
Sub-series consists of records relating to the Canadian Farmworkers Union’s research and advocacy of pesticide education and safety, including chemical information, publications, and educational materials. Records include newspaper clippings and research materials, correspondence, reports, and reference photographs. Educational materials in the file include a slide presentation on pesticide safety.
Sub-series consists of records relating to Gladys Maria Hindmarch's general writing and editorial activities, including those relating to her books "Sketches" (1970), "A Birth Account" (1976), "The Peter Stories" (1976), as well as to her works of short prose. Also includes records relating to her editorial work for a proposed women's magazine with the working title "Canadian Women’s Monthly." Record types in this series include drafts, notes, research records, and correspondence.
This sub-series consists of various campaign manuals that The Party had issued to the local campaign offices to be accompanied by the campaign tutorial sessions. Each of these books covered a specific part of campaigns at the constituency level, canvassing, fundraising, media handling, phone canvassing and for the provincial campaigns level. Some of the manuals cover procedures and expectations for advance level officials, such like the Premier’s tour scheduled events.
Sub-series consists of minutes from Farm Workers’ Organizing Committee meetings as well as both national and regional (Local 1) meetings of the Canadian Farmworkers Union, internal meeting notes by various union members, and executive reports.
Series consists of records documenting the editorial and production of the "Reader," a quarterly book review periodical started in 1981, published by Duthie Books and edited by Celia Duthie. One issue per year was published as the "Children's Reader."
Sub-series consists of textual material and audio cassette related to the conference, Recovery in the Public World, held in Vancouver, B.C. in honor of Blaser’s literary accomplishments on his 70th birthday. Records include correspondence, essays, poems, and announcements for the conference.
