Item is a cartoon by Innes showing the arm of “Allies’ Food Commission” stopping a bandit aiming a gun labelled “high prices” at a woman and her savings.

Series consists of publications by Innes as well as publications containing his work. Records include a chapbook of poetry written and illustrated by Innes, an issue of The Canadian Magazine containing an article by Innes, newspaper clippings, and layout materials for a short story.

Item is an issue of The Canadian Magazine containing the article “A ‘round-up.’ Described and illustrated by John Innes.”

Item is a card with a title panel, “The Striker by John Innes. Illustrations by the author,” and an illustration by Innes captioned “The strike is hon.” The short story “The Striker” appeared in The Canadian Magazine, Vol. XXX, no. 2 (December, 1907).

Item is a poetry chapbook written and illustrated by Innes.

File consists of newspaper clippings of two short stories written and illustrated by Innes, titled “Wall-eyed Googan” and “Translation of Pig-Eye.”

Series consists of four photographs of Innes; two are copies of the same portrait and two are candid images.

Item is a photograph of Innes sitting on the lawn in front of an unidentified building.

File consists of 2 copies of a portrait of Innes. One is marked “Copyright 1923 P. Bentley.”

Item is a photograph of Innes walking on a sidewalk next to another man. Inscribed on the back by Innes’ wife Ida is “Look how they starved John Innes - bowed his head and broke his heart.”

Series consists of a patent agreement filed by Innes and John Linkison King in New York City, for a device to be used in the navigation of ships and airplanes.

Item is a patent agreement relating to a device for “detecting the direction of motion on a horizontal plane,” filed in New York City.

Series consists of obituaries and newspaper articles relating to Innes’ death, correspondence to Innes’ wife discussing his work, and a biography of Innes.

File consists of newspaper clippings of obituaries and articles relating to Innes’ death.

Item is a Christmas card inscribed “And may we, all working together, find a worthy place for John Innes’ Great Work, portraying in 21 pictorial chapters the historic conquest, by The Pioneers, of Canada’s Vast Spaces!” This likely relates to the “From Trail to Rail” collection of Innes’ paintings.

Item is a book about Innes and his work.

Fonds consists of research sources, drafts, correspondence, interviews, journals, magazines, teaching files, essay files, grant applications, and tax information. Records document Zolf's work as a poet, critic, editor, essayist, filmmaker and professor at the New School and University of Calgary. People with whom Zolf regularly corresponds include poets Charles Bernstein, Anne Waldman, Michael Davidson, Rodrigo Toscano, Erin Moure, Joan Retallack; theorist Judith Butler; artists Josiah McElheny, Zoe Leonard and Moyra Davey, and publisher Alana Wilcox.

Fonds consists of chapbooks, page proofs, editorial and production notes on 43 titles published by Nomados from 2002-2014. Includes correspondence, publicity and distribution records. Alphabetical and chronological lists of publications included in Box 1. These titles are also listed on the publisher website: http://www.nomados.org/nomados.htm

The fonds consists of correspondence, manuscripts, a mailing list and other material.

The fonds consists of manuscript pages and editorial notes relating to Peter Quartermain's edited Robert Duncan collection. Research is organized chronologically by poem or play. Additional information available on author’s website: http://www.nomados.org/PeterQ.htm

Records consist of videotaped poetry performances and textual records relating to the annual Visible Verse videopoem festival held at Pacific Cinematheque in Vancouver, B.C.

Fonds consists of 22 linocut blocks created by Bev Leech in 1961, as a senior thesis project at the Vancouver School of Art (now Emily Carr University of Art and Design) to produce the book, A Glossary of Typographical Terms by Simon Oliver.

Fonds consists of correspondence, manuscripts, notes, articles, and promotional materials created or accumulated by Robert Bringhurst over the course of his career as a typographer and writer. The majority of records were created in 2000 or later, as the donor had also donated records to Library and Archives Canada in the past.

The records include manuscripts of several of his major publications, as well as draft versions and speaking notes for many essays written and talks delivered throughout his career. Also included is correspondence with friends, publishers, and colleagues, translated editions of many of his books, and promotional materials such as posters and brochures for many conferences, festivals, and other events Bringhurst participated in. The fonds also contains some personal records, including birth, marriage, and death certificates from his immediate family. A timeline of major life events and activities has been included by the donor.

The records have been arranged into the following six series: Biographical material (2013); Personal records (1913-2013); Chronological files (1954-2013); Correspondence (1971-2013); Manuscripts (2013); and Broadsides and posters ([ca. 2000-2013]).

Fonds consists of master videotapes and notes from two film projects: documentary portraits of Gerry Gilbert (The Big Break), taped in 1988, and Voice: Roy Kiyooka, taped in 1991.

The fonds consists of correspondence to and from Irving Layton relating to Jennings' writing of an essay on Layton. Fonds includes a copy of the essay entitled "Existentialism in Irving Layton".

Fonds consists of photographs, sound recordings, manuscripts, original art, ephemera, broadsides and posters collected by Roy Miki over the course of his career as a writer, editor and professor in SFU's English Department.

Fonds consists of records created and received by Bud Osborn during his life and work as an activist, poet and community organizer in Vancouver's Downtown Eastside. Records include legal documents, reports, manuscripts, photographs, correspondence, royalty statements, sound recordings and research.

Fonds consists of records created and accumulated by the Kiss and Tell collective over the course of the collective’s operations. Records include photographs, correspondence, exhibition specifications and guidelines, and promotional and press materials.

Fonds consists of concert ephemera, posters, promotional material, photographs, correspondence, and audio recordings created and collected by Heather Haley. Records illustrate her involvement in the Vancouver punk scene, including her bands the Zellots, and the 45s. Other notable members from Vancouver punk bands are represented in the photographs and ephemera collected by Haley.

Fonds consists of correspondence, written works and published materials by Wah and other writers, photographs, and other records accumulated by Wah during his lifetime, arising from both personal and professional activities. Records include poems, essays and reviews; journals and notebooks; book manuscripts; teaching materials; travel records; administrative records; and promotional material for conferences, workshops and other events.

The records in this fonds have been arranged into the following eight series: Correspondence (1960-2013); Writings and related records (1961-2012); Research records, works of others, and works about Wah ([196-]-2012); Academic work and instruction records (1927, [196-]-2005); Events and travel records (1965- 2013); Professional service and activities records ([ca. 1961]-2013); Residency records (1981-2007); and Personal records ([196-?]-[199-?]).