Sub-series consists of page proofs and promotional material for Peter Trower's 1974 book of poetry "Between the Sky and the Splinters."

Sub-series consists of records relating to the development and promotion of Trower's 1978 book "Bush Poems." Includes promotional material and a draft manuscript of the book containing Bus Griffiths’ illustrations.

Sub-series consists of records relating to Trower's 2000 "A Ship Called Destiny: Poems of Love and Travel," originally titled "Yvonne’s Book." Includes the first selection of poems, an edited manuscript, the author’s introduction, postscript and table of contents, and galley proofs with photographs.

Sub-series consists of galley proofs for Trower's 1989 book "Unmarked Doorways."

Sub-series consists of material relating to the development of Trower's 2004 book "Haunted Hills and Hanging Valleys."Includes several draft manuscripts, including the first selection of poems and the final draft, as well as correspondence between Trower and Harbour Publishing.

Sub-series consists of an edited manuscript for Trower's 1997 book "Hitting the Bricks."

Sub-series consists of records relating to Trower’s 2002 book "There Are Many Ways," which features the artwork of Jack Wise alongside Trower's poetry. Records includes early manuscripts from the 1960’s and 1970’s that were later used as a basis for the book, the original cover and early page proofs, as well as final and galley proofs.

Sub-series consists of records relating to the development and publication of Trower's 1999 book "Chainsaws in the Cathedral." Records include edited and unedited drafts, the book's original introduction by Al Purdy, and early page proofs.

Sub-series consists of records relating to a proposed film adaptation of Peter Trower’s novel "Grogan’s Cafe." Includes several versions of the film’s screenplay, as well as correspondence with New City Productions Inc., the company interested in producing the film.

Sub-series consists records relating to a proposed film adaptation of Peter Trower’s novel "Dead Man’s Ticket." Records include a proposal and drafts of a screenplay.

Sub-series consists of a production script and shooting schedule for the movie "The Diary of Evelyn Lau," in which Peter Trower played himself.

Sub-series consists of cartoons, sketch books, drawings and paintings by Peter Trower, including material produced by Trower during his time as a student at the Vancouver School of Art, 1958 to 1959. Includes watercolours, ink, pencil, charcoal and pastel drawings. Cartoons pertain to the logging and aluminum industry, international politics, local politics and issues, the hippie movement, and super-hero spoofs. The subject matter of the drawings and sketches include Peter Trower (self-portraits), family members, friends, models, logging, Trower’s homes in North Vancouver and Gibsons, British Columbia, and in various places in Vancouver, Gibsons, and Port Alice. Series also includes three copies of Jack Wise’s only know cartoon.

Sub-series consists of drawings, sketches, collages, and prints by other artists, a number of whom are friends and acquaintances of Peter Trower, including Jack Wise, Bus Griffiths, Godfrey, and Karen Severson. Includes several portraits of Trower.

Sub-series consists of minutes and notes resulting from meetings of the filling Station Publications Society.

Sub-series consists of records generated from the administration of "filling Station" magazine. These include forms, letterhead, distribution requests, serials registration, subscriber lists, contact lists, and a stamp.

Sub-series consists of grant applications and supporting materials submitted by filling Station Publications Society to granting organizations such as the Canada Council for the Arts and the Alberta Foundation for the Arts.

Sub-series documents general correspondence and submissions received by "filling Station" magazine in the 1990s.

Sub-series consists of handwritten and typescript manuscripts, notes, fragments, and notebooks.

Sub-series consists of Al Neil’s published work. Publications include "Blewointment," "radiofreerainforest," the "Georgia Straight," "Lodgistiks," "BC Monthly" and "Living Art Vancouver."

Sub-series consists of writings and drawings by others; writers include Beth Jankola, Carolyn Zonailo, Howard Broomfield, Jamie Reid and Gail Tuttle. Artists include Madja Van Dam and Chris Reed.

Sub-series consists of editions of the Canadian Farmworkers Union newspaper The Farmworker, newspaper clippings about the union and its activities, posters and leaflets on a variety of subjects, and press releases. Records also include a recording of a radio program about the Canadian Farmworkers Union, CFU logo lapel pins, and photographs of events.

Sub-series consists of general internal correspondence as well as correspondence between the Canadian Farmworkers Union and media, other unions, and members.

Series consists of project files for books and magazines published by Nunaga/Antonson Publishing Ltd. Titles include "In Search of a Legend: Slumach’s Gold," "A Seagull’s Cry," "Canadian Frontier Magazine" and "Prison Doctor."

Series consists of project files for books distributed by Nunaga/Antonson Publishing Ltd. on an agency arrangement. Titles include "I Did Not Kill Bob Neville" and "A Bear Behind."

Series is comprised of records relating to events organized by Duthie Books Ltd., including its annual sales, Civitas lecture series, Natural History series and Dogwood School Book Fairs.

Series is comprised of records documenting work relating to marketing and promotions, including Duthie’s customer loyalty program, in-store signage, charity work and co-operative display and advertising arrangements with publishers.

Series is comprised of records relating to advertisements planned by Scott Baldwin, former marketing manager for Duthie Books.

Series consists of records documenting the editorial and production of the "Reader," a quarterly book review periodical started in 1981, published by Duthie Books and edited by Celia Duthie. One issue per year was published as the "Children's Reader."

Series is comprised of records documenting the editorial and production of the "New Reader," a quarterly book review journal edited by Celia Duthie and published by Duthie Books from 1996-1999. One issue per year was titled the "Children’s Reader."

Sub-series consists of newsletters, guides, catalogues and digests published or collected by staff of Duthie Books Ltd.