Fonds consists of records relating to Sandy Shreve's work as a poet, editor, and founder of BC's Poetry in Transit program. Records include correspondence, poetry manuscripts, and book files.

The fonds consists of records relating to activities of the School and its predecessors. Activities and events documented include the evolution of the department's structure, functions and governance; management of the School's budget and financial resources; management of School facilities; deliberations of School committees; correspondence of the Director with staff, faculty, other university departments and external organizations; curriculum development and course instruction; public-events programming; management of faculty and student relations; media relations, publicity and communications; and the organization of conferences and other special events.

Records include correspondence and reports; budgets and financial working papers; meeting agendas, minutes and supporting papers; course outlines and related material; media releases, event programs, flyers and booklets; audio and audio-visual recordings, films, photographs, posters and other graphic material; and departmental publications, including annual reports (1965-1976), course guides, newsletters and brochures.

The fonds reflects Mootoo's work as a writer and artist. It contains printed typescripts of published works with drafts and related working papers, published reviews, drafts of unpublished works, lecture notes, professional correspondence, notebooks and sketchbooks, video productions in VHS format, audio materials and works of visual art.

The fonds has been arranged into 8 series: Literary works; Correspondence; Interviews; Book reviews and announcements; Notebooks and early writings; Artistic works; Photographs; and Ephemera. Some of the series are further subdivided into sub-series.

This fonds illustrates Sharon Thesen’s work as a poet, writer, and teacher, and also contains records pertaining to her personal life in terms of finances and relationships. It has been broken down into six series: Correspondence, Writing, Writing by Others, Teaching & Events, Personal Records, and Publications. The arrangement is as follows:

Series 1: Correspondence

Series 2: Writing
Sub-series: Drafts, Edits & Typescripts
Sub-series: Reviews and Interviews
Sub-series: Awards: Judging and Nominations

Series 3: Writing by Others
Sub-series: Typescripts
Sub-series: Reviews, Interviews & Articles

Series 4: Teaching & Events

Series 5: Personal Records
Sub-series: Financial Records
Sub-series: Ephemera
Sub-series: Personal Photos
Sub-series: Life Events

Series 6: Publications

Fonds consists of correspondence, written works by Thesen and other writers, photographs, and other records accumulated by Thesen between [197-?] and 2000. Records include correspondence, poems, reviews, and other written works, notes, a notebook, magazine & newspaper clippings, photographs, a small branch, a color print on paper, cassette tapes, personal and financial records, teaching materials, computer disks, screen printed paper prints, and event promotional materials & invitations.

The fonds consists of manuscripts, correspondence and other textual material.

Collection consists of records relating to the personal history and genealogy of the university's namesake, the explorer, Simon Fraser. Records include; correspondence, working papers, reports, newsletters, newspaper clippings, photographs and negatives, drawings, artifacts and textiles.

Fonds consists of records created, received, and collected by the Simon Fraser Student Society and its affiliated groups on campus in the course of administration of student government and business. Included are records relating to the Constitution, minutes of Executive meetings, the Executive, finance and budgets, campus committees, elections, student unions, clubs and affiliated groups, publications, subject files, and audio material.

The fonds consists of records created, received and collected by the Simon Fraser Teachers' Union in carrying out its stated objectives. Includes the union's constitution, draft amendments to the constitution, correspondence, membership applications and cards, minutes, agenda, reports, financial records, memoranda, and newspaper clippings.

The collection was compiled by the University Archives staff to illustrate the construction of Simon Fraser University.

The history of Simon Fraser University is reflected in its world-renowned architecture. Located atop Burnaby Mountain, SFU's design was the result of a competition held in 1963 by Dr. Gordon Shrum, the newly-appointed Chancellor of the University. The goal of the competition was to produce five winners. One architect would be awarded first prize for the overall design of SFU, while four other architects would each be invited to build a section of the University under the supervision of the winner. All entries were limited to applicants from British Columbia.

The informal guidelines for SFU's design consisted of a directive from Dr. Shrum entitled, "Notes from the Chancellor," which was distributed to the applicants. In this directive, Dr. Shrum noted many of the features that he felt were essential to the new university based upon his previous experience at the University of British Columbia. Among his recommendations were that students should be able to move from one part of the university to another without going outside, and that the large lecture theaters should be grouped together rather than scattered over the whole campus. Perhaps the most important of his criteria was that SFU should appear in 1965 essentially as it would look in 1995. In other words, it should look like a finished university, but also be designed for expansion. The design chosen was that of a young UBC architecture professor, Arthur Erickson, and his colleague Geoffrey Massey. The four other winners were William R. Rhone and Randle Iredale; Zoltan Kiss; Duncan McNab, Harry Lee, and David Logan; and Robert F. Harrison. The Erickson and Massey design had been the unanimous choice of the judges, and had met all the requirements that Shrum had outlined in his memo.

The collection consists of photographic prints and contact sheets that illustrate the physical development of SFU including site clearance, excavation, the construction of individual buildings, and completed buildings and interiors. There are a number of aerial photographs. The collection also includes photographs of the University's opening ceremonies and the installation of Dr. Shrum as Chancellor and Patrick McTaggart-Cowan as President.

The collection consists of material kept by Mary Wilson to document the evolution of child care at SFU. Collection includes letters, minutes, reports and other documents as well as a short history of early child care at the University in which Wilson explains the importance of each document in the collection.

The fonds of the SFU Childcare Society consists of records made or received in the course of administering the Society and its predecessor bodies and providing facilities, personnel and funding for childcare programs. The bulk of the material ranges from 1968 to the early 1990s. Activities documented include meetings of the various societies and centres established to provide childcare services; obtaining license agreements with the University; securing collective agreements with staff; planning for child care services; construction of buildings; correspondence and liaison with government officials and university administrators; and providing information to parents and staff.

The fonds consist of records created, received, and collected by the Simon Fraser University Faculty Association in carrying out its functional activities. Includes records relating to its Constitution and by-laws, policy development, correspondence, general and special meetings, the executive committee, standing and ad hoc committees, and publications.

Fonds consists of records created and received by the Simon Fraser University Women's Association in carrying out its objectives. Includes constitution and by-laws, executive lists, minutes of executive and general meetings, reports, membership lists, correspondence, newsletters, mailing lists, and records reflecting the association's activities, such as the organization of the annual Christmas party.

The fonds consists of records made or received by the Art Gallery in the process of carrying out is functions. Activities and events documented include the evolution of the Gallery's structure, functions and governance; management of the Gallery's budget; deliberations of advisory committees; correspondence of the director with other university departments and the community; and the production of numerous art exhibitions. Records include correspondence, reports, agendas, minutes, budget summaries, exhibition programs and flyers, lists and forms relating to exhibitions, news clippings, and other documents.

Fonds consists of records created, received, and collected by the Simon Fraser University Staff Association in carrying out its functional activities. Records reflect its constitution, executive and general meetings, social activities, benefits, newsletter, unionization and records of the membership chairman. Records include those collected from outside the fonds by a former archivist and those donated from other sources. Includes file lists, correspondence, memoranda, agenda, minutes, financial records, newsletter, bulletins, membership lists, posters, and a staff handbook.

Fonds consists of records made or received by the Women's Centre in the course of carrying out its functions and programs. The geographical focus of the activities documented is the Lower Mainland of British Columbia and especially the Simon Fraser University campus in Burnaby. Activities documented include provision of facilities, resources and referral services; meetings of the Women's Centre Collective and the Women's Centre Board; correspondence and liaison with other individuals and groups; Centre funding, budget planning and management of its financial resources; planning and organization of projects, programs and events; and maintenance of library and reference material. Records include logbooks, correspondence, reports, account books and summaries, minutes and meeting support papers, brochures, handbooks, photographs, reference files and audio cassettes.

Fonds consists of records relating to Kamboureli's work as a researcher and writer of criticism of Canadian literature. Records include author files, manuscripts, diaries, correspondence with authors such as Robert Kroetsch, Nana Issaia, Daphne Marlatt, Frank Davey, Fred Wah, and Lola Lemire Tostevin.

Fonds consists of records relating to the activities of the Social Credit Women's Auxiliary and materials collected by Flo Dickinson as a member of the auxiliary. These include campaign material, photographs, correspondence, textiles, certificates, newspaper clippings, placards, account books, reports, magazines, brochures, and ephemera.

The fonds of the Society comprises records made and received in the course of administering the organization and carrying out its functions and programs. Geographically, SCWIST activities centre primarily on British Columbia. Activities documented include Annual General Meetings and monthly Executive Board meetings; administration of the Resource Centre; funding and financial management; liaison with other bodies; conferences and networking events; educational outreach programs; advisory work; advocacy and public relations. Records include constitution and by-laws; meeting agendas and minutes; correspondence; financial summaries and reports; presentations, reports and briefs; handbooks, manuals and publications; photographs; and audio recordings of Society conferences and workshops.

The majority of the records of Sono Nis Press from 1968 to 1976 are at the National Library of Canada under the J. Michael Yates fonds. Since Sono Nis was taken over by Morriss Printing in 1976, all archival records have been retained. Current records (approximately 1989 to 1993) include editorial files, production files, association files, awards and promotions information, and financial records. The archival records (1976 to approximately 1988) include financial records, editorial files, production files, and correspondence. All art work, design work, and printing plates for every book have been retained in the fonds along with two copies of each book published by Sono Nis Press.

Fonds consists of records relating to the organization and activities of the Sons of Scotland Benevolent Association, particularly District No. 16 (British Columbia), and several of its subordinate camps, including Glamis Camp No. 210, Glengarry Camp No. 212, Lord Tweedsmuir Camp No. 209, Murray Camp No. 215, and Royal Scot Camp No. 172. Activities, events, and topics documented include the rules, rituals, and organization of the Association; the founding and development of some of the subordinate camps; meetings, activities, events, finances, and membership of District No. 16, its subordinate camps and, to a lesser degree, the Grand Camp; and correspondence and interaction among subordinate camps, as well as between subordinate camps, District No. 16, and the Grand Camp.

Records include minutes, minute books, and related papers; financial ledgers, cash books, financial statements, and financial reports; record books and note books; correspondence, reports, newsletters, and directories; constitutions and bylaws; lists; and programmes and promotional material.

The fonds consists of manuscript, galley proofs and published version of Persky's book of poetry, Lives of the French Symbolist Poets (1967).

The fonds consists of statement of opposition to the war signed by numerous American poets.

This fonds consists of personal archive of Stephen S. Sorokin that includes incoming and outgoing letters from around 1949 until his death in 1984 many of which were sent from Montevideo, Uruguay where Sorokin lived for thirt- two years. This fonds also includes many original writings and spiritual messages addressed to the Doukhobor communities, the CCBRD and the Sons of Freedom. Records in this fonds also include draft of Sorokin’s book Three Days and Three Nights published in 1950, clippings and publications related to the Sorokin’s life and his leadership of the Doukhobor community. In addition, this fonds contains Sorokin’s personal files of passports and identity documents, number of original photographs taken during his visit to British Columbia villages in 1950s and recordings of his speeches and Doukhobor singing during that visit. It also contains court records relating to Sorokin’s filing a defamation suit against Trail Times’s journalist. Additional materials include audio and video recordings of Krestova Youth Choir performances during the Expo 1986.
This sous-fonds consists of six main series: 1: Correspondence; 2: Court records; 3: Writings; 4: Personal records; 5: General records; 6: Audio-Visual records; 7: Photographs from Sorokin’s visit.

Fonds consists of records relating to Bett's life as a poet and English professor. They include journals, notebooks, correspondence, and books.

Fonds consists of records representing Miller's work as an author and performer. These include numerous scripts, page proofs, and manuscripts.

The fonds consists of manuscript, galleys, and corrected proofs for the book Rational Geomancies, edited by McCaffery and bpNichol (Talonbooks, 1992).

The fonds consists of correspondence and creative work (poetry mainly) submitted to the magazine to be considered for publication.

The fonds consists of the audiocassettes for five interviews conducted by Susan Walsh for her thesis.

Fonds consists of research sources, drafts, correspondence, interviews, journals, magazines, teaching files, essay files, grant applications, and tax information. Records document Zolf's work as a poet, critic, editor, essayist, filmmaker and professor at the New School and University of Calgary. People with whom Zolf regularly corresponds include poets Charles Bernstein, Anne Waldman, Michael Davidson, Rodrigo Toscano, Erin Moure, Joan Retallack; theorist Judith Butler; artists Josiah McElheny, Zoe Leonard and Moyra Davey, and publisher Alana Wilcox.