This series consists 4 posters related to the McGauley’s research on the Doukhobors. Most posters are not dated, but there were created most likely in late twentieth century.

This sub-series contains 12 campaign posters, leadership posters and party logo banners, and 1 map of British Columbia electoral districts used in 1986 provincial election campaign. The campaign posters feature: Bill Vander Zalm, Bill Bennett, Rita Johnson and Nick Loenen. The Leader’s posters were used both at constituency association events, and also showed prominently in the campaign office. Party logo banners were used at constituency association events and other party gatherings and the campaign office.

This series is comprised of material associated with Ajaib’s life after World War II as he developed a successful business and started a family. Most of the images in this series come from a family album and are centered around Ajaib’s marriage to Nirmal and the early years of their marriage. Most of the material from later in his life is in the form of correspondence and other records. Also included are some memorabilia items and ephemera that illustrate how Ajaib and Nirmal enjoyed their free time (concerts, theatre shows, trips, etc.).
The series is divided into 2 sub-series: Photographs and Textual records.

Series consists of newspaper clippings of advertisements, announcements, articles and letters to the editor documenting the activities of and publicity received by Duthie Books Ltd., including those addressing the subject of Duthie Books' bankruptcy and financial restructuring.

Series consists of records relating to the physical production of books and broadsides. Activities documented include book design, proof-reading, and printing. Records include correspondence, contracts and agreements, mock-ups, photographs, negatives, and purchase orders.

Series consists of materials related to the production of the work Poets and Print, including a grant application, notes, chapter drafts and completed work drafts, correspondence, and layouts.

This series is comprised mainly of photographs, touring production notes, programs, audio and visual tapes and other material related to performances of various JMP pieces.

Series consists of records relating to Daphne Marlatt's professional activities, including readings, events, conferences, festivals, tours, and workshops. Records include drafts of writings, correspondence, administrative records, newspaper clippings, and photographs.

Series has been arranged into the following three sub-series: Events and reading records (1983-2013), Writer-in-residence records (1998-2007), and Workshop records ([ca. 1985-2012]).

Series consists of records accumulated during Doris French Shackleton’s involvement with professional writing organizations and associations, including Public Lending Right, CanCopy, The Writers Union of Canada, and the Federation of BC Writers.

Series consists of records generated from Neil’s work as a musician and artist. These include publicity materials, performance notes, set lists, exhibition files, grant applications, correspondence, original paintings, music scores, and essays about Al Neil.

Series consists of records relating to Wah's non-instructional professional activities and service, including his editorial work, his service on various groups and committees, his work as a judge for various literary prizes, his applications for grants, and related activities. Records include correspondence, works of others, and administrative records.

The records in this series have been arranged into the following three sub-series: Editorial records, The Writers' Union of Canada, and General records.

Series consists of records relating to programs for farmworkers run by the Canadian Farmworkers Union, as well as external programs participated in by the union or its administrators, and various union projects. Records include ESL program planning and teaching materials, farmworker safety educational material, and documentary films and exhibits.

The series is arranged into four sub-series: English as a Second Language (ESL) training materials and photographs ([1965]-1987); General programming correspondence, photographs, and educational material ([198-]-1998); Project files and photographs ([1979]-Printed 2013 (originally created 1986)); and Meeting minutes, correspondence, photographs, and other records relating to collaboration with other organizations ([198--ca. 1997]).

This series consists of promotional materials (flyers, posters, mailings, and some newspaper clippings) and programs of Ruth’s performances over the years. It is possible not only to trace the genesis and evolution of certain pieces, but the breadth of detail in the records serves to contextualize Ruth’s path geographically, stylistically, and professionally among her peers. Beginning with her initial performances with The Dancemakers to her work with the Judson Dance Theatre, her training abroad and graduate studies, her career in dance education and through to her efforts to coordinate community engagement in dance, it is possible to view Ruth’s career through these materials based on the depth of her participation and involvement. In some cases there are multiple copies of the same item.

Series contains programs for the Women in View Festivals, including programs for individual performances or events. Series also contains original and photocopied newspaper clippings of press coverage of the Women in View Festivals.

This series is comprised of records related to various authors and publishing projects undertaken by Jim.

Series consists of records relating to projects James Delgado worked on for the National Park Service, the Vancouver Maritime Museum, and the Institute of Nautical Archaeology. Records focus on archaeological and shipwreck sites, court cases regarding salvage and treasure hunting of shipwrecks, and nominations of archaeological and shipwreck sites for Historic Places status. Records include correspondence, photographs, newspaper clippings, articles, reports, surveys, and proposals.
The series has been arranged into the following three sub-series: General project records (1967-2010), Maritime archaeology records (1973-1991), and S.S. Central America records (1978-1994).

Series contains interviews with Adeena Karasick; reviews of her works; posters, flyers, leaflets and other promotional ephemera; promotional packages; tour itineraries; and promotional material gathered to support Adeena Karasick’s application for a green card in the United States of America.

Series consists of material related to the promotion and advertisement of Rimmer’s typographic and graphic design work. Records include sample linocut prints, typeface samples, illustration proof-sheets, portfolios, and commercial advertisements.

Series consists of promotional materials for art exhibits, poetry readings, and music and play performances held by those other than Blaser, as well as press catalogs and announcements promoting book releases.

Series contains promotional material and reviews for O'Grady's novels including a book stand, book catalogues, and newspaper clippings.

Series consists of posters, flyers, handbills, ephemera, promotional objects, t-shirts and bags, and other material publicizing art and literary readings, conferences or other projects Beaulieu was part of or contributed to. The series also includes newspaper clippings of reviews, articles written by Beaulieu and articles featuring Beaulieu and his work.

This series is comprised mainly of newspaper clippings and reviews, press releases and press kits, posters and other promotional material related to performances of various JMP pieces.

Series consists of published and unpublished articles and short stories written by Peter Trower. Records include manuscripts and article clippings, including many articles published during Trower’s time as a journalist with the Coast News.

Series has been arranged into the following three sub-series: General records (1953-2002), Chronological files (1960-1999) and Coast News articles, reviews and poems (1993).

Series consists of material relating to the development of Peter Trower’s published novels and other prose collections, "Grogan's Cafe" (1993), "Dead Man’s Ticket" (1996), "The Judas Hills" (1996), and "Hellhound on his Trail & Other Stories" (2008). Record types include outlines, draft manuscripts, editorial comments, and promotional material.

The series has been arranged into the following four sub-series according to novel: Grogans’ Cafe records (1989), Dead man’s ticket records (1995), The Judas hills records ([197-?]-2000), and Hellhound on his trail & other stories records (2008).

Series consists of records relating to unpublished books of prose either authored or proposed by Peter Trower, including "Bastions and Beaver Pelts," "The Counting House," "Gangsterquest," “Busted for Pot,” “Kisses in the Whiskey,” “Vancouver Centennial Anthology” and “Wild West Coast Woods.” Records include manuscripts, proposals, chapter outlines, and screenplay outlines.

Series has been arranged into the following four sub-series, according to project: Bastions and beaver pelts records ([198-]-1992), The counting house records (1991), Gangsterquest records (1982-2005), and General records (1969-[ca. 1983]).

The Capilano Review (TCR) was founded in 1971 by Pierre Coupey at Capilano College in North Vancouver. Its first issue appeared in 1972. The series consists of records generated from the publishing activities of The Capilano Review when Coupey was the founding editor from 1971-1976; editor 1989-1991; assistant editor 1987-1989, 2002, to committee member and now as a Board member. TCR provides a forum for experimental contemporary writings and poetry from notable writers and poets along with publishing artworks by artists from Canada, the US and other countries. Along with publishing the magazine, TCR also conducts interviews and hosts workshops, talks and panel discussions. In 2015, TCR parted from Capilano University to become an independent literary, art and poetry magazine. Records include, but are not limited to the following: correspondence, artwork submissions, research articles, Curricula Vitae (CVs) and biographies, interview transcriptions, marked proofs, newspaper articles, hand written notes, postcards and greeting cards, administrative records (agendas, minutes, memos and letters) for the Koerner Foundation Lecture Series, submissions from writers such as Sharon Thesen, Michael Ondaatje, Bill Schermbrucker, George Bowering, Phyllis Webb, Duncan McNaughton, and Jack Spicer, and correspondence from writers/poets such as Robin Blaser, Brian Fawcett, bp Nichol, Fielding Dawson, Audrey Thomas, Susan Musgrave, Rick Jones, Brian Fisher, Stan Persky and Guy Montpetit. The Series also includes a copy of and is not limited to the following: the Capilano Courier, February 14, 1979, which ran a parody of The Capilano Review; Boreal: poesia Espanola en el Canada, Marzo 1975 nos. 4-5; Cancion En El Viento poesias by Manuel Betanzos Santos, 1974; a manuscript of San Francisco Gone by George Stanley, 1989; poetic works such as “The White Antibes, The Canaries” “The Black Bull,” “Morning,” “Bet On It,” and “To Melville” by Duncan McNaughton; Stan Dragland’s “Creatures of Ecstasy,” 1986 and non-fiction work “Coach House Poetry,” ND and Michael de Courcy’s “Grocery List,” ND.

Series consists of records relating to Duthie Books’ publishing activities, including their book review periodical “The Reader,” “The New Reader,” as well as catalogues, guides and various staff, customer and employee newsletters. Series is divided into three sub-series: Original reader files (1986-1995); New Reader files (1996-1999); and Catalogue and newsletter files ([198-]-1999).

Series documents Betty Krawczyk’s publishing activities in British Columbia. The series consists of five of her published books, correspondence, poetry, manuscripts, her published magazine articles, interview transcripts, business cards, pamphlets, speech notes, and notices of upcoming event. File also includes two floppy disks and financial records related to the publication of her works.