Series consists mainly of textual material pertaining to Duke's involvement with the Friends of Canadian Broadcasting. This series includes business correspondence and personal information regarding Duke's role within the organization.

Series consists of records documenting Iris Garland’s successful and unsuccessful federal grant applications for research or travel, and in particular for her extensive study of Spanish dancer Tórtola Valencia. Records include completed applications, correspondence, and supporting documents.

Series consists of notebooks containing drafts and notes, unbound drafts, and one copy edited by Algonquin Books of Chapel Hill for the novel Tamarind Mem. It also includes articles, interviews and reviews from Canadian and international newspapers.

Series consists of records relating to the physical production of books and broadsides. Activities documented include book design, proof-reading, and printing. Records include correspondence, contracts and agreements, mock-ups, photographs, negatives, and purchase orders.

This series consists of records relating to the general administration of the Network through the management office. Activities documented include establishment of the Network, development of policy and governance structures, strategic planning, incorporation, liaison with member institutions, liaison with the federal Networks of Centres of Excellence (NCE) program and other NCEs, TeleLearning's mid-term review in 1998 and its renewal application in 2000.

Records includes correspondence, reports (including Annual Reports and the final NCE report), statistics, polices and procedures, insurance policies, agreements (including the Network Internal Agreement), Network by-laws, letters patent of incorporation, funding applications and planning documents. Both paper and electronic records have been retained, and there is some duplication of documents across media. Electronic records are retained in their original software formats (.doc .xls, .ppt, .pdf, .jpg).

Series consists of an incomplete run of productions for "On the Hill," an SFU student-produced broadcast programme based in the School of Communication course CMNS 326 "Applied Media Workshop: On the Hill."

"On the Hill" was created in the early 1990s by School of Communication student Valerie McTavish. At the time, videotape and audio were increasingly being handled directly by students, and the School had developed a non-broadcast course in response. McTavish was a student in the course. She felt there was a lack of community spirit on the campus and saw a monthly, student-produced television programme as a way to encourage involvement and feature campus stories. She acted as producer, and the programme aired on Rogers Cable. After McTavish graduated, Communication students continued her work. The School saw the educational value of the programme and soon added it to its curriculum. "On the Hill" remains a part of the School of Communication, and is the focus of the course CMNS 326 "Applied Media Workshop: On the Hill." The programme continues to be a student-produced broadcast news program with content geared to SFU's student community.

Series consists of page proofs for works Peter Culley edits and materials about art exhibits Peter Culley curated.

Series consists of records relating to the art gallery exhibitions of sixteen Special Mention designs which the Jury selected from the national design competition for the Monument, as well as the three finalists' stage two designs. Activities documented include the first exhibit, Giving Voice, at the Vancouver Art Gallery in 1994, and the touring exhibits at the Royal Ontario Museum in Toronto in 1995, the Nickel Arts Museum in Calgary in 1996 and the Surrey Art Gallery in 1997. Includes programs and other published materials. Also includes mock-up drawing of exhibit lay-out.

This series consists of records relating to the communications function. Activities documented include development of a communications plan, media relations, advertising and publicity, production of the Network electronic newsletter "Tele-Chat," maintenance of the TeleLearning web site, and delivery of papers, presentations and reports concerning the Network. Records include correspondence, reports, press releases, press clippings, web site, artwork, logos, graphics, photographs and negatives, papers and presentations, and TeleLearning demonstration products on compact disk. Records are retained in both paper and electronic media.

Series consists of emailed and hand-written correspondence between Derek Beaulieu and his personal and professional contacts. Also includes related records, including signed contracts, employment agreements, grant applications, award submissions and letters of recommendation, postcards, clippings, ephemera and photographs.

The series documents Lissel as a handmade paper artist, which includes various handmade papers that he has experimented on. He did experiments on different materials, such as cotton, flax, and linen—most of which are defined on the individual paper. Paper samples include kozo and gampi and other samples. The series is arranged in chronological order.

Series consists of record relating to Braid's work co-authoring (along with Al King) the book Red Bait: Struggles of a Mine Local. Series includes transcripts of interviews with Al and Lillian King, drafts, edits and comments to the manuscript by various reviewers, reviews, and Al King's obituary and associated notes.

This series consists of records created during the planning and facilitation of retreat events attended by Board executives and members. The retreats involved socializing and networking, discussing issues and concerns relevant to the Board, reflection on University events and priorities, as well as strategic planning. Includes retreat agendas and notes, memos, invoices, reports, presentations, correspondence, evaluation forms, event facility brochures, articles, speaker bios, and maps.

Series consists of records relating to film adaptations of Peter Trower’s novels "Grogan’s Cafe" and "Dead Man’s Ticket," as well as those relating to his acting role (as himself) in "The Diary of Evelyn Lau." Records include screenplays, correspondence, option agreements, and shooting schedule.

Series has been arranged into the following three sub-series according to film: Grogan’s cafe film records (1994-2005), Dead man’s ticket film records ([ca. 2000]) and The diary of Evelyn Lau film records (1993).

Series consists of records generated by the marketing department of Duthie Books’ head office. Key staff members were Marketing Managers Scott Baldwin and Leanne Nash. Records document the organization of events, annual sales, the customer loyalty program, co-operative promotions, signage, and advertising. Series is divided into the following three sub-series: Events files (1997-1999); Marketing and promotions files (1993-1999) and Advertising files (1997-1999).

Series consists of records documenting the financial management of the filling Station Publications Society and "filling Station" magazine. Record types include bank statements, invoices, ledgers, tax returns, and distribution payment records.

Series consists of records generated from the operation of Duthie’s online bookstore, launched in Spring 1994. Duthie Books’ virtual bookstore was a browsable database containing 50,000 titles in 150 subject areas indexed by author, title, subject and ISBN. The bookstore was located at literascape.com.

Series consists of records relating to the financial operation of the Faculty of Science and includes administration of the faculty budget, individual departmental budgets, and operating budgets for teaching assistants and sessional instructors. Records include correspondence, budgets, statistics, reports and financial working papers.

This series consists of professional correspondence related to Eden Robinson's writing career, as well as newspaper clippings and photocopies of reviews of her work.

Series consists of records relating to Smith's involvement with and documentation of the BC craft beer movement. Records include correspondence, cards, invitations and event itineraries; records reflecting Smith's participation in CAMRA BC, including news releases, campaign materials, meeting agendas and supporting papers; and brewery brochures, publicity materials and information sheets.

Series consists of exhibit panels with stamps, postcards and didactic information written by Henshaw, exhibit planning records, and awards received for exhibitions created and displayed at various locations across North America, including the Vancouver Public Library and conferences Henshaw attended as a member of the BC Philatelic Society.

Series consists of records relating to the Great Canadian Beer Festival (GCBF), held annually in Victoria since 1993. Originally known as the Victoria Microbrewery Festival, Evans was involved in organizing the event in its early years. Files include documentation for a bottle exhibit of historic BC brands in 1994, the festival budget for 1995, and text of a public talk he gave in 1996. The program booklet for 1994 includes his piece, "Brewing began in Victoria."

Records include program booklets and promotional material, copies of newspaper articles, correspondence, exhibit inventory, speaking notes, and budget; files from 2002 on (files 5 through 10) include only the public program booklets.

Series consists of records generated from the administration of the filling Station Publications Society and the publication of "filling Station" magazine. These include minutes, correspondence, notes, grant and award applications, submissions, forms, subscriber lists, contact lists and distribution requests. Series is divided into the following four sub-series: Minutes (1993–1997); General administrative records ([199-]–1999]); Correspondence (1993–1999); and Grant applications (1995–2008).

Series consists of publicity clippings and promotional items documenting literary events hosted by the filling Station Publications Society. These include calls for submissions, contest advertisements, published articles and reviews, recordings of readings, photographs, flyers, and posters.

Series is comprised of project files and technical and architectural drawings relating to the construction and design of store locations.

Series consists of correspondence addressed to Blair Henshaw; some envelopes have AIDS-themed stamps, cinderellas (not issued for postal services by a postal jurisdiction) or slogans.

Series consists of records relating to Evans' public speaking engagements and his writings on the history of beer and brewing. Evans' public presentations on beer go back to 1987; while still working on his thesis, Evans gave a series of talks on the history of brewing on Vancouver Island (The Devil Hop tour), organized by the Royal BC Museum and presented to six different Island communities. By the 2000s, Evans had developed a repetoire of presentations he could adapt to various contexts.

Activities documented include a workshop ("Ale and Hearty") on the history of beer that Evans developed for the University of Victoria continuing education; guest lectures for UVic History classes; Evans' Beer School classes, part of the annual Victoria Beer Week; contributions to Victoria's 150th Anniversary symposium (2012); participation in the Heritage Vancouver Talks Dirty! series (2000); talks at beer and food pairing events; and keynote addresses delivered to meetings of professional associations and home brew clubs.

Evans' published writings found in the series include copies of "Pass the Jack O'Hearts: A History of Brewing in Victoria" (Museums Roundup, no. 232, Fall 2005); and "The Beer Brewers," a chapter in Nancy Oke and Robert Griffin (eds), Feeding the Family: 100 Years of Food and Drink in Victoria (Victoria: Royal British Columbia Museum, 2011).

Records include correspondence; speaking notes, drafts, lecture outlines, presentation slides, and photographs; event brochures and programs, press releases, course posters and course outlines; copies of newspaper and periodical articles; and reading lists and glossaries.

Files are arranged chronologically.

Contains terms of reference for the Sterling Prize materials and individual files on each prize winner.

Series consists of records documenting the marketing efforts of members of the filling Station Publications Society. These include requests for review copies, notes, submissions to the Western Magazine Awards, a National Magazine Award Honourable Mention, and promotional material advertising the magazine.

Series consists of chapbooks published by the filling Station Publications Society from 1993–2006.