The fonds consists of records made or received by the Art Gallery in the process of carrying out is functions. Activities and events documented include the evolution of the Gallery's structure, functions and governance; management of the Gallery's budget; deliberations of advisory committees; correspondence of the director with other university departments and the community; and the production of numerous art exhibitions. Records include correspondence, reports, agendas, minutes, budget summaries, exhibition programs and flyers, lists and forms relating to exhibitions, news clippings, and other documents.

The collection consists of agendas and minutes from the Women's Studies Coordinating Committee and the Women's Studies Graduate Committee. The collection also includes a proposal for a minor in Women's Studies and a correspondence file that contains letters exchanged between Lolita Wilson, Assistant to the Vice-President, Academic and the Committee on the Status of Women of the Association of Universities and Colleges of Canada (AUCC). The latter file also contains a copy of Wilson's 1972 report, "Women at Simon Fraser University."

Fonds consists of transcripts and cassettes arising from Stainsby's master's thesis. Descriptive information for individual interviews has been transcribed from original cassette covers; see in the hard-copy finding aid Appendix 5 and item-level descriptions.

Fonds consists of records arising from the general administration of the East Enders Society, and from the Society's participation in various social service projects for women in Vancouver's East Side. Fonds includes financial statements, receipts, correspondence, bulletins, reports, proposals, minutes of meetings, constitutions, job applications, letters of reference, newspaper clippings, audio tapes of interviews with Society members, partial transcripts of interviews, and other records.

The fonds includes photographs and examples of the stock sold by the company including ruled account books, greeting cards, religious books, and games.

The fonds consists of one bound copy of six plays in manuscript. The volume is entitled Mr. Seckers Manuscript, Secker being the prominent British publisher, Martin Secker. According to Seckers handwritten note at the front of the volume, these plays formed part of a volume he published in 1923.

The fonds consists of manuscripts, typescripts, and proofs of Io (1-24) and the affiliated publishing house, North Atlantic Books. Correspondence with editors Richard Grossinger and Lindy Hough include that from Clayton Eshleman, Theodore Enslin, Robert Kelly, and David Wilk. Fonds also includes some financial records.

The fonds consists of holograph manuscripts of poems collected in "Imaginary Elegies", "Language", and "The Book of Magazine Verse".

The collection consists of correspondence written by Ezra Pound while in St. Elizabeth's Hospital to Denis Goacher, a British writer, concerning publishing projects and publicity schemes to secure Pound's release (1952-1957), to Pound's long-time friends Wyndham Lewis and Agnes Bedford (1946-1959), and to Willis Hawley, a sinologist, concerning linguistic and technical details involved with the publication of "Confucius: The Great Digest and Unwobbling Pivot" (1951). Some of the correspondence to Hawley was written by Dorothy Pound and James Laughlin.

This collection consists of 15 photographs, as well as a postcard. Subject matter is pertaining to Japanese Canadians in the decades leading up to, and including, the Second World War. Content has been divided into 2 identifiable series: Photographs (ca.1925-1945?) and Correspondence (1908).

Fonds consists of records relating to the academic and professional life of Iris Garland, and in part to her personal life. Activities, topics, and events documented include Garland’s establishment of SFU’s dance program; course development and instruction, including early telelearning education; independent and university choreography work; university and dance community service; presentations and writing; education and employment; and some of her early life. Records include notes, course syllabi, copies of clippings and reviews, performance programmes, reports, proposals, publications, correspondence, photographic materials, and sound and moving image recordings.

Fonds is arranged into 10 series:

1. Personal records
2. Teaching records
3. SFU dance program history and development
4. SFU dance workshops and productions
5. Choreography records
6. Correspondence
7. Writing
8. Conference and professional affiliation records
9. Grant files
10. Special media

The fonds consists of superceded policies and procedures.

The collection consists of 2 complete interviews over 3 CDs conducted by Andre Isakov with Jack Munro and Francis (Frank) Wall and two additional CDs of excerpts of the same interviews.

The fonds consists of minutes of the association from 1932 to 1974. The minutes document the decisions and activities of the association including elections, rules for competitions, organizing dances, fundraisers, competitions, and the annual gatherings. Minutes for March 1935 to early January, 1939 are missing.

The fonds consists of records made and received by the Institute of Fisheries Analysis in the course of administering its day-to-day operations. Activities and topics documented include the establishment, organization, and operation of the Institute (including its physical space); budget and funding; projects, programs, and agreements; IFA publications and publicity; and student, staff, and IFA member relations. Records in the fonds include correspondence, minutes, contracts, internal directories, reports, discussion papers, subject files (relating to fisheries research), press clippings, and IFA brochures.

Note that the records of the Institute of Fisheries Analysis contain university records from the Centre for Canadian Studies and the Department of Economics and Commerce. This anomaly likely occurred because of Parzival Copes’s involvement as director and instructor within each of these bodies. The records he used would have been maintained together in whichever office he occupied. For further information on these records see the descriptions and notes for Series F-240-5: Centre for Canadian Studies records and Series F-240-6: Department of Economics and Commerce records.

Fonds consists of Zoltan Kiss's architectural drawings and plans for the Academic Quadrangle and student residences at Simon Fraser University.

Fonds consists of records reflecting the academic and personal life of Douglas Cole. The correspondence series consists primarily of the personal views of Dr. Cole on matters of historical scholarship, university affairs and his own career as a professor. A few letters were made or received by Dr. Cole in his capacity as a University employee performing his official duties –– for example, marking students' work and providing reference letters. Fonds also includes some unpublished articles, conference papers, research notes and lectures.

Fonds consists of records created, received and collected by Working Women Unite. Records reflect the activities and functional responsibilities of Working Women Unite and groups associated with them, such as the BCFW and SORWUC. Includes correspondence, minutes, agendas, bulletins, newsletters, financial records, membership lists, reports, convention proceedings, and articles.

The fonds consists primarily of Acorn's finished poems and pages of preliminary drafts. Fonds includes some correspondence (1964) and prose manuscripts.

Fonds consists of records relating to Braid's life and work as a student, teacher, carpenter, and writer.

The first five series from Braid's first donation in 1995 are comprised primarily of interview material relating to Canadian women in trades, in the form of sound recordings, transcripts, notes, and drafts of profiles generated by Kate Braid in the course of four projects: her Master's thesis (1978-1979); a convention in Holland and subsequent trip to Denmark (1984); the Labour Canada booklets (1988); and the CBC Ideas program (1990). Also includes some correspondence, logbooks and published reference material.

The next series from several additional accruals in 2009 to 2013 consist of records arising from many aspects of Braid's life. These records include drafts and notes from Braid's writing, projects for CBC Ideas, women in trades, her company, Sisters Construction, and other writing and teaching projects.

There is also a large series of correspondence, including letters and emails (printed out) between Braid and other writers, her family, and business correspondents. Finally, there is a series of Braid's diaries, which she has kept regularly from the 1960s to 2012.

The fonds is arranged in 24 series:

1. Master's thesis interviews
2. Europe interviews
3. Labour Canada interviews
4. CBC interviews
5. Women in trade
6. In Fine Form: the Canadian Book of Form Poetry
7. Red Bait: Struggles of a Mine Local
8. A Well-mannered Storm: the Glenn Gould Poems
9. Emily Carr: Rebel Artist
10. Inward to the Bones: Georgia Okeeffe's Journey with Emily Carr
11. Vancouver Island Highway Project Road to Equity
12. CBC Ideas: Men of the Deep
13. Appointment calendars
14. Correspondence
15. Personal and early accomplishments
16. Writing and teaching projects
17. Turning Left to the Ladies
18. Journeywoman
19. Diaries
20. First drafts and handwritten notes
21. Sisters construction
22. Publications
23. Covering Rough Ground
24. To this Cedar Fountain

The fonds reflects Mootoo's work as a writer and artist. It contains printed typescripts of published works with drafts and related working papers, published reviews, drafts of unpublished works, lecture notes, professional correspondence, notebooks and sketchbooks, video productions in VHS format, audio materials and works of visual art.

The fonds has been arranged into 8 series: Literary works; Correspondence; Interviews; Book reviews and announcements; Notebooks and early writings; Artistic works; Photographs; and Ephemera. Some of the series are further subdivided into sub-series.

The fonds consists of a Hobler's autobiography Incidents Along the Way, the log book for the Sistiutil, construction drawings and documents for the Sistiutil, and a 1966 Faculty Handbook.

The fonds is a hybrid, containing graphic materials, artifacts, textual records, and born digital records created or received by Tin Whistle Brewing Company during the production, distribution, and promotion of their craft beer line. Records include glass bottles, wooden and ceramic beer tap handles, labels, posters, signs, banners, table cards, beer profiles, t-shirts, beer glasses, bottle blueprints, gift certificates, temporary tattoos, business cards, pamphlets, awards, and digital images. Records also include digital copies of newspaper and magazine articles documenting the company's achievements.

The fonds has been arranged by the archivist into six series:
• Beer bottles and growlers (series 1)
• Beer tap handles (series 2)
• Promotional materials and merchandise (series 3)
• Awards (series 4)
• Photographs (series 5)
• Media publicity files (series 6)

The fonds consists of records primarily reflecting Robinson’s career as a writer, spanning approximately from 1991 to 2018. These include drafts of several of her novels including "Monkey Beach", "Traplines", "Blood Sports", "Son of a Trickster" and "Trickster Drift", correspondence with editors and other miscellaneous records. The fonds is arranged into seven series: Correspondence (1993-2005); Awards, events and reviews (1991-2007); Records relating to "Traplines" ([1997]); Records relating to "Blood Sports" (2004-2005); Records relating to "Monkey Beach" ([ca. 2000?]); Records relating to "Son of a Trickster" (2016-2017); and Records relating to "Trickster Drift" (2014-2018).

Fonds consists of records created or received by Adbusters Media Foundation through the organization's publishings, advocacy campaigns, legal action, and merchandising. The fonds is a hybrid, containing born-digital materials as well as paper and analogue textual records, graphic materials, audiovisual materials, and artifacts. Records include magazines, books, posters, pamphlets, digital newsletters, digital spoof advertisements, graphic designs, mockups, memes, promotional photographs, marketing plans, operational notes and manuals, financial statements, correspondence, legal records, talking notes, and website captures. Records also include interview transcriptions and copies of newspaper and magazine articles documenting the organization's achievements. Graphic, textile, and ceramic merchandise also make up a notable portion of the fonds.

The fonds has been arranged by the archivist into twelve series:
• Administrative records (series 1)
• Publications (series 2)
• Campaign records (series 3)
• Legal action records (series 4)
• Blackspot campaign records (series 5)
• Merchandise (series 6)
• Talks (series 7)
• Events records (series 8)
• School projects records (series 9)
• Media coverage (series 10)
• Audio/video materials (series 11)
• Website captures (series 12)

Note that the processing of series 4 (Legal action records) is still in progress, and the description is not yet published.

The fonds consists of typescripts and audio reels of CBC radio reviews of stage plays, motion pictures, children's books and popular culture events and festivals, especially those held in the Lower Mainland area of B.C. Fonds also includes related publicity materials.

Fonds consists of records related to Myron Kuzych's case against Bill White, then leader of the Marine Workers and Boilermakers Union. Records include correspondence, notes, newspaper clippings, scrapbooks, transcripts and legal documents from the union, the BC Supreme Court, the Court of Appeal, the Supreme Court of Canada, and the Privy Council.

The fonds consists primarily of records relating to the business activities of Press Gang Printers; it also includes some records arising from the collective's participation in the British Columbia Federation of Women. Activities and events documented include incorporation, the evolution of Press Gang's organizational structure, and the separation of the printing and publishing operations; collective and committee meetings; administration and unionization; financial management, grant and loan applications, and fundraising; liaison with other organizations in the women's movement and in other social movements; production and press work; marketing and promotion; and the financial difficulties leading to the closure of Press Gang in 1993.

Record types includes articles of incorporation; correspondence and reports; meeting agendas, minutes and supporting papers; collective agreements; photographs; ledgers, financial statements, income tax returns, and annual reports; printing samples (newsletters, newspapers, leaflets, brochures, posters, cards and other graphical material); production logbooks and customer accounts; and a Press Gang quilt.