Sub-series consists of single-issue or short-lived publications produced by The Peak Publications Society. Includes an early student directory (1967), student course guides and anti-calendars, Compass (1967), issues 1-12 of Terminal City Express (1972-1973), SNAFU Review (1978), cartoons, and an issue of Westword: Literature at Simon Fraser University (1996).

Sub-series consists of editions of the Canadian Farmworkers Union newspaper The Farmworker, newspaper clippings about the union and its activities, posters and leaflets on a variety of subjects, and press releases. Records also include a recording of a radio program about the Canadian Farmworkers Union, CFU logo lapel pins, and photographs of events.

Sub-series contains records related to promotion and publicity for the IMAG annual film and video festival. Document types include festival programs, newspaper clipping and photocopies, posters, IMAG press releases, press kits for films, and correspondence related to advertising and media sponsorship.

Sub-series contains records relating to reviews and publicity records for various books written by James Delgado, as well as some records relating to Delgado's reviews of the work of others. Records include correspondence (primarily with publishers), newspaper clippings, web page printouts, newsletters, and journals.

Sub-series consists of handwritten and typed manuscripts and drafts of novels that were eventually published. Includes galley proofs used during the publishing process.

Sub-series contains copies of articles written by Delgado published in magazines, newspapers, scholarly journals and newsletters. Articles relate to topics such archaeology, shipwrecks, San Francisco history, and Delgado's work for the National Park Service.

Series consists of project files for books and magazines published by Nunaga/Antonson Publishing Ltd. Titles include "In Search of a Legend: Slumach’s Gold," "A Seagull’s Cry," "Canadian Frontier Magazine" and "Prison Doctor."

Sub-series consists of published materials written by Blaser. Material includes The Holy Forest, chapbooks and broadsides, music lyrics, and individual poems.

Sub-series consists of records relating to the writing and publishing of Flood’s stories that appeared in individual magazines or journals. Records include drafts, correspondence with publishers, contracts and notebooks. Sub-series also includes six publications in which Flood’s stories are printed: "Wascana Review" (1968); "Quarry" (1980); "Room Of One's Own" (1981); "Makara" (1976); "Baker's Dozen" (1984); and "Makara" (1978).

Sub-series consists of Al Neil’s published work. Publications include "Blewointment," "radiofreerainforest," the "Georgia Straight," "Lodgistiks," "BC Monthly" and "Living Art Vancouver."

File consists of correspondence, royalty statements, publication catalogues, and promotional materials related to various publishers Bringhurst has worked with.

This sub-series consists of records relating to the association of SFU and the Quartet. Activities documented include contract negotiations, budget, funding and reporting, campus performances and workshops, off-campus tours, and the decision in 1982 to discontinue the residency. Records include correspondence, proposals, reports, contracts and agreements, funding requests and grant applications, programs, tour itineraries, maps and briefing notes, media releases, publicity photograph (file 14), and press clippings.

Sub-series consists of records compiled by Hari Sharma as a member of the City of Vancouver's Police/Ethnic Liaison Committee and Special Committee on Race Relations. Sub-series includes papers, notes, correspondence, minutes, newsletters, and memos.

Sub-series contains drafts of all the chapters of Radical Campus. Johnston's publishers, Douglas and McIntyre, reviewed the manuscript draft of Radical Campus and asked Johnston to condense the book. This sub-series includes lengthier versions of the chapters.

Sub-series consists of records relating to the development and promotion of Trower's 1978 book "Ragged Horizons." Includes the final selection of poems, as well as correspondence, corrections, a draft of Al Purdy’s introduction, and promotional material.

Sub-series consists of correspondence, announcements, notes, publicity, and financial information created, made, and/or received by Hari Sharma as one of the founders of Rainbow Publications. The publication house began as a venture initiated by Sharma, his friends, and comrades in India to inexpensively make available in India works on Marxism and socialism published in the English-speaking world.

Subseries contains records related to an IMAG workshop that featured Indigenous/Scottish director Randy Redroad.

Sub-series consists of records relating to the daily administration of the Reading and Study Centre and includes Vice-President's correspondence with Centre personnel; job descriptions and resumes; proposed budget and fees; syllabus development and literacy tests; and program status reports produced each semester. Records include correspondence, working papers and reports, statistics, annual reports, financial statements, and publications.

Sub-series consists of textual materials related to readings and other performances of Blaser’s written works. Included is a transcript of an interview with Blaser, handwritten notes from Blaser’s reading copy of The Holy Forest, copies of poems read at events, programs, correspondence with organisers, receipts, and schedules.

Sub-series consists of records relating to the book "Readings from the Labyrinth," a collection of essays by Daphne Marlatt. Records include manuscripts, newspaper clippings, photographs, and other conference material.

This sub-series contains live performances, reels for use in performance, master tapes for recording projects, and broadcasts. The formats are mostly audio cassettes and audio reels. The Recordings sub-series also includes items that are more experimental or improvisatory and might not be included in the works list.

Sub-series consists of records not related to Judith Marcuse Dance Projects and those that were not created by Judith Marcuse.

Sub-series consists of records relating to Flood’s unpublished work. Records include drafts, correspondence, and handwritten manuscripts of stories, essays and poetry.

Sub-series consists of textual material and audio cassette related to the conference, Recovery in the Public World, held in Vancouver, B.C. in honor of Blaser’s literary accomplishments on his 70th birthday. Records include correspondence, essays, poems, and announcements for the conference.