The fonds consists of materials related to Culley's writing, curatorial and editorial work, and includes notebooks, manuscripts, reference materials, proofs, correspondence, ephemera, photographs, and negatives. The fonds also includes a diary, manuscripts by others, magazines, and Vancouver International Film Festival programs.
The fonds has been arranged by the archivist into 9 series:
Writing (Series 1)
Works by others (Series 2)
Correspondence (Series 3)
Personal (Series 4)
Editorial and curatorial (Series 5)
Reference material (Series 6)
Ephemera (Series 7)
Photographs (Series 8)
Biographical information (Series 9)

This fonds contains textual and photographic materials relating to the life experiences of Ajaib (Jab) Sidhoo. The contents of the fonds have been divided chronologically into five distinct series representing significant periods in Jab’s life. Each series is then divided into two sub-series: Photographs and Textual records. The contents of these series are primarily photographs, but correspondence, newspapers, magazines, personal memorabilia and ephemera are also included.
The series contained in this fonds are as follows: Series 1: Records relating to childhood/high school (1923-1942?); Series 2: Records relating to World War II service (1939-1945); Series 3: Post-War Vancouver records(1945-2009); Series 4: East India Carpets business records (1948-2016) and; Series 5: B.C. Lions and Canadian Football League material (1953-1998)

This fonds contains primarily correspondence, photographs, videotapes, and newspaper clippings as well as research and drafts from a multitude of writing projects LaPierre worked on throughout his life. There is material relevant to many of the key aspects of LaPierre's personal and professional life, including his career as a television broadcaster and producer, his academic and publishing accomplishments, his service in the Canadian Senate, his work with charities and his home life and hobbies.

The series contained in this fonds are as follows: Series 1: General correspondence and personal records (1957-2013); Series 2: Records related to television and producing career (1971-2013); Series 3: Records related to writing career (1908-2012); Series 4: Records related to term in Senate (1966-2013); Series 5: Records related to work with charities and organizations (1989-2012); Series 6: Records related to public speaking engagements (1992-2003); Series 7: Photographs (1948-2009) and; Series 8: Moving images and audiovisual material ([ca. 1985-2013]).

Portions of this fonds are relevant to other SFU collections – Daryl Duke (MsC 120), Alan Fotheringham (MsC 157), Norman Klenman (MsC 101), and possibly Edward McWhinney (MsC 191).

Ruth Emerson Wortis was a pioneer of modern dance, as well as a prolific choreographer, performer and dance educator. She was one of the founding members of the Judson Dance Group, which itself is credited for the rise of the Postmodern dance movement. This fonds follows the development of Ruth’s career through an extensive collection of performance programs, photographs, music scores, publications and reviews, choreographic materials such as dance and movement scores, and both personal and professional notes. Also seen is the effect of Ruth’s academic and teaching career on her dancing style as, over the years, she shifts slightly from the avant-garde for performance sake towards breaking down gender stereotypes in dance education by encouraging dance for movement’s sake to children and community groups.
This fonds contains seven identifiable distinct series. Series 1: Dance, movement and music scores (1957-2002); Series 2: Photographs (1957-1991); Series 3: Flyers and programs (1959-2002); Series 4: Published reviews and articles (1959-2001); Series 5: Writings and correspondence (1978-2001); Series 6: Ruth Emerson Wortis biographical information (2015-2017); and Series 7: Ruth Emerson Wortis performances and interviews (1989-1998).

The fonds consists of records primarily reflecting Robinson’s career as a writer, spanning approximately from 1991 to 2018. These include drafts of several of her novels including "Monkey Beach", "Traplines", "Blood Sports", "Son of a Trickster" and "Trickster Drift", correspondence with editors and other miscellaneous records. The fonds is arranged into seven series: Correspondence (1993-2005); Awards, events and reviews (1991-2007); Records relating to "Traplines" ([1997]); Records relating to "Blood Sports" (2004-2005); Records relating to "Monkey Beach" ([ca. 2000?]); Records relating to "Son of a Trickster" (2016-2017); and Records relating to "Trickster Drift" (2014-2018).

This fonds contains textual and photographic materials related to the life and literary work of Colin Stuart - a poet most active in the Vancouver literary scene in the 1960's and '70's. Personal setbacks limited the publishing of his poems, so the bulk of this fonds consists of multiple loose copies and drafts of an extensive body of work that spans almost 4 decades.

The contents of this archive have been divided into six series: Series 1: Manuscripts, drafts, and notes ([ca. 1964]-[before May 2018]).; Series 2: Correspondence (1964-2005); Series 3: Notebooks (1967-2018); Series 4: Photographs ([after 1973]-[2000?]); Series 5: Education and administrative ([195-]-1995); Series 6: Works by Duncan McNaughton and others ([ca. 1974]-2019). Series 1 has been divided into the following sub-series: Sub-series 1: Manuscripts and complete poems (1967-[200-]); Sub-series 2: Partial manuscripts, drafts, and notes ([ca. 1964]-[before May 2018]).

Fonds consists of personal, administrative and production records for Judith Marcuse and her production company Judith Marcuse Projects (also known as Repertory Dance Company, Judith Marcuse Dance Company, DanceArts, Judith Marcuse Dance Projects Society). Spanning from 1956-2019, the fonds documents Marcuse’s life as a dancer and work choreographing, directing and producing dance and multi-disciplinary performing arts projects and festivals. The fonds predominately contains business records (particularly requests for grants and donations), promotional materials, media clippings, photographs, correspondence, sound recordings, and moving images.

This fonds consists of four main series (some containing sub-series) - Series 1: Personal records (1956-2018); Sub-series 1: Records created by others (1977-2009); Series 2: Commissions or consultations (1966-[2015?]); Series 3: Events, organizations and councils (2002-2018); and Series 4: SFU and International Centre of Art for Social Change (1996-2019) which contains 4 sub-series – Sub-series 1: Administrative records (1996-2019); Sub-series 2: Financial records (2007-2010); Sub-series 3: Grants/fundraising records (2008-2012) and Sub-series 4: Promotional records: ([2006?]-2009). The fonds also contains one sous-fonds (some containing sub-series).

Collection comprises photographs, manuscripts, correspondence, ephemera, books and periodical material resulting from and pertaining to the settlement and subsequent history of Doukhobors in Western Canada. Books and periodical items have been catalogued in the SFU Library Catalogue. Digitized images and accompanying descriptions of a portion of the collection are available on the Doukhobor Collection, 1898-1930 website.

Fonds consists of the literary papers, video recordings, slides, posters, promotional material and digital records of Adeena Karasick. Records document her work as a poet and performer, blurring lines between academic discourse and popular culture in the fields of contemporary poetry, poetics and cultural and semiotic theory.

The fonds reflects Mootoo's work as a writer and artist. It contains printed typescripts of published works with drafts and related working papers, published reviews, drafts of unpublished works, lecture notes, professional correspondence, notebooks and sketchbooks, video productions in VHS format, audio materials and works of visual art.

The fonds has been arranged into 8 series: Literary works; Correspondence; Interviews; Book reviews and announcements; Notebooks and early writings; Artistic works; Photographs; and Ephemera. Some of the series are further subdivided into sub-series.

Covering the time period of 1971 to 2007, the collection is comprised of records created or received by various staff of New Star Books in their business activities. These activities consisted of: soliciting authors for material or responding to author requests for representation, corresponding with authors throughout the editorial process, designing or contracting layouts for books and communicating instructions to vendors, arranging for printing of materials, promoting book tours and maintaining vendor accounts with various independent bookstores and organizations throughout the world. They also monitored book reviews in publications of the popular press and professional organizations, arranged for marketing of products, coordinated payments or receipt of payments, and periodically issued royalty checks. New Star was often reliant on external funding for the publication of some works, especially in instances where translation services were required to reach certain markets, so applications for grants or donations comprise a portion of each series.
The collection reflects some of the major cultural and political issues affecting Canada, and particularly British Columbia and Vancouver, in the late-1970’s and early-1980’s. These topics ranged from criticisms of British Columbia’s Social Credit administration, to works on the Nicaraguan and Cuban revolutions, feminism, gay rights, communism, and the immigrant experiences of Chinese Canadians and Eastern Europeans The collection also offers insight into some of the shifting trend of public interest away from such leftist publications and the choices New Star editors then had to make in choosing marketable content over progressive or provocative literature.
Record types include correspondence, invoices, purchase orders, balance sheets, newspaper clippings, book reviews, financial statements, grant applications, legal transactions or communications, sales figures, book tour schedules, typesetting instructions, style sheets, draft layouts, photographs, and one draft manuscript.
The collection is arranged into the following ten series: Accounts correspondence and invoices (1973–1994); Author correspondence (1977-1997); Book reviews and related records (1976–1999); Business operational files and related records (1971–1999); Editorial correspondence and related records (1973-2001); Sales figures records (1974-1990); Payroll and taxes records (1972-1990); Royalties records and related correspondence (1979-2005); Draft manuscript files [before 1974?]; Invoices, sales registers and related records (1972-2007).

The collection consists of items related to Robertson's writing, editing, and teaching activities, and includes correspondence, manuscripts, photographs, notebooks, teaching materials, clippings, video and audio tapes, ephemera, and a range of publications, some of which Robertson worked on as an editor, and others to which she contributed her own work. The collection also includes manuscripts produced by several of Robertson's friends and colleagues and original artwork used for covers and interior graphics of various publications.

Fonds consists of the literary papers of BC writer Anne Cameron. Records include manuscripts, ephemera, photographs, news clippings, correspondence, periodicals, notebooks, and floppy disks.

Fonds consists of master videotapes and notes from two film projects: documentary portraits of Gerry Gilbert (The Big Break), taped in 1988, and Voice: Roy Kiyooka, taped in 1991.

Fonds consists of records created by Rick Patton; they reflect his life and work as a filmmaker and freelance sound engineer in Vancouver, B.C.

Fonds consists of records relating to Bonner's time as Attorney General of the Province of British Columbia in the B.C. Social Credit Government of W.A.C. Bennett. They include newsclippings, budgets, books, papers, and speeches.

This material has not been processed.

Fonds consists of legal materials related to the environment, some of which formed the basis of reports Kansky researched for the West Coast Environmental Law Association.

Fonds consists of records relating to the activities and administration of the Allan Boag Foundation, including financial and accounting records, requests for funding, correspondence, grant applications and rejection letters.

Fonds documents the research, advocacy and communications activities of the Trade Union Research Bureau. Records include books, newspapers, magazines, pamphlets, correspondence, legal documents, research materials, sound and video recordings.

Fonds consists of business records relating to the management and operation of BC Rail, when Mac Norris worked for the company. Records include reports, financial information, board materials, press releases, speeches, and correspondence.

Fonds consists of records relating to the activities of the Social Credit Women's Auxiliary and materials collected by Flo Dickinson as a member of the auxiliary. These include campaign material, photographs, correspondence, textiles, certificates, newspaper clippings, placards, account books, reports, magazines, brochures, and ephemera.

Fonds consists of scrapbooks of Mitchell's travels to Japan and Korea, reports she wrote with the Neighbourhood Services Association as a Community Development worker, speeches mailings, newsletters, issues & case work files, correspondence, records related to her memoir, the Vancity Community Foundation's Margaret Mitchell Fund for Women, photographs of various events, and House of Commons debate transcripts.

Fonds consists of 22 sketchbooks (featuring watercolours, pen and ink drawings, pastel and charcoal sketches, travel diary entries) measuring approximately 8 x 10" to 10.5 x 14". These sketchbooks document Rose Malerby's travels to Prince Rupert via ferry and from there to the Yukon with friends in a Volkswagon bus. Malerby captured landscapes, townscapes, harbour scenes, flora, people, architecture and artifacts, and noted weather conditions, gas costs, where they stopped to eat and places they stayed along the way.

Fonds consists of photographs, sound recordings, manuscripts, original art, ephemera, broadsides and posters collected by Roy Miki over the course of his career as a writer, editor and professor in SFU's English Department.

Fonds consists of records relating to the life and published journalism and books of Allan Fotheringham. They include newspaper clippings, scrapbooks, photographs, notebooks, correspondence, magazines, books, a typewriter, certificates, awards, conference name tags, and born-digital documents.

Toby Brooks is an American-born social advocate and activist living in Canada with her husband David. Toby worked at a home for women survivors of domestic abuse in Ontario in the 1970’s and 1980’s. While furthering her education she came across the story of Vancouver poet Pat Lowther, murdered at just 40 years of age by her husband in 1975 when just on the brink of professional recognition. Pat Lowther’s untimely death resonated with Brooks, who spent the better part of the next two decades researching and interviewing Lowther’s friends, family, and colleagues. The end result was a biography entitled “Pat Lowther’s Continent: her life and work” published by gynergy books in 2000. Toby also organized a series of tributes dedicated to Pat Lowther. The first was held in 1995 at Emmanuel College in Toronto, with others following at various locations on what would have been her milestone birthdays.

This collection consists of textual records compiled primarily by Toby Brooks, but also some research material from her collaborator Dona Sturmanis. The records are mainly correspondence, interview transcripts and photocopies of poems. There are also copies of research records obtained from other archives or organizations.

There are 3 series contained within this collection: Research and writing ([ca. 1959-2006]); Toby Brooks-Dona Sturmanis collaboration ([before 2000]); and Pat Lowther tributes and readings ([ca. 1985-2006])

Fonds consists of records used and created by Russell Fraser while he was member of the B.C. Social Credit Party and MLA for Vancouver South. These include government documents, newspaper clippings, photographs, reports, and Expo 86 posters.

Fonds consists of records reflecting Yvonne Klan's research into the history of the fur trade, the British Columbia opium trade, James Murray Yale, B.C.'s First Nations, and pioneer poets. Records include copies of her published works, travel notes, radio scripts and publishing proposals.