Fonds contains drafts and manuscripts of articles, short fiction, scripts, and novels, as well as originals and reproductions of Coady’s publications, notebooks, reviews and articles about Coady and her work, and other records related to Coady’s writing and editing activities and projects. The fonds is arranged in four series: Writing and editing ([199-]-2011); Publicity ([199-]-2011); Personal ([199-?-2010?]); and Correspondence (1999-2006).

Fonds consists of correspondence, scripts, screenplays, newsletters, articles, films and other records created or accumulated by Norman Klenman over the course of his career as a journalist, film and television writer and producer, and the joint owner of the CKVU television station. The records include draft and final version scripts and screenplays and related records for radio, television, and film (both produced and unproduced). Also included is correspondence, agreements and financial and project-related records of various production companies of which Klenman was a joint owner, in particular Galanty Productions Limited (Galanty Limited). The fonds also contains some personal records; these include correspondence pertaining to Klenman’s career, as well as articles and other writings by Klenman. The records have been arranged into the following six series: Personal records (2002-2010); Articles and general writings (1986-2006); Business files (1952-2004); General scripts, screenplays and related records ([ca. 1946]-2010); Television scripts, screenplays and related records (1956-2010); Film scripts, screenplays and related records (1953-2008); and CKVU records (1958-2011).

The collection reflects Rimmer’s career as a designer, illustrator, printer, and publisher, and his involvement with members of the printing community and various associations. Records document Rimmer’s graphic design, typeface design and printing processes and accomplishments, and the publication activities of Pie Tree Press. The extensive graphic material within the collection includes sketches, drawings and prints. Also included are Rimmer’s linocut and woodcut blocks, as well as master patterns, specimen castings, matrices, lead working patterns, and cast metal sorts for many of his metal typefaces. The collection is arranged into nine series: Correspondence (1930-2010, predominant 1978-2010); Subject files (1938, 1956-[2009?]); Pie Tree Press publications and related material ([ca. 1978-2009]); Typeface design ([1971-2010]); Commercial work (1960-2009); Art prints and illustrations ([1970-2010]); Promotional and advertisement material ([197-?]-2008); Works by others regarding Jim Rimmer (1982-2012); and General photographs (1961-2002).

The collection reflects the many aspects of the Canadian Farmworkers Union’s organization and its actions, including unionizing workers and certifying workplaces, advocating for workers’ rights, providing ESL classes and other educational programs, and speaking out on behalf of other workers’ rights and social rights in Canada and around the world. Records include administrative documents, financial records, internal and external correspondence, reference material on a variety of subjects, publications, and numerous photographs of events and activities.

The majority of the material in the collection was created or received by the CFU in the course of its work, but some material, such as the Charan Gill photographs and Craig Berggold book research records, was created by others in relation to the CFU.

The collection has been arranged into nine series: Administrative records (1974-2010); Event photographs ([198--1985]); Union action records ([1978]-1997); Programming and project records ([1965]-Printed 2013 (originally created 1986)); Research and advocacy records ([197-]-2011); Deol Society records (1977-1998); Canadian Farmworkers Union Ontario photographs and administrative records ([1979?]-1983); Charan Gill photographs ([199-]); and Craig Berggold book research records ([201-]-2013).

Fonds consists of the personal records of Betty Krawczyk, an environmentalist and active community member in British Columbia’s Lower Mainland. Spanning from 1970 to 2013, the fonds documents Krawczyk’s court cases, time spent in prison and participation in local community activism groups. The fonds predominately contains correspondence and legal records associated with Krawczyk’s court cases and prison sentences. Other records include certificates, notes, flyers, flags, mission statements, newspaper clippings, envelopes, financial papers, and Krawczyk’s published materials. The fonds has been arranged into eight series: Community activism records, Personal correspondence and related materials, Education, Legal records and related materials, Newspaper clippings and media coverage, Publications, Photographs and related materials, and Diaries.

The fonds consists of records created or accumulated by James Delgado since 1964 through his personal and professional activities. These activities include his work with the National Park Service, the Vancouver Maritime Museum, and the Institute for Nautical Archaeology, his archaeological projects and expeditions, his exploration of shipwreck sites, his work on the television show “The Sea Hunters,” as well as his lecturing and writing. Records include correspondence, publications, notes, manuscripts, research records, photographs, video recordings, and audio recordings.

The fonds has been arranged into the following twelve series: Correspondence (1973-2012), Personal records (1964-2013), Project records (1967-2010), Expedition records (1995-2009), Sea Hunters records (1999-2006), Writing records ([197-]-2011), Newspaper clippings (1972-2008), Lectures and education records (1978-2008), Audio recordings (1977-[199-?]), Images (1969-[before 2010]), Video recordings (1970-[before 2010]), and Electronic records ([before 2010]).

Fonds consists of records related to the life and creative work of Peter Trower in his activities as a poet, prose writer, cartoonist, and musician. Fonds also includes records pertaining to Trower's collaborative projects with Yvonne Klan, as well as works by other authors and artists that were accumulated by Trower. Records include poetry and prose manuscripts, drafts and outlines, movie scripts, journals, notebooks, correspondence, business records, photographs, articles, cartoons and other drawings, awards, certificates, and sound and video recordings.

The fonds has been arranged into the following twenty-three series: Correspondence (1934-2006); Journals and calendars (1961-2005); Notebooks ([ca. 1953]-2003); Prose - published books ([197-?]-2000); Prose - unpublished books (1969-2005); Prose - articles, short stories and related material (1953-2002); Poetry - published books (1964-2004); Poetry - unpublished books ([198-?]-2003); Poetry - draft poems (1958-2005); Poetry - published poems ([ca. 1972]-1997); Film scripts and related material (1993-2005); Musical performances, sound recordings and related material (1981-2004); Business and financial records (1964-2005); Articles, reviews and interviews regarding Trower (1965-2005); Readings, festivals and events records (1974-2005); Awards and honours records (1979-2005); Photographs (1929-2005); Cartoons and other artwork (1949-1998); Website records (1999-2002); Yvonne Klan records ([199-?]- 2005); Reviews and articles regarding other writers and artists (1982-2006); Works by other authors (1950-2003); and Personal records ([ca. 2000]).

Fonds consists of records created or accumulated by Derek Beaulieu through his personal and professional activities, primarily from the 1990s to 2015. Records document his work as publisher of housepress and No press, and his work as a writer, editor, art and literature student and creative writing instructor.

Fonds is arranged into the following eight series: housepress (1997–2007); No press (2005–2015); Writings (1991–2015); Correspondence (1994–2015); Artworks (1996–[before 2013]); Notebooks, sketchbooks and daytimers (1987–2015); Promotional records ([199-]–[2015]) and Personal records (1994–2007).

The fonds consists of correspondence, photographs and newspaper clippings pertaining to the Modernettes and John Armstrong (Buck Cherry). The fonds is arranged into the following six series: correspondence, newspaper clippings, the Modernettes records, financial ephemera, pins and photographs.

The collection consists of materials that relate to Caroline Adderson's work as a writer. Types of materials include: versions of drafts of manuscripts, many with holograph annotations; incoming and outgoing correspondence in the form of handwritten and typewritten letters, and hard copies of email and fax; research relating to her work including collected works by other writers; notes that relate to and inform her literary work; promotional, personal, and research-related photographs; reviews of her work; and a collection of published work in monograph and serial format. These monographs and serials have been catalogued in SFU's Special Collections catalogue. Materials were accessioned in varying states of organization. Much of the material was and remains intermingled, and some had been organized and described by Adderson. Some folders have been written upon by the author, accompanied with explanations of the contents of the corresponding files. In this finding aid, RAD applies consistency to the body of material, but the descriptive contents within the actual folders are not consistent for this reason. All information Adderson has provided about her records has been kept with the appropriate papers.